Showing posts with label Bobby Nash. Show all posts
Showing posts with label Bobby Nash. Show all posts

Tuesday, September 29, 2026

AI: 2BR Not 2B (Noted)


AI. Boy, those are two letters that solicit a lot of strong opinions. But, AI as a concept isn't what I want to talk about today. I want to know what writers think about crediting AI writing and art inside the books, and whether we still believe the assumption is that books are written by human creators alone. 

Should books that don't use AI for either writing, plotting, or art have such an announcement in the foreword or an afterword? 

Bishop O'Connell: Any AI use at all in the creation needs to flagged. Why would I bother reading something you couldn't be bothered to write?

Danielle Procter Piper: So many people are associating AI with poor quality products and services, a warning should definitely appear on any published work that states it was entirely or in part AI generated.

Ruth de Jauregui: No

Rachel Burda Taylor: No -- I started to put a funny version of "No Ai" on my Amazon Landing page and it felt mildly obnoxious and short-sighted. The AI problem is likely short-term, in the sense that the planet/authors are still working out the gray areas of how to use/not-use ethically, and so I decided to wait a few years until things have settled some and there is more of a standard.

Jen Mulvihill: We should not have to, but I guess it would not hurt.

Paul D Storrie: No, but I understand the impulse to reassure the reader.

Friday, June 12, 2026

AIRSHIP 27 PRODUCTION PRESENTS JAMIE RAMOS’ STREETS OF GOLOGTHA

The word Golgotha means "the city of skulls," and "the place of Christ's crucifixion.” Late editor Jaime Ramos thought that a city based on this meaning, which was founded by French monks in the 1800s, would be an interesting place to set noir and detective stories. Ramos wanted the city to be hard-core, filled with dirty cops, the Mafia, corrupt religious figures, and a TV psychic named John Normandy. He wanted the city to be laid out with French catacombs underneath and urban Gothic design on the surface.

Designing landmarks for the city, Ramos had a friend create a map, placing the city in upper Wisconsin, where it always seemed to be raining or snowing or both. Crime would be mixed with mysticism and darkness. Inviting several author friends to contribute, Ramos created an omnibus of collected stories about the city of Golgotha. Assembled here for your enjoyment is the fruit of his editorial desires and the loving labors of Jaime Ramos' friends: Teel James Glenn, Nancy Hansen, Lee Houston Jr. Wayne Carey and Bobby Nash. Illustrations by Rob Davis and cover by Adam Shaw. Take a walk down the shadowy, dangerous, and mysterious STREETS OF GOLGOTHA.

PULP FICTION FOR A NEW GENERATION!

Available now from Amazon and soon on Kindle.

Thursday, May 28, 2026

Writing Short Stories


Okay, last week we covered series writing. This week is for the opposite end of the spectrum writers. This one's for the folks like me who love to write short.

What is your ideal length for a short story? How do you make sure that you're able to get one full story in that length?

Rosemary Claire Smith: The bulk of my published fiction consists of short stories. They were where I began my writerly journey. I still love them and just finished one yesterday. I don’t have an ideal length, but the ones that garnered the most attention are the longer ones: 8,000-14,000 words. I love the challenge of flash fiction and find the 1,000-word limit great inducement for cutting every extraneous word and sentence. Those left are expected to do double and triple duty.

Sheela Leyh: I know that it's more than 1000 words. Anything 1000 words or less gives me a major headache to write. I do write poetry from time to time. I do comb through my words for more impact when writing shorter.

John Morgan 'Bat' Neal: The most recent story I have written is 806 words. It doesn't need one word more.

Mari Hersh-Tudor: Went to Penguicon, a great one for writers. One of the panels was about How To Keep Your Short Story from Turning Into A Novel. Some of my notes from the panel were:

  • The formula is 1/4 setup, 1/2 meat, 1/4 wrap/ twist
  • Stay on task, make a plan, and stick to it
  • Give yourself a word count and stick to it
  • Make every word count
  • Short stories do not have subplots,
  • Don’t write to cut down, write light to add later,
  • No backstory, use efficient descriptions,
  • Economy like poetry

Jessica Nettles: I don't have an ideal length. Each story has a way of finding its length. I know that sounds metaphysical, but that's how it works in my world. Sometimes, I am writing to a specific word count, and I work hard to get to that word count and make the story work in that frame. That's good exercise for me. Other times, I'm writing for me, so I can go as I feel like going and let the story find its way.

Thursday, May 21, 2026

Writing Series


Okay, your writers of epic series and continuing sagas that stretch across multiple books, let's pick your brains to see how to make that magic happen.

How much do you know going into a series, or does the bulk of the world and lore grow as you write it? 

Bobby Nash: When I start a series, I have an idea of where the overall story is going. I usually have loose plots for at least two books when I start on book one. My series tend to be stand-alone A plots with subplots and character bits that move from book to book. I want readers to get a beginning, middle, and end in each book. Then, I tease the next one at the end and hope it brings them back for more.

Ef Deal: I began with characters and a setting. I had not planned a series; I just researched a rich vein of history, science, and music. As I researched, ideas for conflict/plot emerged, and I found myself with too much for one story. I mean, these women had lives to live, too much for a one and done. I’ve always believed that a story needs a future, so my characters conceivably could go on for another 70 years. Sadly, I may not be able to write it all.

Kevin McLaughlin: I write SF&F, which is utterly dominated by series, so pretty much everything I write is created with a series in mind. Over 100 titles, and I think like two stand-alone books? Going in, I generally know where I want the story to start, and roughly speaking what I want the arc of the series to look like. My Satori series began with the premise: "team of people use a rebuilt ancient alien starship to have Stargate-style adventures across the galaxy." I didn't have an endpoint in mind. For my Intrepid series, however, I know roughly the beginning and end - it opened as basically "Battlestar Galactica, but it's happening to Earth," and will continue until book 24 (or so), when humanity essentially flips things around on the bad guys.

All worldbuilding always happens as part of the writing process. If I need to know something about the world, I make it up. I am basically discovering the universe at the same speed the reader will.

Rosemary Claire Smith: I thought I knew so much more than I actually did. Important characters walked onto the stage midway through. For some, their ultimate fate changed in small or large ways as I worked on it.

Dan Kemp: I did not know much, but since my thriller series (Athenaeum, Inc) happens in our 'real' world, I don't have to build much. Reality supplies the weirdness.

Jay Peterson: Only got the one series, but I knew it was going to be one the moment it started showing up.

Sara Hinson Bond: In order to keep everything straight across multiple books. I start a series Bible and the second lore gets added to a book I start expanding on it. I have notes on magic systems, character bios and political history, etc. I don't know all the details, though, and they come up as they are relevant to the story.

When I started the first book of my Iron and Earth series, I just had a vibe and a character. By the time I fished draft one I knew my entire story arc over five books. I had a mythos, a magic system, and a mystery to uncover over multiple books within a few pages, and by the end of the first book I knew exactly where it was taking me.

