“Great literature is one of two stories,” we often quote Leo Tolstoy as saying: “a man goes on a journey or a stranger comes to town.” That’s all well and good for the author of War and Peace, but what about the thousands of screenwriters struggling to come up with the next hit movie, the next hit television series, the next hit platform-specific web and/or mobile series? Some, of course, have found in that aphorism a fruitful starting point, but others opt for different premises that number the basic plots at three (William Foster-Harris), six (researchers at the University of Vermont’s Computational Story Lab), twenty (Ronald Tobias), 36 (George Polti) — or, as some struggling screenwriters of a century ago read, 37.
The year was 1919. America’s biggest blockbusters included D.W. Griffith’s Broken Blossoms, Cecil B. DeMille’s Male and Female, and The Miracle Man, which made Lon Chaney into a silver-screen icon. The many aspirants looking to write their way into the ever more celebrated and lucrative movie business could turn to a newly published manual called Ten Million Photoplay Plots by Wycliff Aber Hill. “Hill, who published more than one aid to struggling ‘scenarists,’ positioned himself as an authority on the types of stories that would work well onscreen,” writes Slate’s Rebecca Onion. In this book he provides a “taxonomy of possible types of dramatic ‘situations,’ first running them down in outline form, then describing each more completely and offering possible variations.”
Hill’s 37 basic dramatic situations include...
Read the full article: https://www.openculture.com/?p=1080397
No comments:
Post a Comment