by William H. Coles
Illustration by David Riley
Great literary fiction storytelling as an art form is not for all readers, and its success is not measured solely on volume of commercial book sales but rather the number of readers moved or enlightened by characters and story, usually about what it means to be human. Many of the literary stories that have lasted into new generations of readers have important, common characteristics; here are the principles.
The fictional humans that populate successful literary fiction seem real to the reader, either in the context of the reader’s world, or the story world created by the author. It is the creation of these “real “characters to be moved by as well as to move story events that assembles character-based story and plot in most successful literary fiction. As Virginia Woolf wrote, “. . . they [characters] live and are complex by means of their effect upon many different people who serve to mirror them in the round. . .” When considering “. . . the permanent quality of literature . . . think away the surface animation, the likeness to life, and there remains . . . a deeper pleasure, an exquisite discrimination of human values.
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