Sam Kelley: I learn as I outline and write and expand upon that info during rewrites & edits.

Julia Benson-Slaughter: When I started writing The Littleton Chronicles, I’d been collaborating with my writing partner on a series that he started several years ago. We’d spent two years expanding his beginning story bits and building the world for that series (Chronicles of the Covenant) when we each got the urge to venture off into a separate, but connected, universe. So there was a basic foundation in place for all three universes, dealing with their creation and early evolution. A big part of the story in all three is how they diverge into different worlds, but will, LONG into the future, all converge back to the same point.

Friday, February 13, 2026

Captain Science Goes to Oz! (New from BEN Books)

Science and fantasy collide in the merry old land of Oz in the new digest novel, Captain Science in Oz! available in paperback and ebook at Amazon worldwide with more retailers to follow. The author will also have autographed copies for sale soon.

When his old enemy, the Beast Men of Rak, invade Oz, Captain Science answers Oz’s call for aid. BEN Books presents Captain Science in Oz!, a pulpy action-thriller by Bobby Nash featuring the return of the 1950’s super-science hero, Captain Science. Cover illustration by Jas Ingram.

Saturday, December 20, 2025

Holiday Short-Shorts 2025-- Our Contributors' Gift to You!

 


As the Grinch learned, "Maybe Christmas doesn't come from a store." The best gifts come from somewhere inside you, and if you're a creative, that's doubly so. 

In that spirit, our regular contributors to the blog are giving you the gift of holiday fiction. These are all original holiday-themed short-shorts written by our regular contributors. Thrillers. Horror. Crime. Drama. Family. It's all there. 

Happy holidays, everyone!

Note: All stories below are © 2025 by the author and are used here by permission.

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Last Christmas

I found him at last: Nick, skulking beneath the peppermint rafters where the toyshop’s shadows knot themselves into darker tidings, his trembling breath frosting the air like a naughty whisper. For centuries he’d dodged me, unraveling my spells, undoing my careful work, poisoning the holly with his sanctimonious shine. But tonight, sleigh bells rang for me. I crept closer, boots silent on sugared snow, heart humming with the warm thrum of justice long delayed. Now the North Pole is quiet again, and in the stillness, I savor the sweet, sweet taste of a world set right beneath my merry, crimson grin.

        -- Evan Slash Reed Peterson

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A Show for the Holidays

"Thank you," said Byron, as he took the mug of hot chocolate from his P.A. "It's just what I wanted. Well, more like what I needed."

"Sugar and just a little bit of the cold coffee poured in for caffeine and a kick."

Byron smiled. "Just what the doctor ordered."

"Enjoying the party?" Janet asked. "You don't strike me much as a partygoer."

"I'm not. I'm just here..." His voice trailed off. "Well, I'm here for something I want to see later."

"Oh," Janet mused. He meant the announcement of the big layoff for the lowest rung. His own suggestion for cutting 'unnecessary costs.'

The antlers on her Christmas moose sweater flopped as she motioned for him to take a sip. He did, downing a gulp before stopping with a weird facial tick. 

"Ooh. Cardamom? Nice touch."

She nodded. 

Cardemum, she thought. And the assload of thallium sulfate I put in the mug. There would be something to see, all right, but not the show her boss expected. 

        -- Sean Taylor

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Home for Christmas

Evie stepped up the familiar redstone steps to the front door of a house she once knew like family. She turned back to look down the steep hill toward the pine trees and the street and was sure, for half a second, she caught a glimpse of another house at another time, far but not so far from her. 

“Get on in here. It’s gettin’ chilly out.” Evie jumped and turned back to the door. 

“Momma?”

The woman smoking a cigarillo and dressed in a bright red sweater pushed the door wide to let Evie in. “You weren’t expecting Santa, were you?” She smiled. 

Evie couldn’t help but laugh. She’d forgotten that joke. It’d been so long. “Not yet.” She rushed to hug her momma, door slamming against her back. 

“I know. It’s been a long time.” Momma wrapped her arms around her. “But don’t you worry. We’re all here, and now we can have a real Christmas.”

The living room was lit by the enormous live Douglas fir in one corner of the room. Evie’s daddy was on a ladder hanging handmade wooden ornaments. It glistened with silver tinsel and huge colored lights, just like momma loved. She remembered how he used to give them to her children and her sister’s children when they were little. Her daughter still put them on her tree. 

Her daughter…

She gazed out the large window decked in large bubble lights. Just on the edge of the horizon, she could see her girl making ribbon cookies like she used to make until the year she couldn’t read the recipe properly. 

A tug at the shoulder brought her back. “Evie! Evie! Did you bring any cookies?”  She turned and saw the soft, impish face of her brother. For a moment, she couldn’t breathe. She should be with her daughter, not here. This is the wrong place and time. 

“I need to sit down, I think.” 

Momma led her to the couch. “Leave her alone, Mikey. I wondered when it would hit her.” 

Evie took in the scene. She was at home with her family at Christmas. There were bowls of candy on every flat surface, just as always. It felt normal and right, but then there were the other memories and other family just past her reach and on the edge of what felt real now. Daddy came down from the tree and sat with them. 

He patted her hand. “We’re all here. We’ve waited for you for a long time, Evie.” 

“You and momma keep saying this. Does that mean?”

“It means we are all together again!” Momma smiled and clapped her hands. “Your brother and sister will be here soon and we’ll have Christmas dinner, and it will be fine.” 

Evie went to the window and pointed out. “And what about them?”

Daddy joined her and squinted as though he could see what she saw. “She’ll bake those cookies and tell your stories. They’ll be with us soon enough.” He hugged her. 

Behind them, the dulcet voice of Brenda Lee began a verse of Jingle Bell Rock. Momma danced in with a plate of homemade cookies and hot chocolate. 

“Here’s those cookies you wanted, Mikey.” 

The teenaged boy laughed, and Evie couldn’t help but laugh too. It was good to be home.  

        -- Jessica Nettles

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An Encounter With Santa

“Santa!” the boy exclaimed.

He hoped the kid wouldn’t see him. Dressing as Santa to rob a bank during a Christmas party was smart, but he regretted sneaking into his ex’s place to hide a few bills in his kid’s stocking. He hoped the kid didn’t see the large roll of hundreds peeking out of his red pocket. 

Playing it cool, ‘Santa’ deepened his voice and whispered, “Well, Bill...you caught me. I was just about to leave you a special present.”

“But where’s your bag of toys?” Billy sighed. “Mom’s always complaining about how Dad never has enough…”

Always about the money, ‘Santa’ mused. Part of the reason they divorced was that he was a hard-working Joe who was hardly working in this economy. Ask her and she had “high standards”, but he felt she was more “high maintenance.” He did all he could to see his son, but he never seemed to have time…

Remembering where he was, ‘Santa’ crouched by the boy and whispered, “You want to see your dad, huh?”

“More than anything!” Bill beamed. 

