by Paul Bishop
IN EPISODIC TELEVISION, you never hear long expositional explanations of character history or incidents from previous episodes. Instead, the action on the screen is so crisp and clear, viewers become invested in the show from the first scene
The same thing needs to happen on the page.
To accomplish this, you need to emulate what occurs in the television world, where staff writers for a show create a macro story arc for the season before creating the micro story arcs for each individual episode.
This way, each individual episode of a show contains all of the beats of the micro arc for the episodes specific storyline, as well as one, two, or three beats needed to progress the storyline of the macro arc.
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