Showing posts with label trans. Show all posts
Showing posts with label trans. Show all posts

Monday, March 30, 2026

Free Horror eBooks Written By Trans Authors (Trans Rights Readathon 2026)


I know I'm a bit late with getting this organized and posted, but in my defense, I forgot. Anyway! Better late than never, right? So, starting right now and ending at 11:59PM CST on Tuesday, March 31, 2026, we have made a bunch of our titles (published by Ghoulish Books and, in one instance, published by Apocalypse Party) free for folks who wish to add them to their 2026 TransRightsReadathon. Also feel free to download and read some other time if you wish. Whatever is cool with us.

All that we ask is that if you do read them, consider leaving a review somewhere when you're finished? Tell people about what you read? Every review helps spread the word. Also we have a bunch of patreon and kofi and charity links below that we'd love for you to consider supporting, too. But first! The books...

Bury Your Gays: An Anthology of Tragic Queer Horror edited by Sofia Ajram

A manifestation of ecstasy, heartache, horror and suffering rendered in feverish lyrical prose. Inside are sixteen new stories by some of the genre’s most visionary queer writers. Young lovers find themselves deliriously lost in an expanding garden labyrinth. The porter of a sentient hotel is haunted within a liminal time loop. A soldier and his abusive commanding officer escape a war in the trenches but discover themselves in an even greater nightmare. Parasites chase each other across time-space in hungry desperation to never be apart. A graduate student with violent tendencies falls into step with a seemingly walking corpse. Featuring stories from Cassandra Khaw, Joe Koch, Gretchen Felker-Martin, Robbie Banfitch, August Clarke, Son M., Jonathan Louis Duckworth, M.V. Pine, Ed Kurtz, LC Von Hessen, Matteo L. Cerilli, November Rush, Meredith Rose, Charlene Adhiambo, Violet, and Thomas Kearnes.

Bound in Flesh: An Anthology of Trans Body Horror edited by Lor Gislason

Bound in Flesh: An Anthology of Trans Body Horror brings together 13 trans and non-binary writers, using horror to both explore the darkest depths of the genre and the boundaries of flesh. A disgusting good time for all! Featuring stories by Hailey Piper, Joe Koch, Bitter Karella, and others. Edited by Lor Gislason.

Cosmic Dyke Patrol by Lor Gislason

When Stevie starts seeing floating orbs, they call a spiritual pest control company for guidance. Harriett and Marcy—two queer, punk lesbians—welcome Stevie into a world of otherworldly creatures, tree people, and something called the bone spider. Equal parts slice-of-life, queer romance and body horror, Cosmic Dyke Patrol is a story about how everyone is worthy of love, no matter how weird.

Decrepit Ritual by Valkyrie Loughcrewe

Decrepit Ritual is a second-person narrative about a suicidal protagonist who has gone up into the wilds of Norway to take their own life. While there, they happen across a mysterious VHS tape that contains a bizarre film like nothing they’ve ever seen before.

The Flesh Inherent by Perry Meester

On a hot summer night, something enormous screams down from the sky and pierces into the desert not far from the small town of Farchapel. The stories that trickle back from the crater are strange indeed—those who find it and return claim to be forever changed, transformed into the better, ideal versions of themselves they’ve always wished to achieve.

Jamie, a recent mysterious visitor in town, is a man on the run, all too eager to escape his current form no matter the cost. Sidney, local drunk, would rather face a hole in the ground than the things he’s done. As the two men venture into the desert canyons in search of their better selves, they soon discover that what hides there is much more terrible—and eager to lure them in.

Familiar by Jeremy C. Shipp

Two sisters hunt down killers and collect body parts, all the while complicating their lives with volatile magics, bizarre visions, and a mysterious mouth in the wall that may or may not be altogether trustworthy.

I Believe in Mister Bones by Max Booth III

The email’s subject line reads: DO YOU BELIEVE IN MISTER BONES?

The recipient: Daniel Addams, one half of the Texas small press known as Fiendish Books, co-run with his wife Eileen.

Despite being closed for submissions, curiosity gets the best of him, and he takes a look at the anonymous author’s bizarre manuscript—only to find himself obsessed with the titular Mister Bones, a mysterious entity rumored to steal your bones as you sleep, one by one, until he’s replaced your entire skeleton with an unknown substance.

But is Mister Bones real, and has Daniel unintentionally summoned him?

​Or, as Eileen suspects, has he finally cracked from stress and lost his mind?

From the writer of WE NEED TO DO SOMETHING and ABNORMAL STATISTICS comes Max Booth III’s I BELIEVE IN MISTER BONES, a harrowing exploration of indie horror publishing, internet curses, and the universal terror of the human skeleton.