“Tell you what,” Reaching into his pocket, ‘Santa’ withdrew a hundred dollar bill. “I’ll be bringing your toys later tonight, but you have to be asleep. I’ll also...uh...swing by your dad’s place and let him know. I’ll make sure you meet him at your favorite place tomorrow.”

Clutching the money in his hand, Bill beamed as he went back to bed.

Glancing around the room, ‘Santa’ saw two stockings pinned to a decaying entertainment center. One said “Mom” and the other said “Bill”.

Pulling off a few hundred-dollar bills, he placed them in the stocking marked “Mom.” He hoped that she would spend them on Bill, but he knew better. 

As he heard her stir from her sleep, ‘Santa’ crept out the door. He already had plans to launder his stolen loot, hidden in a cubby hole in his apartment. Tomorrow, he would hopefully meet Bill at their favorite park.  He doubted it, but if it happened, it would be the best Christmas present ever. 

That and avoiding arrest. 

        -- Gordon Dymowski

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If Only In My Dreams

The house felt warm and cozy. Familiar. Loving. Safe. Inviting. The crackling fire in the living room filled the air with a hint of pine. Pleasant, it mingled well with the aromas emanating from mother’s kitchen. That mixture clung to his memory as powerful now as the first time. Mother’s voice, the sound of an angel, sang an old Christmas tune. She was slightly off-key, but that only added to her charm. He missed that sound. Father would avoid the kitchen, of course, cutting his beloved a wide berth until time to fix his plate. Turkey, ham, potatoes, dressing, gravy, green beans, and cranberries with fresh-baked rolls on the side. If nothing else, the family ate well on Christmas Day.

Just the way he remembered it.

It had been at least a decade since he last saw them. Even more time passed since those early holiday treats where family came together in love and compassion. One big mistake brought his life crashing down around him. Things were never truly as wonderful as his fractured memory, of course. No. Things were never as good in reality. That’s why he slipped so frequently into fantasy. Pulling the threadbare blanket tight around him, he closed his eyes and once more opened the front door and stepped back into a fond memory, slightly rewritten to recall only the good memories. Smiling, he stood in his mother’s kitchen and closed his eyes. It was good to be home again for Christmas.

If only in his dreams.

        -- Bobby Nash

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The Christmas Spirit

The holidays are always pregnant with memories. They used to be the happy ones, cooking the ham and mac and cheese together with Mom, tugging the fake beard off Dad's face and laughing, those kinds of things that made up the Norman Rockwell part of my life. 

Now the memories are darker, more melancholy, what I used to call bittersweet. Now I see only the open casket, the flowers that were already dying in the church, the people crying, the mechanical clicking as the expensive funerary box was lowered into the dark womb of soil. 

The fire in the hearth no longer gives me warmth. The feast has no flavor, so I have given up on trying to enjoy it. I ignore the presents under the tree. None are for me now anyway. 

My room is cold. Everything remains just as it was before, all my posters still in place, mostly just a little crooked, my cheap brand Les Paul guitar silent on its stand, my bed never unmade, not even when I lie down and try to sleep. 

The family gathers as usual. I watch without eating. I wait and listen. No one even attempts to draw me into the conversations. 

But they will later. They will after dinner, at least those who still visit the graveyard. I will travel with them, for then, they will remember I'm still a part of the family. Then, and for most, only then, will they speak to me.

Of course, they will never hear my answer-- nor even expect a response. Never again. 

-- Sean Taylor

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Down Through the Chimney

I opened my eyes. A sound from the roof woke me. “Santa?” I mumbled in my half-awake state.

The tin roof gave the distinct sound of sharp clicks followed by the soft tread of a padded foot. My mind recalled the old song, but it definitely wasn’t reindeer paws. Rolling out of bed, I ran to the window. Something growled from above me. I closed and latched the window, stepping back.

The sound, which started furtive, grew louder as something rushed towards the chimney on the other side of the house. I tracked the unseen visitor’s path as it thudded across the roof. The large open space gave me a perfect view of the fireplace. Too warm for a fire, it sat empty, a dark maw in the far wall. No stocking hung, no tree decorated. Just a sad room not ready for the current season. Grunts and scrapes drew my attention; this wasn’t Saint Nick descending. My feet refused to move as my heart pounded. Each echoing sound drew an involuntary flinch. The metal flue, still closed, groaned as an immense force pulled at it. Each bolt popped free, and I heard it drop to the metal grate where burning embers would sit in cooler weather. 

A dark shape lowered within the recess, a shadow within the shadows.  Bright yellow eyes turned and glared at me. My bladder emptied. No gifts this year, I must be on the naughty list.

        -- Seth Tucker

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The Night After Yule

Yule feast was done; trenchers stacked,
Pine needles underfoot, offerings packed.

All slept in the turf-house, children and gran;
Father lay dead-drunk like a felled, snoring man.

Only Mother stayed awake by hearth’s red glow,
Stitching knotwork on cuffs, sewing slow.

Through a shutter-gap Father swore he’d mend “soon,”
The aurora ran green on the snowlit dune.

Then bells—jangle, clatter—on leather drew near,
Not neighbor-folk homing; too many, too queer.

“Is it her?” breathed Daughter, as shutters went tap.
Mother murmured, “Hush now. Stay deep in your nap.”

“Will she take what we left?” whispered Son, pale with dread,
“My brightest cloak-pin? The sausages, the bread?”

“It isn’t the gifting,” said Mother. “Be still.”
“It’s how you’ve behaved; every deed, every ill.”

They remembered the summer: Father gone to the sea,
Grandmother ignored; the loom toppled with glee;

And sheep chased for sport till the byre rang with cries,
So they pleaded, “Hide us! We’ll help! We’ll be wise!”

“We’ll tend all the fires, wash dishes, and mind cows!”
Mother sighed, set down the thread, and slipped out, making no vows.

A whisper in darkness. The door swung with cold.
Grýla stooped inside, sack yawning wide, so bold.

Cat-eyes flashed ember; one finger: “Hush—hush.”
She drifted to Father like smoke in a rush.

She hefted drunk Father, still snoring, half-fed—
In the sack, he disappeared like a log from the shed.

Bells skated off. Night swallowed her track.
“Next Yule,” Grýla growled, “if they’re trouble, we’ll be coming back.”

        -- H. F. Day

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The Cold Side of the Bed

My wife died two days into Hanukkah but was back by Christmas. Her side of the bed remained empty only between her death and the evening after the funeral. She rested soundly, but never slept, never spoke, never offered a single argument against me, nor volunteered an explanation of why she had returned. 

She simply smiled using eyes, teeth, mouth, and dimples. Sometimes she stared, reclining in the dark green dress in which she had been buried, the silk gown that matched the one hanging in my side of the closet, for when we chose to "twin" on our dates. Each morning she was gone, and the sheets beside me were a good ten degrees colder than my side. 

Only once did she sit up and reach for my hands. I had made the mistake of drinking too much coffee before bed and couldn't sleep. She lay still until she saw the little dirt-colored bottle of pills. But she sighed silently and lay back down when she saw I only swallowed two of the round tablets. 

