Tuesday, April 29, 2025

We Need Diverse Books (by Christa Faust)

Speaking of books, if you’re reading this you probably already know about The Get Off, but did you know I’ve also got a brand spanking new short story coming out in September? I’m proud, honored and thrilled to be included in John Copenhaver and Salem West’s new anthology Crime Ink: Iconic!

In 2023, out of 517 stories published in major crime anthologies, fewer than 1% were written by LGBTQ+ authors.

Crime Ink: Iconic is a necessary course correction.

This bold new collection gathers crime stories inspired by queer icons—James Baldwin, Radclyffe Hall, Megan Rapinoe, Oscar Wilde, Candy Darling, and more—spanning the full spectrum of the genre: noir, cozy, psychological thriller, procedural.

With a foreword by Ellen Hart and an afterword by Katherine V. Forrest, the anthology is both a celebration and a call to action.

Featuring stories by:

Ann Aptaker, Chris Bollen, Marco Carocari, Katrina Carrasco, John Copenhaver, Meredith Doench, Margot Douaihy, Diana DiGangi, Christa Faust, Kelly J. Ford, Katherine V. Forrest, Stephanie Gayle, Robyn Gigl, Cheryl Head, Greg Herren, Renee James, Anne Laughlin, Kristen Lepionka, Mia Manansala, Jeff Marks, Ann McMan, Penny Mickelbury, David Pederson, JM Redmann, Jeffrey Round, & Baxter Clare Trautman

Published by Bywater Books.

If you preorder a copy of Crime Ink: Iconic or buy a copy of The Get Off from an independent bookstore of your choice (including bookshop.org) and email me your receipt dated between April 26 and May 3, I’ll donate 5 bucks to We Need Diverse Books.

Because in dark times like these, we all need diverse books. Now more than ever.

(Originally posted at https://buttondown.com/christafaust/archive/we-need-diverse-books/)

Saturday, April 26, 2025

[Link] Everything You Need to Know About Developing (and Writing) Characters

by Ali Luke

I’ve covered a lot about developing characters and writing about them, here on Aliventures. I wanted to collect those posts together in one place so you can find them easily.

Whether you’re just figuring out who your characters are for your story, you’re in the messy middle of your draft, or you’re trying to nail your characterisation as you rewrite, hopefully there’s a post here that covers just what you need!

Read the full article: https://www.aliventures.com/writing-developing-characters/

Friday, April 25, 2025

AIRSHIP 27 PRODUCTION PRESENTS SECRET AGENT X – Vol 7

AIRSHIP 27 PRODUCTION PRESENTS SECRET AGENT X – Vol 7

Airship 27 Production is excited to announce the release of its latest Secret Agent X anthology. The world’s most ingenious spy returns in three band new adventures. Secret Agent X, better known as The Man of a Thousand Faces finds himself challenged by master criminals, foreign saboteurs and sadistic killers in this trio of tales by today’s modern masters of pulp thrills. Writers George Tackes, Curtis Fernlund and J. Walt Layne offer up fact paced action stories. 

Someone is assassinating world leaders without rhyme or reason. Nazi agents have been reported in cities throughout the US. While on the streets of New York City, a twisted killer is targeting children. All three cases will challenge X as never before and he’ll require all his skills and talents to thwart this triple threat of evil.

Award-winning Art Director Rob Davis provides both the interior illustrations and cover. Remember, long before James Bond, there was Secret Agent X! 

AIRSHIP 27 PRODUCTION – PULP FICTION FOR A NEW GENERATION!

Available now from Amazon in paperback and soon on Kindle.

Thursday, April 24, 2025

Writing Non-Human Characters: How Other Should Other Be?


During Stellar Fest, I was fortunate enough to be on two panels on characterization, both of which addressed the idea specifically within the realm of science fiction, and with a focus on non-human characters. But, sci-fi doesn't have a monopoly on non-human characters, so I realized immediately that I wanted to take this discussion to the blog. (And here we are.)

When writing characters who are not human, what is your starting point? The race, the species, the human characteristic to use as an entry point, what?