Maggots Screaming! by Max Booth III

THE FAMILY THAT DECAYS TOGETHER, STAYS TOGETHER

On a hot summer weekend in San Antonio, Texas, a father and son bond after discovering three impossible corpses buried in their back yard.

We Need to Do Something by Max Booth III

A family on the verge of self-destruction finds themselves isolated in their bathroom during a tornado warning.

Ghoulish Tales (issues 1-4)

A magazine of short fiction and essays. Not every contribution is written by a trans person, but a good majority of them are; additionally, the main editor is a trans woman.

You can find FREE eBooks of all of the above titles in the following Google Drive Folder (free access will be revoked on April 1st). Additionally, you can purchase physical copies of the books via our webstore or wherever else books are sold.

If you'd like to further support these authors, and also trans organizations, please continue reading:

Originally published at The Ghoulish Times.

Thursday, March 20, 2025

Morgan Dante: Queer, Sensuous, Moody, and Melancholy (And Especially Angst)

Morgan, a lover of Gothic lit and vampires, writes about love, tenderness, body horror, and hunger. ​I met them this past weekend at the Atlanta Sci-Fi Expo and was immediately drawn to her covers. The first pages I read didn't disappoint either. Their specialties are romance, horror, and fantasy, and their work blends Gothic romance with eroticism and dark and devastating religious motifs. They enjoy writing queer, sensuous, moody, and melancholy stories with complicated characters, and they especially like angst and hurt/comfort.

Tell us a bit about your most recent work.

My most recent book, Sacrament, is an M/M/M dark vampire romance that takes place in 1898 Paris and features a complicated, bisexual polycule between three men. The main character deals with the dark, somewhat clandestine world of vampires. It was released on Valentine's Day.

What are the themes and subjects you tend to revisit in your work?

Because I am a trans, queer author who always writes queer characters, I tend to explore themes about identity and being accepted for who you are, no matter how the rest of the world perceives you. Characters who would usually be marginalized or deemed monstrous are portrayed sympathetically. They contend with trauma and find comfort and acceptance, although the road isn't always easy or straightforward.

What happened in your life that prompted you to become a writer? 

I have always written. I think I wrote my first (very short) story when I was in first grade. I remember writing an adventure for a fourth grade creative writing assignment and the teacher recognizing that I was good at writing, and I've always had the desire to keep creating stories and sharing them with others.

Saturday, June 22, 2024

[Link] Let Them Be Morally Flawed: In Defense of Queer Villains in Stories

John Copenhaver on Conflating Queerness with Evil

by John Copenhaver

Queerness and villainy have a long history of being conflated by mainstream entertainment, from Peter Lorre’s effeminate and threatening Joel Cairo in The Maltese Falcon to the obsessed and manipulative Mrs. Danvers in Daphne du Maurier’s Rebecca to, more humorously, the violent Lord Humungus from Mad Max, decked out in leather fetish gear, to the many queer-coded Disney villains, such as the Evil (Drag) Queen in Snow White to the preening Jafar in Aladdin.

Originally, these queer-coded antagonists were molded to contrast mainstream heteronormativity; the straight cis-gendered heroes of these stories embody traditional ideas about gender and sexuality. On the surface, the villains aren’t explicitly queer, but they wear a cloak of queerness to imply a harmful false equivalency that being LGBTQ+ is morally dubious or, from another angle, that transgressing gender and sexuality norms indicates innate corruption or, perhaps, a moral weakness leading to greater evil.

If you grew up in the eighties and early nineties, as I did, it was difficult to find any positive queer role models in popular entertainment or books; few of these stories were within easy reach. So hungry were we for queer characters, we zeroed in on the flamboyant queer-coded villains, which despite the intention behind these characters, we embraced long before Disney seized the opportunity to capitalize on their beloved baddies and began franchising their origin stories. In doing so, they filed down their villains’ horns for mass consumption.

At first glance, transforming queer-coded villains into protagonists with rich backstories seems well-intentioned and progressive. This revision of villainy seems to challenge conflating queerness with corruption: “Those vicious villains weren’t evil after all, just misunderstood.”

In truth, Disney is just nudging these queer-coded characters into the circle of conventional morality, not widening the circle. The original vampy evil fairy Maleficent becomes a scorned and brutalized lover and later a protective mother figure. Vicious and glamorous fashionista Cruella becomes a Dickensian goth orphan girl-cum-fashion designer. While these films are entertaining, they don’t embody progress as much as they want us to believe they do.

Read the full article: https://lithub.com/let-them-be-morally-flawed-in-defense-of-queer-villains-in-stories/