"I'm sorry," I told her. "I really am. I know we agreed, but I just couldn't do it. I didn't have the courage." 

She said nothing, merely smiling and staring, while I turned away so she didn't have to see me weep.

-- Sean Taylor

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Home for the Holidays

“Tonight is the fifth Christmas Eve since she died,” Jeremy said.

Dr. Morst nodded. “And how are you feeling about that?”

“I’m kind of used to it now,” he said. His hands twisted in his lap, squeezing and rubbing his fingers as though they ached. That would be difficult, since they were only stubs now. He’d lost most of his fingers when he was found in the snow, weeping and digging into the ice-cold earth of the cemetery with his nails, not long before he was assigned to Dr. Morst’s service.

“This is the night, then?” 

Jeremy stared down at what remained of his hands. “She scared the hell out of me the first time. Just her voice, on the other side of the shower curtain. Thought for sure I was nuts. Now I guess we know it, eh?”

“I don’t really care for the word ‘nuts,’ but I don’t think you’ve given yourself enough credit for the work you’ve done so far,” Dr. Morst said. 

“Not enough to get out,” Jeremy said. “The second time was while I was driving, and I crashed the car. The third time I tried visiting her grave, and that’s how I came to your tender graces, doc.” He finally stopped rubbing his stubs together and instead tugged at the soft restraints. 

“What about last year?” Dr. Morst asked. “You were committed before Christmas, but you still weren’t speaking to me.”

“I guess I have made progress then,” Jeremy said. “Last Christmas Eve, she was whispering under my bed in the ward. Home for the holidays. I screamed a little bit, and the orderly gave me a shot. I could use more of those shots, doc. It’s the only time I sleep.”

Dr. Morst tried not to check his watch. There was no clock in the room, but the shadows were getting long, and he was really hoping to make it home in time to wrap his wife’s present before she came home from work.  “Do you only hear her, or do you see her?” 

Jeremy looked up at him. “Her voice is terrible enough. I don’t want to see her. She’s louder every Christmas, ever since she died. Please, doc, I need you to make her stop.”

Despite himself, Dr. Morst felt a tug of pity. Jeremy was so earnest and quite articulate since he regained the power of speech. “Your new meds have been working so well, Jeremy. Trust in yourself, trust the progress you’ve made.”

“That’s worse, doc,” Jeremy said, tears starting in his eyes. “If I keep getting better, I’m afraid she’ll get angry. So angry. Every Christmas Eve.” He paused. “She’s probably upset about me killing her.”

A knock at the door told Dr. Morst it was time to stop. He waited while the orderlies took Jeremy back to his cell, and then he could glance at his watch. Barely enough time left to get home before Sandra, so he hustled back to his office to put on his coat and grab his briefcase. 

As he checked out of the ward, he could hear the commotion back behind the bars. It was Jeremy, screaming again. 

-- Elizabeth Donald

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Heavenly Peace


Wind screamed around the tent, threatening to cave in the canvas and polyester on top of me. In the midst of the banshee-like weather, another sound fought to cut through. A howl. Long and mournful, with a sort of rumble in it, like gargling a chainsaw. 

When the winds paused every ten or so seconds, I heard footsteps crunching the leaves around my tent. I had chosen my spot for privacy rather than a public campground to be alone for the holidays, and my view of the valley and the river below had been worth it -- at first. But now, alone at night with god-knows who -- or what -- stamping around outside, I wasn't so sure. 

A single point of pressure pushed in on the canvas wall, and I jerked around to shine the flashlight on it, but just as quickly, it was gone. Moments later, the other side bubbled in and then straightened. 

Trembling, I crept to the front and unzipped the flap a few inches, just enough to see out. A huge silhouette stood enshadowed by the bright moonlight. It reeked. It turned, and I caught only the glow of its eyes, the same shine as any other wild animal at night. In its hand -- it had hands, not paws -- hung a dead rabbit. 

Leaning down, the beast-man placed the animal on a stone beside the still flickering embers of my fire. It turned to face me. The chainsaw of its voice rumbled again. 

Then it was gone. 

After a few minutes, when I could no longer sense it nearby, I stumbled outside and checked the fire and the rabbit it had left. A clean kill. A broken neck. No pain. 

I forced a grin. 

"Merry Christmas to you too, big guy," I said. 

-- Sean Taylor

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See the Blazing Yule before Us

Tim patrolled along the backside of the graveyard behind the Maple Street Methodist Church as snowflakes began to flutter around him. He remembered a time when the cold would have bothered him, and he would have rushed to the small brick house not far from here to start a fire, make a hot toddy, and settle in with a good book. 

He wondered who sat at his fireplace now. It’d been almost a full year since he’d taken the mantle of grim and been transformed into the semi-eternal black-dog guardian of this congregation, both dead and alive. The former grim, a gentleman who’d served as grim for more than eighty years, faced off against a gang of young, ambitious vampires, but it came close to ending him. He searched out a replacement and discovered Tim, who’d just been buried after a terrible motorcycle accident over on 41 Highway coming back from karaoke. 

So here he was now, patrolling. After the vampire thing, there’d been a few stray vandals and a couple of witches who wanted to raise some hell in his cemetery that they’d dealt with together, but Tim knew that Jez was fading. His time of training was coming to an end. It was more than most grims got, to be real. He’d discovered he could enter buildings without being seen, even beyond the church grounds, so he went to the library and read up on his new career. Being a grim was serious business. Guarding the church against demons and evil, death announcements, and generally being a good dog. It wasn’t like being a human, but it was better than an eternal dirt nap for sure. 

Tonight, he felt a difference in the fabric of things around him. The air, the snowflakes, even the lights from the houses and the trees that were decorated outside seemed thin and strained. 

A cough drew his attention. “Jez?” he woofed. 

“Quit dawdling, kid. It’s almost time.” The elder grim, a broad-shouldered black Shepherd with flecks of silver around his face, stepped from around a gravestone that looked like a small angel. 

“I’m not dawdling, dude.” Tim sniffed the crisp air and nipped at the flakes, which were getting fluffier by the second. “Besides, we’ve got until the end of the year, right? It’s not even Christmas Eve.”

Jez dropped his head and sighed, the way he did when Tim said something stupid. 

“What did I say?”

“Tonight is Yule…winter solstice,” said Jez. The snow began to stick to his fur, adding to the silvery halo around his face. 

Tim blinked. “And?” 

Jez nosed him hard and woofed, “You dumbass. I thought you’d read up on traditions. The Inside, here with the living, and the Outside, where those who are not living reside, the veil thins. My time ends tonight. I leave for the Outside permanently. This gig becomes yours.” 

“Well, shit.” Tim knew but thought he had a few more days…weeks. 

A jaunty fiddle rendition of “The Holly and the Ivy”  from the center of the graveyard. Jez chuckled. 

“Ol’ Bobby-Jack is warming up.” Tim saw a tall, lean figure of a man wearing overalls begin wandering through the stones. 