E. Robert Dunn: Typically, it starts with a race/species that I'd like to develop ... which may or may not include 'human characteristics.'

Danielle Procter Piper: First, I must realize that the story requires a non-human entity, after which I then decide what sort of being it should be. My background in biology helps me create realistic creatures, as does my artistic ability. When I wrote Quasar 169, it was based on a dream I had where a news anchor described a murder, and an image of the victim slowly morphed into an image of the killer. That's what inspired me to create a species of humanoid sexual shapeshifters. 

Bobby Nash: I start with the character. Most non-human characters can still have a human-ish trait that I can start with like how family works, or something about their personality. Then, I build from there.

Sean Taylor: I have to start with the character, plain and simple. That's always true for me whether I'm writing a straight white dude, a poly black woman, a purple Glorp from Vendellia 45, a Loup Garou from the Bayou, or a gaseous floating cloud above the top of Kilimanjaro. For me, that means something human in terms of characters, some need, some drive, something that man, woman, Glorp, Lou Garou, or cloud wants and must overcome some hardship to achieve. If I don't have that skeleton to put a coat on, then I can't start moving on the story. 

Wednesday, April 23, 2025

Movie Reviews for Writers: Eddie and the Cruisers

I know what you're thinking. Eddie and the Cruisers isn't about writers at all. It's about a band, a group of musicians. True. But we covered Bob Dylan earlier, so we clearly have a precedent for musical creatives here. (Of course, I do realize that Dylan was also a poet, and a Nobel-winning writer.) Stick with me here, anyway. I promise this music movie has a lot to say to us writers of prose too. 

Let's get the cast together first. 

  • Eddie Wilson, guitar, lead vox
  • Frank Ridgeway, keys
  • Sal Amato, bass
  • Wendell Newton, sax
  • Joann Carlino, backing vox
  • Kenny Hopkins, drums

Now, a brief recap of the plot for anyone unfortunate enough not to have seen this awesome flick. Eddie Wilson is a garage band idol with lots of raw energy and talent and charisma, but he wants to be more -- he wants to be a legend. He wants to leave a mark. Only, when he couldn't, he took his own life. Maybe. Now it's years later and a music mag wants to do a story on the band's unfinished and unreleased final album. Only that ends up turning into a search for the missing tapes through the Cruisers' history and remaining band members who are still alive. 

Eddie brought the show and sizzle, but the magic? Well, the magic came from the lyrics. Even the record company realizes that. While discussing the idea of doing an article on the band years after Eddie disappeared, one of the publishing guys says early in the film: "Guy on piano was Frank Ridgeway. He wrote all their lyrics. Called him the Wordman."

I've always liked that. The Wordman. After all, as a writer, as a storyteller, it's what we do. We are all "The Wordman." (Ignoring the masculine reference this time for the sake of the movie script.) It's a moniker Frank earns right off the bat when the band asks him what he thinks about a song as they rehearse in the bar.

Tuesday, April 22, 2025

Debbie Viguie: Always Been a Writer

Debbie Viguié has been writing for most of her life and holds a degree in creative writing from U.C. Davis. She has had numerous appearances on the New York Times Bestseller list for the Wicked series as well as cracking the yearly top 10 Christian book list for Booklist with the Psalm 23 series.

I met Debbie at Stellar Con not long ago, and I thought she was pretty awesome, so I figured you needed to meet her too. 

Tell us a bit about your most recent work.

I just released Celtic Charms, book 2 in the Twin Destinies series, featuring the world-famous Harp Twins. I depict fictionalized versions of the ladies as the heroes in the stories, fighting the forces of darkness. They create albums of original music to go with each book. We have all three been pushing each other creatively and it has been great fun!

What are the themes and subjects you tend to revisit in your work?

The struggle between light and darkness, people being able to accomplish more than they ever dreamed, family is who you choose

What happened in your life that prompted you to become a writer? 

