Sunday Funnies: You've heard of the dramatic plot structures... Well...

 

[Link] After a Splashy Book Deal, I Got Dropped By My Publisher, But I Kept On Writing

Why stubbornness is the most fundamental skill an author can have

by Rob Hart

This is the thing I’m probably not supposed to write. But I tried to write it six different ways without telling the truth, and I couldn’t do it, so here goes:

My career has not been the success people think it is.

My first book came out from a small press in 2015. The advance was just enough for a fancy steak dinner after taxes. I wrote four more books in that series, and while I was getting some solid acclaim in the crime fiction community, I wasn’t anywhere close to quitting my day job.

And that was fine. I was doing the thing I loved.

Then I wrote a book called The Warehouse, which was pre-empted by a Big Five publisher for a ridiculous amount of money. I thought the book was unpublishable because it was essentially a fuck-you to Amazon. Then I thought it would never appeal to foreign markets, but we sold it in twenty languages. It generated enough heat to be optioned for film by an A-list director.

All told I made enough money off that book to become a full-time writer.

And I thought: This is it, I made it through the door; the rest of my career is going to be sunshine and smooth sailing.

It was not.

Read the full article: https://opensecretsmag.substack.com/p/rob-hart-writing-career-publishing-struggles

AIRSHIP 27 PRODUCTION PRESENTS SHERLOCK HOLMES – CONSULTING DETECTIVE VOL. 20

After ten years of publishing some of the most exciting and thrilling new adventures of Sherlock Holmes, Airship 27 Production is proud to offer the 29th Volume in its Consult Detective series. Here, in this super special collection, are stories by I.A. Watson, Teel James Gleen, Ray Lovato, and Michael Black, offering challenging new mysteries for the dynamic crime-solving duo of Sherlock Holmes and Dr. Watson.

Included is I.A. Watson’s “The Adventure of the Strand Magazine Murder,” which brings Sir Arthur Conan Doyle’s best-loved characters around to the venue that introduced them to the world.

There will be two different editions designed by award-winning artist Rob Davis. One in our normal 9 x 6 pulp book format and a special to look exactly like Holmes' publisher The Strand Magazine in size and spirit. This deluxe edition contains more illustrations and facsimile advertisements typical of the era in which the magazine first appeared.  Regardless of which version fans buy, this will be a volume they will cherish forever.

AIRSHIP 27 PRODUCTION – PULP FICTION FOR A NEW GENERATION!

Available now from Amazon in two different paperback formats and soon on Kindle.

Globe Trotting (Writing Multiple Settings)

Okay, writers, let's talk about settings. Not setting, as in the singular, but settings, such as when you bounce your characters all over the place to tell your story. 

Do you have a sort of "master setting" you tend to use and then sprinkle it full of "little settings" such as how Batman's Gotham City has Crime Alley, the waterfront, etc.? How does this approach work for you?

Brian K Morris: My early work was peppered with planting the story in a spot and leaving it there until I came back to take it home for dinner.

Sheela Chattopadhyay: In my characters' running away from me stories that need fixing, it's all the same continent but different places. I hadn't tried for a bit more simplicity in that world because of how long the story was supposed to be. In my current one, it is within one house so far and that's been working for me.

When you need to bounce around the world with your characters, how do you determine that and how do you make it work as a writer? Do you continue to let a setting become a sort of de facto character in its own right (again, like Gotham for Batman or Los Angeles for Philip Marlowe)?

Sheela Chattopadhyay: In the series that needs fixing, it depended on the timing that the characters needed. In my current short story, it's still based on the timing and pacing. The setting itself is a factor, but I haven't really analyzed if it is at a de facto character level for the story. If it becomes a de facto character, I'm ok with that.

Brian K Morris: For much of my current work, I have a setting of Raceway City, which serves as my Metropolis/Gotham City for many of my characters. For other works, I'll set it in real world locations (which means research since I've not been in many of them).

How does needing multiple settings work into your plotting and planning for your novel? Is it something that you have specific reasons for choosing each location or is it more relaxed than that? Give me an example from your work.

Sheela Chattopadhyay: In the stories that need fixing, each one is supposed to be novel length. That's why the fixing is going to need to happen. I chose to have multiple settings because of the plot being quite large of several interwoven characters trying to solve a problem and overcome a common enemy. Each location is often refuge from temporarily escaping th villain, learning something useful to them, and building another ally.

Brian K Morris: The locations are mostly to disorientate the protagonist and give him/her one extra challenge. This works mostly because my stories tend to take place no less than forty years ago in a pre-GPS age. I also select locations with a bit of a mystique to them, to add to the mood and sense of isolation for the protagonist. For instance, what kind of story can I tell if it takes place in WW2's Paris, or Carnaby Street in 1964, or San Francisco as it rebuilt from an earthquake?

[Link] What Is LitRPG for Writers (and How Do I Get Started Writing It)?