Jez howled and trotted toward his friend. Tim followed. 

The lights from the neighborhood around them dimmed as a single bright glow of gold, silver, green and red rose at the center of the graveyard. What should have been silent and dark was filling with people Tim hadn’t met before, dressed in all manner of ways from various times. There were three young ladies in pink and green fitted dresses with skirts poofed out by crinolines and decorated in tacky 50s-style Christmas trees. Nearby were several gentlemen in top hats and tail coats, checking their pocket watches and exchanging small gifts. An entire group of tiny children was running around, giggling and playing like they hadn’t had a chance to in a while, and several younger women dressed in longer skirts chased after them. One lone gentleman wandered among them, making sure everyone had a bite of candy out of a white bag he held in one hand. In one corner of the graveyard, the fir that looked so alone and grim most of the year stood tall and was covered in tinsel. Tim was sure he could smell hot cider. 

The man with the candy bag climbed up on a rather large stone, and a cup appeared in his hand. 

“Blessed Yule, my friends! Blessed Yule! Tonight, we welcome our dear friend and guardian, Jeziziah Mason. He has been our grim for lo these eighty years.”

“Here! Here!” Several voices shouted from around them. The man shushed them. 

“He comes to join us in the Outside and leave the hard work to young Tim McBride here, who I believe is worthy to fill Jeziziah’s shoes…or rather paws! Anyway, here’s to them both!” He lifted his cup as did the whole party. 

Tim glanced at Jez. “So this is it?” 

“Consider it your Christmas gift, kid.” Jez bumped up against him. 

“Gee, thanks. I don’t even get an instruction guide?” 

“You’ve had a year with me. You’ll do fine.” 

Jez stepped forward and shook his body. His fur began to fade away. He put his front legs up on the gravestone where his friend stood. Then he shifted from dog to his former human form. Tim was not shocked that Jez was broad-shouldered and built like a blacksmith. What did surprise him was the dark black hair and the dance of joy the man did as he changed. 

Jez turned to him and gave him a broad grin. “Blessed Yule! Now go kick some ass.” 

        -- Jessica Nettles

---------------------------------------

While Shepherds Watched Their Flocks by Night


Hazel stood in the cold wind, her skin bubblng up with goose pimples. She looked like a plucked chicken, she knew, but what did she care. She was way past her glory days. Who the hell was she planning to impress now? 

The little row of fir trees on the other side of the road were strung up with lights, and a wooden, hand-painted sign that read "Merry Christmas! God Bless Us Every One!" was nailed to the base of the center tree. 

She pulled the phone from her back pocket and took a photo, but when she searched her contacts, she realized there was no one to send it to, not really. No one who would be expecting anything from her, especially something like a photo of something she thought was cute. Only friends did that. 

Her friends sat squarely in her rear-view. 

The motorized rattling of the cab -- a converted minivan -- emerged from the curve about a hundred yards to her left. It stopped on the road barely a yard from where she stood. 

"Happy Christmas!" said the driver, a Middle-Eastern man with a large bald spot. "Big day, huh?"

Hazel shrugged. 

"Where to, Miss?"

"Is there a diner close where I can get some hot chocolate?" she asked. 

"Sure. Good pie too." He held on to his big, wide smile as though it kept his face from falling apart. "After that?"

She shook her head. "After that, it doesn't matter."

She climbed in and dropped her duffel bag on the seat beside her. As the cab made a U-turn and rattled away back up the road from where it had come, she glanced back long enough to see the Hollis Country Penitentiary sign disappear behind the trees.

        -- Sean Taylor

---------------------------------------

Krampus at the Bass Pro Shop


“You ain’t Santa!” roared the great horned figure that pushed its way through the front window of the Bass Pro Shop. 

My fake beard dropped to my feet as I stood up and pushed the small girl who moments before sat on my lap, asking for a toy I’d never heard of between me and my plywood throne. “And you ain’t the clerk I sent to get me hot cocoa and cookies either.” 

The parents screamed louder than the kids, as the hairy demon bashed the gigantic moose near the registers with his holly-bound staff and clacked his hooved feet against the tile floor. 

A voice in my head whispered, He knocked ‘Rain clear out like she was a doll. Ava is froze. 

That was bad news. I’m pretty powerful, but not Krampus powerful, and familiars can only do so much. I guess I should explain. I’m ‘Rain’s familiar, Zeke. I can appear in lots of different ways. Usually, I’m a possum. Today, I’m a really bad Santa. I don’t human that well. 

The demon paused and grabbed one of the clerks in the gun department and stuffed him in the bag. “You’ve been stealing from the store, mister!” 

The little girl behind me bolted and when the rest saw her make a run, the others followed, even the adults. Krampus turned and snapped his clawed fingers. “Not yet. I get my due. It’s my night.” He pointed at me. “And YOU know it even if you ain’t Weihnachtsmann.” The crowd froze in place, and the only sound in the store was George Michael singing “Last Christmas.” Not only was I being threatened by some angry German Christmas demon, but he managed to send me to Whamhalla.

“I don’t know who that is, so you’re right. I ain’t that guy. Still, you don’t get to scare little kids on my watch!” I focused and shaped my magic into a sword. He’d try to kick my ass, but not without a fight. 

‘Rain’s up and she’s pissed. Iva, one of ‘Rain’s sisters and fellow witch spoke in my head. 

Well, get your asses over here pronto. 

Krampus laughed as he moved through the aisles of sportswear and fishing equipment. “Weihnachtmann…he has possums working for him now?”

“It is the South? Who did you expect? Some guy named Bubba?” I raised my weapon. 

He dropped the bag filled with gun clerk and drew back his staff. It glowed a menacing crimson. “Don’t mention that name.” He growled. 

“Bubba. What? Is he on your naughty list too? Oh, that’s too bad. I’m gonna take you down long before you get to him.” I began to chant an ancient spell I learned from an old Scotswoman 200 years ago. My sword glowed bright gold like a star. I felt a lightness fill me and song flood through me. All I could do is laugh. 

What the hell is that, Zeke? Iva’s voice punched through the choir in my head. 

All I remember is rushing him and seeing his eyes go from cold and confident to mortal terror in two seconds flat as I swung my sword and it bit into him. The scent of pine, hot cocoa, and the sharp edge of fresh snowfall surrounded me as I attacked over and over again. When it the energy, light, and scent faded, all that was left was the sack and the young gun clerk passed out on top of it. Before I passed out myself, I swear it was snowing in the Bass Pro Shop. I guess Christmas magic and maybe this Weihnachtmann guy is real after all. I mean, why the hell not? 

        -- Jessica Nettles

Friday, November 21, 2025

Valhalla Books unleashes Dante's Rebirth!

Get ready for a rebirth! Valhalla Books’ Dante’s Rebirth is now available in paperback & ebook  at https://www.amazon.com/dp/B0FLWW9GP3

After the stunning final reckoning that laid waste to Dante, the town begins to rebuild. As life returns to normal in the mining boom town, new arrivals bring fresh opportunities. The Pommel Brothers hit town looking to make their bones, unaware of the danger lurking around every corner of the desert town.