I’ve always been a writer. I started writing poetry and short stories about my toys when I was very, very young. Then my third-grade teacher pushed creative writing a lot in her class. She told my parents that they should encourage me to be a writer, which I was already thinking about.

What inspires you to write? 

Everything I see and hear inspires me. An interesting song lyric, a weird conversation, a “what if” sort of daydream. I find inspiration everywhere I turn. As for the actual exercise of writing itself, it’s a compulsion. I can’t NOT write. Even when I’m on vacation, it just comes out of me. I can’t tell you how many times I’ve taken home napkins from restaurants with a paragraph or notes for a book scrawled on them.

Saturday, April 19, 2025

[Link] Ray Bradbury Explains Why Literature is the Safety Valve of Civilization (in Which Case We Need More Literature!)

by Dan Colman

Ray Bradbury had it all thought out. Behind his captivating works of science fiction, there were subtle theories about what literature was meant to do. The retro clip above takes you back to the 1970s and it shows Bradbury giving a rather intriguing take on the role of literature and art. For the author of Fahrenheit 451 and The Martian Chronicles, literature has more than an aesthetic purpose. It has an important sociological/psychoanalytic role to play. Stories are a safety valve. They keep society collectively, and us individually, from coming apart at the seams. Which is to say–if you’ve been following the news lately–we need a helluva lot more literature these days. And a few new Ray Bradburys.

Read the full article: https://www.openculture.com/2024/08/ray-bradbury-explains-why-literature-is-the-safety-valve-of-civilization.html

Friday, April 18, 2025

Reese Unlimited is proud to announce the return of New Pulp’s most popular hero!

Reese Unlimited is proud to announce the return of New Pulp’s most popular hero! Lazarus Gray and his partners in Assistance Unlimited are back!

THE ADVENTURES OF LAZARUS GRAY VOLUME FIFTEEN: BRIMSTONE! Reese is joined by collaborator Dale A. Russell to craft this deadly new addition to the ongoing saga!

Throughout the world, legends of the Black-Eyed Children haunt those that live in the shadows. When a group of them arrive in Sovereign City, it falls to Lazarus Gray and the members of Assistance Unlimited to uncover their deadly secret and try to prevent the downfall of mankind! Be prepared for a wide-ranging adventure that spans the Philadelphia Experiment, the dark dimension of Dusk, a powerful sorcerer named Brimstone, and a looming gang war in Sovereign.

THE ADVENTURES OF LAZARUS GRAY VOLUME FIFTEEN: BRIMSTONE by Barry Reese and Dale A. Russell.

Thursday, April 17, 2025

Hey You! Get Out of Your Head!


Hey, writerly folks! I have a friend of a friend who can't get out of her head to get started. Let's get together and give her our best advice to get over it, shall we? 

What do you have for her?

Josh Nealis: Just set a small goal. A minimum word quota everyday. Then up it every 10k words or so. Gives you time to find the tone and the story you want to tell.

Frank Fradella: Write the absolute worst opening line in the history of ever ever.

Rachel Burda Taylor: Go get Julia Cameron's book The Artist's Way.

Robin Adams: Research always inspires me as well as gives me ideas!

Jessica Nettles: Just open Word and put the ideas on the page.

Carrie Fisher helped me a lot. She had anxiety and a lot of other stuff going on in her head. In spite of this, she was an actress and wrote hilarious novels. She said, “Stay afraid. Do it anyway.” When I get scared or the imposter syndrome gets loud, I hear Space Mom. If she could things, so can I, and so can you.

I bet your stories are awesome.

Sara Freites Scott: Just sit down and spill it all out on paper/laptop LOL don’t worry about it. Write what YOU want to read. You can always do rewrites later but get what you can down while you still have it!

John Morgan Neal: Start filling the blank page. With anything related to the story you are wanting to tell. Lists. Opinions. Song lyrics. What is the main character's favorite ice cream? Why? What makes them angry? Make up something about the setting. Who's is the weatherman on the local TV News? Describe them. What kind vehicle does the second main character drive. What color is it. Is that the color they wanted.

