Pro Se Productions, a publishing house based in Batesville, Arkansas, announced today plans for future projects and a more streamlined focus in its overall mission.
Established in 2010, Pro Se Productions entered into publishing focusing on a style of fiction that would come to be known by many as ‘New Pulp’. Inspired by the usually fast paced, plot centric tales peopled with larger than life characters published in Pulp magazines of the early 20th Century, New Pulp as a style pays homage to classic Pulp, but also often brings a modern relevance as well as other aspects to new works. Although not the first publisher focusing on New Pulp, Pro Se quickly established itself as a leader in the niche market that existed for stories of this type.
Since its inception, Pro Se Productions has published over 150 individual titles, either in print, digitally, or both. Pro Se is known for publishing a variety of authors and artists, from previously unpublished creators to New York Times bestselling authors. The company has also established several different imprints, including author centered lines, an imprint focused on genre fiction for young readers, a nonfiction/academic imprint both studying New Pulp and offering facts and resource materials for fans and authors, and others. One of Pro Se’s newest and strongest innovations has been the development of the Pro Se Single Shot and Pro Se Single Shot Signature lines, providing digital only short fiction – stand alone stories as well as series, serialized novels, and author focused imprints – for 99 cents each.
As a New Pulp publisher, Pro Se has thrown a wide net regarding the stories it accepts and publishes, carrying representatives of multiple genres in its catalog. In doing this, Pro Se has become identified as a Publisher of Genre Fiction as well.
“Pro Se Productions,” says Tommy Hancock, Partner in and Editor in Chief of Pro Se, “is most definitely a publisher of New Pulp. The company is also considered a Genre Fiction publisher as well. The two terms aren’t mutually exclusive. The bottom line and Pro Se’s mission from here on out is really simple. We intend to publish quality Genre Fiction, the best of the best, and a fair share of what we publish will be action adventure oriented, regardless of genre, and will appeal to not only New Pulp fans hopefully, but classic Pulp fans, heroic fiction fans, and overall just fans in general.”
“Pro Se,” continues Hancock, “intends to take the type of works we publish, both past and future, not only to the audience we know exists for them, but to new fans, to markets most New Pulp or general Genre Fiction publishers have yet to tap. We’ll be focusing on genre specific markets for the books that fit in them, but we also intend to introduce fan bases that didn’t know they already enjoyed the sort of work that writers and artists who create for Pro Se produce. The diversity Pro Se already has in our library is a good platform from which to grow. And that won’t simply be done just because we want it to be. In the coming months, Pro Se will be experimenting with different ways of packaging current and future works as well as innovations in distribution and promotion. We’ve spent the last four years building a company that we are proud of. Now it’s time to show as much of the world as possible why they should be, as readers, a part of what Pro Se is doing.”
One major area of focus for Pro Se in the immediate future is the Pro Se Single Shot and Single Shot Signature lines. “The thing,” says Hancock, “about getting what a company publishes into the hands of as many fans as possible is that it has to be accessible and affordable. The Pro Se digital singles most definitely qualify in both ways and also feature some of the best writers in Genre Fiction today. We’ve also structured the lines in such a way that, within the next two months, we will be making several announcements related to various ways to access the Single Shots, potentially at even a better price than currently. Much like classic Pulp magazines of the past, the Pro Se Single Shot lines have the potential to be the gateway for new fans into Genre Fiction and perhaps the strongest arm of Pro Se in the future.”
Pro Se Productions is committing to an aggressive schedule in 2015 and beyond. Known for publishing up to four books or more a month in the last 18 months, Pro Se has no plans to slow down. The company is no longer taking unsolicited submissions until January 1, 2016. The purpose of this is to focus on the myriad of works already scheduled for 2015, a lineup that is impressive, to say the least.
“To list everything,” says Hancock, “would take pages and pages. We will be transparent in coming months, making multiple announcements about projects and events. Pro Se Productions is proud to say, though, that we will be bringing fans not only the best authors we already publish, but new names as well. Some they may recognize, such as John Lutz, Robert Randisi, and Richard Lee Byers, and others may be new to them, like Charlotte Knox, Raymond Masters, and Spencer Loeb. H. David Blalock will have a collection of short stories published by Pro Se Productions. Author Paul Bishop is developing a new series of crime fiction and Pro Se is proud to be the home for it. Van Allen Plexico will also have a much stronger and welcome presence with Pro Se in 2015 and beyond. New Pulp concepts, like Derrick Ferguson’s Dillon, will receive the academic treatment in our PulpStudies imprint.”
“Pro Se will also continue to bring the best of classic fiction back in new stories, something that we have been doing already in our Pulp Obscura imprint. Beginning in 2015, Pro Se will have a new imprint focused on bringing classic public domain characters back to life in new stories as well as continuing to do so through Pulp Obscura. Pro Se will also continue to work with companies like Heroic Publishing and creators like Barry Reese and Gary Phillips and publish licensed works for them as well as others to be announced later.”
“Most assuredly,” guarantees Hancock, “we will also continue to bring you the best authors in Genre Fiction, as we have been doing for four years. More work from Nancy Hansen, Logan L. Masterson, Kevin Rodgers, Lee Houston, Jr., and other Pro Se stalwarts is definitely on the way. Put simply, Pro Se Productions will continue to produce the best fiction in multiple genres from quality creators possible.”
For more information on this article or Pro Se in general, email Morgan McKay, Pro Se’s Director of Corporate Operations, at firstname.lastname@example.org.
To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.