Meanwhile, Elizabeth Perth and Heath Moore have started rebuilding their lives and their future together, but a telegram announcing the imminent arrival of Albert Barclay, the owner of The Dante Dispatch brings a sense of dread.

The reopening of the Archibald mine, under new ownership, unleashes a new underground horror with sharp claws and sharper teeth. These creatures are hungry. And Dante’s citizens are on the menu.

If that wasn’t enough, Miss Maddie, Dante’s most mysterious elder, unleashes plans of her own for both Dante and the poor, wretched souls who call it home.

Get ready for an all-new Dante Tall Tale from award-winning author Bobby Nash.

Dante’s Rebirth is the fourth book in the award-winning Dante western/horror series written by Author Bobby Nash. Cover by Jeffrey Hayes. Published by Valhalla Books.

All four Dante ebooks are currently $0.99 for a limited time. You can find them here: https://www.amazon.com/dp/B0BX5QFR5P

Thursday, November 20, 2025

Fiction Like White Elephants: Subtext in Your Stories


Let's talk about subtext, you know, that stuff that's hidden subtly in your stories even though it never really leaves a footprint.

Dialog. How important is the stuff your characters don't say or avoid saying to each other in your work?

Terrance Layhew: Creating subtext in conversation is necessary. It immediately gives an inner world to the characters and a larger world at play. What people avoid saying directly or indirectly raises stakes, but done too much makes the story a melodrama.

Elizabeth Donald: If my characters are as close to living, breathing humans as I can make them, the things they don’t say are wildly important - just as they are for us allegedly-real people. When a married couple sits at the dinner table and says nothing but “pass the salt,” that tells us a great deal about their relationship, their thoughts and feelings, the comfort level they have reached (or not) between them. There are many times when we feel spurred to speak and do not, either for fear of social or professional consequences, adherence to behavior norms in society, or our own personal tendencies; a person who is generally conflict-avoidant may remain silent when insulted, even as they are burning to speak - or shout - on the inside. All of these should come to play in our characters, if we are to make them real. The worst thing you can do is an “As you know, Bob…” where a character explains the blatantly obvious to a person who already knows this information. A little subtlety goes a long way.

Sheela Leyh: From my own experiences, the subtext and context both matter. What is said is often just as important as what isn't said. It can and does affect your readers, as well as how your communication is received and does affect meaning.

It is important in mine as I hear dialog early in the writing process, even before the plot unfolds fully. What isn't said is often left for the reader to piece together as part of my thisness layer, as well as to help hold the reader's interest. For context, thisness is an older writing technique that helps make a place more real to a reader without jarring the reader out of the reading experience. The Oxford Writer channel on YouTube does one of the best explanations on the thisness concept that I've seen so far. By trusting the reader to fill in some gaps by leaving out only what needs to be left out, it helps build that relationship with the readers.

Jessica Nettles: Dialog: Silence is a lot like white space on a page. It gives room for the reader to breathe and feel and think thoughts about what ought to happen. With dialog it also give space for things to grow between characters. Kate and Shadow have a LOT of unspoken stuff between them. For instance, neither of them have to say, “I respect you.” They say it in the way they work. There are readers who have picked up something more between them—and maybe it’s there. Shadow certainly won’t say what he feels about Kate, mostly because he isn’t sure what to do with that feeling. He files it under respect, but he would defend her until he faded away. She sees him as her equal, which is once again, never spoken.

Friday, October 24, 2025

SNOW HITS THE ISLANDS IN AN ALL-NEW THRILLER!

Abraham Snow heads to Hawaii with grandfather, Archer in tow. After the events of Snow Hunt, our hero needs a vacation. He owes his old friend, and former undercover operative partner, Samson Brooks, a visit. Vacation time. Samson and his brother, Walker Brooks, a former CIA officer, now work together as P.I./fugitive recovery consultants. Snow gets caught up in their latest case and finds himself in deadly danger in unfamiliar surroundings when an old enemy shows up with vengeance in mind. He wants to feed snow to the sharks.

Get your water wings ready as Snow jets off to the big island in SNOW ISLAND.

Snow Island is the eighth book in the continuing adventures of Abraham Snow.

Are you ready for a new #SnowDay?

Snow Island is written by Bobby Nash.
Cover by Plasmafire Graphics’ Jeffrey Hayes.
Edited by Michael A. Gordon.
Published by BEN Books.
Audio book narrated by Stuart Gauffi, coming soon.

Snow Island is available at the following retailers:

More retail options to follow.

Contact the author directly through www.bobbynash.com or social media to buy a signed copy directly from the author.

Check out Snow’s complete adventures here: www.amazon.com/dp/B07G3K7S46

Learn more about Snow at www.abrahamsnow.com

Thursday, October 23, 2025

Discovering Yourself In and Through Your Writing


Just one question for this next writer roundtable.

Flannery O'Connor wrote, “I write to discover what I know" and “I write because I don’t know what I think until I read what I say.”

How has being a writer and telling stories helped you discover who you are and what you know?


Nikki Nelson-Hicks: Very interesting question. For me, some of my stories have helped me to touch on emotions that I didn't realize I had inside. Very much poking a blister and letting some stuff ooze out. I have also enjoyed creating characters who have the bravery I wish I had. That's also very insightful.

Jessica Nettles:
Being a writer as a kid helped me embrace my differences from the other kids at school. It gave me a space where it didn’t matter that I was the youngest or the smallest or weird. It was the first thing I felt confident was mine.

As an adult, it helped me rediscover myself after a really shitty marriage in my twenties. I found this spooky girl in the middle of the debris who needed to explore the darkness, my darkness. I learned my dark parts were okay and just as important as being good. I love that spooky, magic-loving girl. I learned that I have a voice that people actually enjoy (still shocked by this) and that I’m funny. Mostly, I learned that writing is who I am. I do many things, but at my core, I am my words. That’s my magic.

Lainey Kennedy: Writing has helped me explore the human conditions by creating characters that are both over the top but rooted in little bits of everyone I know. The adventures are the escapism, but the characters are what I know.

Fay Shlanda: My writing has helped me a lot as a person. I write poetry about my relationship with the world around me, which is mostly about mental illness and being broken.
I have discovered that I have much to say on the subject and that overcoming my hardships is something I would not trade in for an easier life. They have shaped me into someone I like and I use my knowledge to help others.

October Santerelli: I wanted to be a writer as soon as I heard it was a job you could have. I was in 7th grade, and I went home that night and told my parents that was what I wanted to do. And after that, writing became a lifeline, a way to express what I couldn't say, feelings I didn't even know I had. Writing helped me understand myself, like holding up a mirror and seeing with fresh eyes.

Thursday, September 18, 2025

The Name Game: How Do You Name Your Characters?


Let's talk about naming your characters for the new Roundtable.

What resources do you consider the most valuable when coming up with character names?