Bestselling LitRPG author Matt Dinniman answers what LitRPG is (for those who don't know) and shares five tips on getting started in this style (not genre) of writing.

by Matt Dinniman

Okay, picture this. You’re sitting down at your desk, and a portal appears in the wall of your office. A mysterious wizard steps from the gate and announces, “Hey! You! If you want to save the realm, you need to complete this quest. You need to write a novel. And it needs to be a LitRPG!” He hands you a pen and a notebook, and he disappears back into the portal with a puff of smoke.

(You, of course, want to save the realm. One must never ignore quests bestowed by mysterious portal wizards. You’ve heard of LitRPG before, but you’re not really sure exactly what it is. Doesn’t it have something to do with video games? All you really know is that the term suddenly seems everywhere, and more importantly, LitRPG books seem to be really hot right now. And now that you have a quest to write one, you better get started. Here are five tips on how to save the day.

Step One. Know what LitRPG is in the first place.

Okay, okay, this sounds pretty obvious, right? Like it should be something the wizard tells you before we even get to the five tips part. But here’s the thing. Knowing exactly what you’re getting yourself into is absolutely crucial for success in this style of writing. Are these games? Are they like those Choose Your Own Adventure books? And why the heck are we calling it a “style of writing” and not a genre?

LitRPG stands for Literary Role-Playing Game, so it’s not surprising that people who are new to the term think these books are games. Or Choose Your Own Adventure Style books. They are not. They are just regular novels, usually with no reader interaction. And while many people call it a genre, they’re not, technically, a genre, either.

Read the full article: https://www.writersdigest.com/write-better-fiction/what-is-litrpg-for-writers-and-how-do-i-get-started-writing-it

New Collection by L. Andrew Cooper Will Leave Stains in Your Mind!

Stains of Atrocity: Twenty Tales of Horror and Dark Fantasy

by L. Andrew Cooper

This volume’s twenty horrific tales vary in style and extremity, but each aims to leave an unusual, dark, and lasting impression. It begins with “Silence,” a surreal haunting about a woman who visits a strange house and then quietly loses the people closest to her, and it ends with “Mandy Schneider Makes Friends,” a taboo-breaking account of three psychopaths who form an alliance and then torture a group of campers and their chaperones. Arranged into five sections or “blots” that might stain your psyche in different ways with the atrocities they depict, the stories explore distorted responses to tragedy, strange connections that form when people give in to chance, political anxieties acted out through rent flesh and spilt blood, miraculous feats paid for with massacres, and a crime that lives on in a place and in people devoted to human violation.

In “David Langley and the Burglar,” a thief works up the nerve to add more violence to his crimes, and his intended victim struggles to escape from what seems to be a supernatural trap. In “Highway Romance,” a truck driver takes an illicit interest in a boy he sees in a passing car, and the boy lures him on, pursuing illicit and deadly interests of his own. “Dinner for Two” follows media-obsessed Brandon Landry as he becomes a mass shooter and meets his fan Daisy Ruttle, who after watching him online has decided she must play a part in his murders. A small, diverse group tries to dispatch the scourge of their neighborhood—a white supremacist who refuses to die, no matter how grisly the attempt to kill him—in “Undying Support.” “Blood and Feathers” presents a fateful early meeting between Dr. Allen V. Fincher and Elijah Eagleton, characters familiar from some of Cooper’s other works, a meeting that spawns a spate of human sacrifices. In “Eternal Recurrence of Suburban Abortion,” a young woman goes to a house famous for the atrocities committed there to have something removed from her body, and she ends up on a mind-bending journey between lives.

Seven of these stories have not previously been published, and the others are otherwise unavailable. They share fascinations with the macabre and the grotesque, as well as with storytelling that defies the typical. While some possess a twisted sense of humor, all aim to disturb. Get comfortable. It won’t last.

About the Author:

L. Andrew Cooper specializes in the provocative, scary, and strange. His current project, The Middle Reaches, is a serialized epic of weird horror and dark fantasy on Amazon Kindle Vella. His latest release, Records of the Hightower Massacre, an LGBTQ+ horror novella co-authored with Maeva Wunn, imagines a near-future dystopia where anti-queer hate runs a program to "correct" deviants. Stains of Atrocity, his newest collection of stories, goes to uncomfortable psychological and visceral extremes. His recent novel, Crazy Time, combines horror and dark fantasy in a contemporary quest to undo what may be a divine curse. Other published works include novels Burning the Middle Ground and Descending Lines; short story collections Leaping at Thorns and Peritoneum; poetry collection The Great Sonnet Plot of Anton Tick; non-fiction Gothic Realities and Dario Argento; co-edited fiction anthologies Imagination Reimagined and Reel Dark; and the co-edited textbook Monsters. He has also written more than 30 award-winning screenplays. After studying literature and film at Harvard and Princeton, he used his Ph.D. to teach about his favorite topics from coast to coast in the United States. He now focuses on writing and lives with his husband in North Hollywood, California.

https://www.amazon.com/Stains-Atrocity-Twenty-Horror-Fantasy-ebook/dp/B0BRMS6Q4S