Kay Iscah: I tend to stay in my head until I can play the story out like a movie and I know the ending and all the key scenes. It was a little gratifying to hear Brandon Sanderson dignify being a "binge" writer as something other than horribly unhealthy in his lecture series. There is a point where you have to sit down and write, but it is okay to figure out what/why you're writing first.

My antisocial is kind of kicking in this week. Frankly writing is a flooded market, so if someone has to make themselves write, I think it's okay to not try to be a writer. Enjoy reading. Enjoy day dreaming. Turning your hobby into work makes it work instead of play.

Tuesday, April 15, 2025

E. Robert Dunn: From Bullied to Books

I met E Robert Dunn just a few days ago at Stellar Fest. My first thought was, "I bet that dude takes a really nice author photo." (To be fair, I was correct. Just look to the right.) But, then I got to talk with him and share the floor on a few panels, and I learned that he had a lot to say about the art and craft of writing. 

E Robert Dunn is an American author born in Fort Wayne, Indiana. Born Eston Robert Dunn, he began his career writing spec for The original 1970s Battlestar Galactica television series. As a teen, he also wrote for the British television series Space 1999 

Tell us a bit about your most recent work. 

My most recent work is a play book entitled: Monologues From The Like Minded. It is a play consisting of a series of monologues that explore life experiences, body image, and several other topics through the eyes of psychiatric patients with various ages, races, sexualities, and other differences.

What are the themes and subjects you tend to revisit in your work? 

Morality themes/subjects. Hoping that whoever reads any of my (play) books 'walks away' thinking and/or learning something about themselves and/or others. 

What happened in your life that prompted you to become a writer? 

Bullying led to journaling which led to my craft in writing to become proficient and catching the eye of an English teacher who made a telephone call to a friend in NYC who knew a literary agent. 

What inspires you to write? 

There's so much more humanity needs to do to reach its fullest potential.

What of your works has meant the most to you? 

Well, my first novel: Echelon's End, Book 1: Last Generation.

Saturday, April 12, 2025

[Link] Dangerous Writing



Nothing Good Comes From Nothing

by Chuck Palahniuk

Nothing good emerges from nothing.  Years back, Max Brooks and I were alone in an otherwise empty lecture hall.  His book World War Z had become the all-time bestselling zombie novel, but I suspected it wasn’t about the walking dead.  Okay, it was and it wasn’t.

About his father, Mel Brooks, Max told me, “We never ate in restaurants because all through dinner men would line up at our table to tell my dad their best jokes.  Every Jewish dentist dreamed of making their hero, Mel Brooks, laugh.”  And laugh he did, whether or not the joke was funny, while his wife, Anne Bancroft, graciously played along with the performance.  Relaxing it was not.

Here I saw my opening and asked, “Your mother?”  I asked, “Is World War Z really about your mother?”  This wasn’t a random guess.  The last year of his mother’s life coincided with the year in which it seemed he’d been writing the book. 

Max’s eyes got, well, misty, and he said, “No one’s ever caught that.”  He went on to say that in the last year of her life, he’d driven his mother to oncologist after oncologist.  Each had confidently assured them about a new cancer treatment and set their minds at ease.  That’s why each government in the novel confidently announces a new plan for resolving the zombies.   

Each promising cancer therapy had failed, and that’s why after a year the zombies had won.  Max said readers hated the downer ending of the book, but that’s how it needed to end because after a year of battling cancer Anne Bancroft had died. 

Max and I alone in that lecture hall, well, it was a moment.  A nice moment.

Max is funny and hairy and has flat feet—a defect that got him bumped out of military training.  All his life older men had told him, “Your mother, in The Graduate, she’s sex personified!  The sexiest woman alive!” so he’d never watched the movie.  His fear was he’d get an erection, and then what?

The truth was Anne Bancroft had always raised her own vegetables and saved the seeds to replant year after year.  She canned food.  During the Rodney King riots she’d watched the smoke rising over Los Angeles and calculated how long her family could eat if she butchered the family pit bull and harvested the koi in their backyard pond.  Max told me, “She was basically an Italian peasant,” but not with rancor.  With pride.