Samantha Dunaway Bryant: When I’m working in a contemporary, close to real-world setting, I look at details like where my character is from, what year they were born, who their parents were, and use that to help me select a likely name.

Census records and baby name books are useful for this.

Cindy Bergquist: Some come to me. Some I reference my favorite character naming book, The Character Naming Sourcebook. 

Lisa Haman: For me it depends on the story I'm writing. For The Insignificant Amy Dodd, I tried to think of a name that sounded like someone who is invisible. For Philippa Marlowmellow, since it was a parody of the noir detective stories I tried to make the name sound like an old detective series.

Van Allen Plexico: Writing ALPHA/OMEGA from 2005-2024, I needed a LOT of Russian names. Like 35 distinct Russian characters. I used every source I could find for first and last names, from websites to baby name books.

And I still wasn't completely happy with the range of Russian names!

Bree Jackson: If I’m going for symbolic, I take attributes of the character (ie: strength, beauty, resilience,etc…) and translate those words into different languages. Then I derive a name from the word that works best. In other instances, I’ll ask my beta reader group silly questions like “I need a name that isn’t Chad to describe a gym bro guy who looks like he lives off of wheatgrass and unseasoned chicken.” The results are entertaining and useful.

Chris Pocase: There were two methods I used to use when coming up with character names. The first one was to take two Latin words and sort of splice them together to make a name. But I plan to rename those characters since the combinations can be fun to come up with but difficult to pronounce.

The other method…use Google Maps and pick a random place in the USA, and look at street names. There are some really interesting ones especially in rural areas

Kay Lee: Sounds weird but I feel like my characters name themselves lol. Based on the personality of that character names that seem like a fit just kind of come into mind and make sense.

Friday, August 29, 2025

Jukebox Thrillers! Look for my newest story, "Sugar Walls"!


Coming soon from New Legend! Jukebox Thrillers: Solid Hits of the 80's is a totally awesome anthology of short stories by top talents inspired by top tunes from the 1980's. You may be familiar with the songs and even the videos, but you've never seen them like this! Check out this wickedly epic playlist: 

Jim Beard “One Thing Leads to Another”
Jayme Lynn Blaschke “The Old Man Down the Road"
Sara T. Bond "Don't You (Forget About Me)"
John C. Bruening "Only the Lonely"
Darin M. Bush "Cult of Personality"
Ryan Cadaver & Nicole Ghouled Cadaver "No Easy Way Out"
Christopher Collins "Electric Avenue"
A.R. Cook "Danger Zone"
Joe Crowe "Walk Like an Egyptian"
Keith R.A. DeCandido "Road to Nowhere"
Kevin Eldridge "Ride Like the Wind"
Michael Falkner "Stand"
Kelley M. Frank "Automatic"
Nicole Givens Kurtz "Wrapped Around Your Finger"
Michael A. Gordon “Centerfold”
Justin Gray “Valley Girl”
Darrell Z. Grizzle “Time After Time”
Joe Heath “Ghost Town”
Robert Jeffrey II "If This World Were Mine"
Bernadette Johnson “Every Breath You Take”
Dan Jolley “Somebody’s Watching Me”
Darin Kennedy “Only Time Will Tell”
Mike Lyons “Money for Nothing”
Violette L. Meier “Nasty Girl”
Adam Messer “Hungry Like the Wolf”
J.R. Mounts “Round and Round”
Bobby Nash “Running Down a Dream”
Jessica Nettles “Major Tom (Coming Home)”
Kelly Oechslin “Jessie’s Girl”
Mary Ogle “I Ran (So Far Away)”
James Palmer “99 Red Balloons”
Ashley Marie Pauls “Holding Out for a Hero”
Alan J. Porter “Two Tribes”
Sarah J. Sover “Careless Whisper”
Sean Taylor “Sugar Walls”
Vincent EM Thorn “The Number of the Beast”
Kelly Young-Silverman “In the Air Tonight”
Ricky Zero “Where the Streets Have No Name”
and more!!!

Jukebox Thrillers is scheduled to be released in November 2025. More details coming soon!

In the meantime, enjoy this music video playlist.

Friday, June 13, 2025

BEN Books release Secret Agent X and the Tenth Circle!

Secret Agent X and the Tenth Circle
An all-new pulpy action thriller
From author Bobby Nash and BEN books

You know his name.

A hero reimagined for a new century. 

His alias is legendary. Secret Agent X.

His true name is a mystery. A closely guarded secret known only to himself and his handler, Agent K-9, Secret Agent X works in the shadows to weed out crime, corruption, and terror. A master of disguise, X works undercover, switching between identities to carry out his missions. He could be anyone Look to your left. See that person? That could be X.

X could be anyone.

When K-9 learns that a dangerous criminal terrorist organization that has been looking war-torn locations, stealing precious antiquities, and using the proceeds to fund their war on peaceful loving people everywhere.

Join the action as the newly instituted Man of a Thousand Faces faces off against the mysterious Tenth Circle. Can X thwart their plans before a new attack begins?

Pulp Fiction’s long-running hero returns in an all-new action/thriller from award-winning pulp novelist, Bobby Nash.

Thursday, May 8, 2025

Ratcheting the Tension


Let's talk tension. No, not the way your back and shoulders feel after watching the news, but the dramatic tension in your stories. 

We're all taught that the best (or at least easiest) way to build tension in your stories is with a ticking time bomb. Have you found this to be effective for you? Examples from your work?

Peter G: I avoid the ticking clock as much as possible. Or, at least, limit its presence. My Hannah Singer books, for example -- there is a sort of ticking clock when Hannah is arguing in court. Once a petitioner's fate is decided, there's no do-overs, so she only has one chance to get it right. But, to ratchet up the tension, that's where the trial arguments come in. I intentionally make the stories where she gets the toughest cases, so the tension comes from seeing if Hannah can figure out what is going on AND can circumvent it. Telling the stories in first person and walking the readers through her mental processes helps. As a result, the tension shifts from getting something done in a certain amount of time and over to how smart she is.

Bobby Nash: I have used figurative and literal ticking bombs in stories. Putting a clock on solving a problem is a great way to ratchet up tension for the characters and readers. Knowing something bad is coming and they are no closer to solving it can make characters snap, lash out, or go introspective. Those things radiate out to the reader.

In Snow Hunt, Snow and his former C.O., a bomb disposal expert, are trying to catch a bomber who has been hired to assassinate someone of importance. They know the general where, the how, and the who. The tension comes in finding the bomb, which could be hidden almost anywhere in the conference center. Then, there’s tension when it’s found. Can we diffuse it in time? Then, there’s tension in trying to catch the bad guy before he gets away. There are several opportunities for tension in those scenes.

Sean Taylor: For me, it has always been the simple question of "will they" or "won't they." That's my ticking clock, and I have till the end of the story to resolve it. This can be a life-or-death situation, such as will they catch the killer or will they escape the death trap, as in my pulp stories. It can also be a more subdued, normal situation, such as will they fall in love or will they be able to reconcile. But regardless of the question, if it has the power to drive the narrative, it will have the power to build tension regarding its answer. 

