Showing posts with label killing characters. Show all posts
Showing posts with label killing characters. Show all posts

Tuesday, April 14, 2015

On Killing Your (Fictional) Children

Editor's Note: This week I'm pleased to highlight a very special guest article from my dear friend and a talented fellow author, Ellie Raine. 

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by Ellie Raine

Like most writers I know, my characters are my children.

No matter their personality, their mistakes or accomplishments, I love each one with all my heart and soul—especially the main characters, since their back stories are usually more fleshed out. And it’s no wonder we think of them as our own flesh and blood. We’ve been there since they were born—hell, since before they were even conceived. We watched their parents raise (or abandon) them, watched them grow, watch them stumble on adolescence, held their hand when they reached adulthood and then thrust them into unspeakable challenges we unleashed upon them in our books.

We gave them life, and as writers it’s our job to make them learn something before their story is over. And sometimes, the lesson they learn is the same lesson we, their creators, need to learn with as well:

They will die.

Even if their time doesn’t end within the story we set, they will still die after the back cover is closed, at least figuratively. “Lived happily ever after” sounds wonderful, but unless your characters are immortal beings, they obviously don’t continue living. They grow old, they die, and perhaps their children take their place. Your books only captured the highlight of their lives, but not always the end. Not that we don’t think about how they bite the dust. On the contrary, I think we often have no choice but to ponder such grim events. Giving them life is the same as starting their deaths, anyway.

And as much as I love “happily ever after,” and wish, wish, WISH my children could reach it… it’s not going to happen in their story. They have to let go of that ideal to meet their potential. And as much as it hurts me to say it, so do I.

So, it really is like parenting. The older our children get, the less we can hang on to them. They draw their own paths, they make their own decisions and will fight us if we try to change it. It takes strength to set them loose, and only the strongest parents have the ability to accept when it’s time to let them go.

As a writer, it’s painful to realize you have to kill your children. It’s even worse when you have to describe every last detail in full color. But healing them last minute or jerking them out of a ‘terrible dream’ would seem an insult to their sacrifice, at least that’s how it feels for my kids. It’s like saying their enlightened moment was an April Fools joke. So, they must die.

I’ve read too many epic stories where the heroes were revived at the last minute or the spear barely missed their hearts by some incredible miracle… when really, they should have let the axe swing.**

I hate, hate, hate having to kill my children.

But by Gods, I must.

**As a side note, I don’t think every hero should be killed at the end of their journey. It depends entirely on the story and what their deaths would mean for those they were close to, vs. what their revival would mean instead. Whichever feels right for the author, really.

Sunday, July 13, 2014

[Link] Taking the Mystery Out of Writing Mysteries

By Dennis Palumbo

If you saw the season-ending episode of Monk, do you remember the clue that helped catch the killer?

Me, neither.

In the recent thriller Fractured, what was the mistake Anthony Hopkins made that proved he killed his wife?

You got me.

My point, and I do have one, is that often writers think the most important aspect of a good mystery is the ingenuity of the crime, the unraveling of the clues. Which is why many writers are scared to death of even trying to write a mystery or thriller.

Fear no more.

Yes, viewers of mysteries and thrillers like tightly-plotted narratives, clever red herrings, and a certain element of surprise. And you should always strive to weave as many of these aspects into your whodunit or crime story as possible.

But these factors are not what makes a mystery - any mystery - memorable. Think of TV's The Rockford Files, or The Closer. Think of films like Chinatown and Silence of the Lambs. As best-selling crime author Michael Connelly wrote, "The best mysteries are about the mystery of character."

Continue reading: http://www.writersstore.com/taking-the-mystery-out-of-writing-mysteries/

Sunday, March 25, 2012

The Writer Will Take Your Questions Now (#120) -- Writer as Killer

How many characters have you killed during your writing career?

Counting the prison of super villains in "T-Minus One" (available in Show Me A Hero), more than 500. More than enough to put me on the FBI's Most Wanted if they were real.

But I really don't just kill them willy-nilly. Their deaths always serve a higher purpose. Like a cultist in a bad bargain movie robe, I sacrifice them to the Great God called Story.