In the year after her death he’d compiled everything she’d taught him.  About gardening, about canning.  As a tribute to her he’d put all of this legacy into his book, The Zombie Survival Guide.

I wasn’t surprised.  This is what it takes to write a good book.  My best writing teacher, Tom Spanbauer, taught me as much.  Tom called it “Dangerous Writing,” and by that he meant that a writer had to explore an unresolved personal issue that couldn’t be resolved.  A death, for instance.  Something that seemed personally dangerous to delve into.  By doing so the writer could exaggerate and vent and eventually exhaust the pain or fear around the issue, and that gradual relief would keep the writer coming back to work on the project despite no promise of a book contract or money or a readership. 

Moreover, the writer had to explore the issue through a metaphor.  Like zombies.  Or Fight Clubs.

Read the full article: https://chuckpalahniuk.substack.com/p/dangerous-writing

Thursday, April 10, 2025

George Tackes: Instinct and Feel Take Over

Tell us a bit about your most recent work. 

My most recent published work: CNI Classified Vol. 2 short story “Hatchet Job” Oct 2025. Blue Planet Press. Robert Mendenhall created a fun group of military adventurers to write about. Masked Rider #4 – “A World Aflame” short story for Airship 27 – Western featuring Wyatt Earp fighting a fire rampaging through a small town. Secret Agent X Vol. 7 another short story for Airship 27 American Operation Hummingbird. Secret Agent X takes on a Nazi killer – always a great villain, 

My most recent unpublished work: In Search of the Cinnamon Bear, a novel – sequel to 1938 radio serial The Cinnamon Bear.

What are the themes and subjects you tend to revisit in your work? 

Currently adventure/action pulp stories with historical basis. Overall, I have to say the subjects are a wide range. I’ve written articles, plays, novels, short stories. My themes center around good versus evil, justice prevails.

What happened in your life that prompted you to become a writer? 

I remember as a child seeing a typewriter for the first time. I was fascinated by it. My mother gave me something to type but I didn’t want to copy something. Instead I wrote a story.

Saturday, April 5, 2025

[Link] 5 Sneaky Mistakes Destroying Your Writing Focus (Fix Them Fast!)

by Colleen M. Story

You sit down to write, determined to finally make progress on your project. The words will flow this time, you tell yourself. But before you know it, you’ve checked your email, responded to a message, scrolled social media, and now you’re standing in the kitchen wondering why you even got up in the first place.

The writing? Still waiting.

In today’s world, distractions are everywhere. It’s not just technology demanding our attention, either. There are all the never-ending tasks we must complete to manage our writing careers, plus life’s responsibilities piling up. It can make maintaining focus feel nearly impossible.

Still, if you’re serious about your writing, you have to take control of your focus. Below are five common mistakes destroying your concentration—and what you can do to fix them.

Writing Focus Mistake 1. Multitasking While Writing

We often think we can do more than write. Write and watch the baby. Write and cook dinner. Write and help a child with their homework.

It’s easy to succumb to this temptation. We have a lot to do, and sometimes, it can feel like if we don’t combine writing with something else, we’ll never get the writing done.

But while multitasking may seem productive, it actually fragments your focus and makes writing much harder. Say nothing about how it lengthens the time required to get the words down.

The Fix:

Commit to single-tasking during your writing sessions. Remember that even 15 minutes of focused writing is better than 30 minutes of multitasked writing. Experiment yourself if you like and compare your word counts. Most likely, you’ll get more done if you can focus on your story.

Set clear boundaries. Silence notifications, close unnecessary tabs, and resist the urge to jump between tasks. Consider using a distraction-blocking app to prevent temptation. By focusing on one thing at a time, you’ll enter a deeper state of concentration and boost your writing output.

Read the full article: https://writingandwellness.com/2025/03/03/5-sneaky-mistakes-destroying-your-writing-focus-fix-them-fast/

Friday, April 4, 2025

Falstaff Books Introduces a New Badass Urban Fantasy Series Starter, The Driver of Serpents!