Thursday, April 24, 2025

Writing Non-Human Characters: How Other Should Other Be?


During Stellar Fest, I was fortunate enough to be on two panels on characterization, both of which addressed the idea specifically within the realm of science fiction, and with a focus on non-human characters. But, sci-fi doesn't have a monopoly on non-human characters, so I realized immediately that I wanted to take this discussion to the blog. (And here we are.)

When writing characters who are not human, what is your starting point? The race, the species, the human characteristic to use as an entry point, what?

E. Robert Dunn: Typically, it starts with a race/species that I'd like to develop ... which may or may not include 'human characteristics.'

Danielle Procter Piper: First, I must realize that the story requires a non-human entity, after which I then decide what sort of being it should be. My background in biology helps me create realistic creatures, as does my artistic ability. When I wrote Quasar 169, it was based on a dream I had where a news anchor described a murder, and an image of the victim slowly morphed into an image of the killer. That's what inspired me to create a species of humanoid sexual shapeshifters. 

Bobby Nash: I start with the character. Most non-human characters can still have a human-ish trait that I can start with like how family works, or something about their personality. Then, I build from there.

Sean Taylor: I have to start with the character, plain and simple. That's always true for me whether I'm writing a straight white dude, a poly black woman, a purple Glorp from Vendellia 45, a Loup Garou from the Bayou, or a gaseous floating cloud above the top of Kilimanjaro. For me, that means something human in terms of characters, some need, some drive, something that man, woman, Glorp, Lou Garou, or cloud wants and must overcome some hardship to achieve. If I don't have that skeleton to put a coat on, then I can't start moving on the story. 

Thursday, April 3, 2025

Titles and Stories (We Got Together, Like...)


This week, let's talk about stories and titles and how they go together (or don't -- I wan't presume your process!). 

What comes first for you, the story or the title? How does one drive the other through the process?

Sara Freites Scott: The title comes first but may change after I write the story! (Which actually happened with my first book.)

Bobby Nash: It could happen either way. Most of the time, it’s the story. That said, doing series work, like Snow or Tom Myers, I like to have a page at the end that states, “Tom Myers will return in…” and so I try to have at least a loose idea and a title for the next book ready to go. I have had instances where the title changed in the process.

Sean Taylor: I find it very difficult to write without a title. I'll jot down story notes and hold off actually writing the narrative until the right title falls into place. Yes, I know that (among other things) makes me an odd duck. 

Chris Riker: First - the moment. That one heart-wrenching scene. It contains the seeds of the story. It lives at the heart of the theme. Where do they come from? I live in a stressful world. Perhaps you've heard of it. Earth? Second - a few characters. Names. Quirks. Third - The ending. Not the plot; that's different. I need to know where my characters need to get to emotionally. Lastly: WRITE!

Jerry Motyka: Yes. Sometimes I get inspiration from a title, other times I get inspiration for the story and the title comes last.

Brian K Morris: Most of the time, it's the story, especially when I'm working with someone else's characters. Then again, I've come up with a title that practically writes the story for me. Also, I have to really put on my thinking cap to come up with a halfway pleasing (to me, at least) title.

Aaron Rosenberg: Oh, story 99 percent of the time, definitely. A lot of the time I'm scrambling for a halfway decent title -- I just use a placeholder to start, and hope something better comes to mind as I get into the book properly.

Gordon Dymowski: For me, the story almost always comes first. It's easier for me to come up with a killer title for a well thought-out story than it is a story for a killer title. I have several works in progress which I have named "Untitlted [INSERT GENRE OR CHARACTER" here to make them easier to track.

George Tackes: Always the story. Something in the story inspires the title. I couldn’t imagine having the title dictate the story. Because sometimes a story can go in an entirely different direction.

Iscah: Usually the story comes first, but it depends. Originally Seventh Night was called The Magician's Apprentice, and the story more heavily focused on Phillip. Then I saw a book with the same title at the store and decided I needed a new name. As the best fairytales are named after the princess, I went with *Seventh Night*, but this meant my title character was unconscious for two-thirds of the book. So, I reworked the middle to give her more to do and a bit more of a growth arch. I do think the story works a bit better that way.

When I say the story comes first, I tend to mean the general story. I usually have an idea for the title before I have finished writing. In some cases, it's a working title. I had a story called The Littlest Vampire, which is another title that I discovered was taken. That one has been sitting on my hard drive long that I may have to retitle it again if it ever comes out.

Some titles emerge while the story is still forming. I can be glacially slow from the spark of an idea and finding time to write it. So I have several backburner novels which are partially formed and still in the notes stage. Most of those have working titles.

Friday, March 7, 2025

Crazy 8 Press' Thrilling Adventure Yarns 2025 is now on sale!

Are you ready for adventure? Crazy 8 Press' Thrilling Adventure Yarns 2025 is now on sale in hardcover, paperback, & ebook! Get yours today! 

To honor and celebrate the bygone era of pulp magazines, Crazy 8 Press has assembled a stellar lineup of writers to produce new thrills and chills, spanning mystery, sword and sorcery, horror, science fiction, romance, and adventures. We will take you to other worlds, other realms, and other times where heroes and heroines battled for justice or survival or just getting through the day.

Thrill to brand new stories from Dan Abnett, Charles Ardai, Liz Braswell, Russ Colchamiro, Win Scott Eckert, Mary Fan, Michael Jan Friedman, Paul Kupperberg, Elliot S Maggin, Jeffrey J. Mariotte, Author Bobby Nash, Christopher Priest, Aaron Rosenberg, Hildy Silverman, William F Wu. Edited by Robert Greenberger. Cover b Jeffrey Hayes.

Each yarn is bigger and better than the one before it!

Friday, February 21, 2025

Now on sale! Enchanted Tales & Twisted Lore: Fairy Tales, Folklore, and Fables Reimagined - Volume 1

Now on sale! Enchanted Tales & Twisted Lore: Fairy Tales, Folklore, and Fables Reimagined - Volume 1 of The Crossing Genres Anthology Collection featuring my story, "Real Boy." Vol. 2 also on sale. Get yours today! 

Step into a world where the familiar becomes strange, and legends take on new life. Enchanted Tales & Twisted Lore invites you to explore fairy tales, folklore, and fables as you've never seen them before. From the deadly woods of Baba Yaga to space-bound horror on a derelict ship. From a faerie knight hiding behind the innocent face of a toddler to a princess who fights for survival on Mars, these reimagined classics blur the lines between light and dark, hope and danger. With contributions from beloved authors and emerging voices, this anthology offers a spellbinding journey through the fantastical and the fearsome.

Foreword by "monster expert" Dr. Emily Zarka, creator, writer, and host of the popular YouTube series Monstrum.

As a bonus, enjoy the behind-the-scenes peek at the creative process through personal author articles.

Edited by Marx Pyle and J.C. Mastro. Published by Cabbit Crossing Publishing.