It's just NOT Saint Patrick's day...
St. Patrick has seen better days.

The reincarnation of Ireland’s patron saint and your favorite screw-up’s reason to drink in March has quit the Vatican again, tired of serving as one of their exclusive exorcists amid the constant corruption. Well and pissed, he gets on a plane…

And goes to New York, of all the dreadful places.

But the call to serve never ends, and on a dark trail of clues given to him by a strange demon, St. Patrick must navigate the city from the booze-soaked bowels to its glittering heights, uncovering a conspiracy that stretches back before Creation.

To stop it he must rescue the last Nephilim.

Locked and loaded with action-soaked comedy, The Driver of Serpents is the Urban Fantasy debut of a war between the forces of heaven and Perdition, archangels and demons, God, and the rest… and one Irishman already tired of it!

For fans of The Iron Druid Chronicles, Dogma, and Constantine, prepare for hell in this unholy thrill ride!

Available from Falstaff Books.

Thursday, April 3, 2025

Titles and Stories (We Got Together, Like...)


This week, let's talk about stories and titles and how they go together (or don't -- I wan't presume your process!). 

What comes first for you, the story or the title? How does one drive the other through the process?

Sara Freites Scott: The title comes first but may change after I write the story! (Which actually happened with my first book.)

Bobby Nash: It could happen either way. Most of the time, it’s the story. That said, doing series work, like Snow or Tom Myers, I like to have a page at the end that states, “Tom Myers will return in…” and so I try to have at least a loose idea and a title for the next book ready to go. I have had instances where the title changed in the process.

Sean Taylor: I find it very difficult to write without a title. I'll jot down story notes and hold off actually writing the narrative until the right title falls into place. Yes, I know that (among other things) makes me an odd duck. 

Chris Riker: First - the moment. That one heart-wrenching scene. It contains the seeds of the story. It lives at the heart of the theme. Where do they come from? I live in a stressful world. Perhaps you've heard of it. Earth? Second - a few characters. Names. Quirks. Third - The ending. Not the plot; that's different. I need to know where my characters need to get to emotionally. Lastly: WRITE!

Jerry Motyka: Yes. Sometimes I get inspiration from a title, other times I get inspiration for the story and the title comes last.

Brian K Morris: Most of the time, it's the story, especially when I'm working with someone else's characters. Then again, I've come up with a title that practically writes the story for me. Also, I have to really put on my thinking cap to come up with a halfway pleasing (to me, at least) title.

Aaron Rosenberg: Oh, story 99 percent of the time, definitely. A lot of the time I'm scrambling for a halfway decent title -- I just use a placeholder to start, and hope something better comes to mind as I get into the book properly.

Gordon Dymowski: For me, the story almost always comes first. It's easier for me to come up with a killer title for a well thought-out story than it is a story for a killer title. I have several works in progress which I have named "Untitlted [INSERT GENRE OR CHARACTER" here to make them easier to track.

George Tackes: Always the story. Something in the story inspires the title. I couldn’t imagine having the title dictate the story. Because sometimes a story can go in an entirely different direction.

Iscah: Usually the story comes first, but it depends. Originally Seventh Night was called The Magician's Apprentice, and the story more heavily focused on Phillip. Then I saw a book with the same title at the store and decided I needed a new name. As the best fairytales are named after the princess, I went with *Seventh Night*, but this meant my title character was unconscious for two-thirds of the book. So, I reworked the middle to give her more to do and a bit more of a growth arch. I do think the story works a bit better that way.

When I say the story comes first, I tend to mean the general story. I usually have an idea for the title before I have finished writing. In some cases, it's a working title. I had a story called The Littlest Vampire, which is another title that I discovered was taken. That one has been sitting on my hard drive long that I may have to retitle it again if it ever comes out.

Some titles emerge while the story is still forming. I can be glacially slow from the spark of an idea and finding time to write it. So I have several backburner novels which are partially formed and still in the notes stage. Most of those have working titles.