Showing posts with label Andrea Judy. Show all posts
Showing posts with label Andrea Judy. Show all posts

Tuesday, October 21, 2025

Looking into the Abyss of 'Why Bother'

by Judy Black

I have to be honest, the past month I have been struggling. 

My mind constantly circles the 'why bother doing this?' question constantly. I wonder if I'd be better off spending my limited free time sleeping or catching up on all the TV shows I still haven't watched. I wonder if it's worth it, or if anyone would care if I stopped making things. 

Thankfully, I have a wonderful group of creative friends who worry about this too, but who also grab my shoulders and shake me while lovingly screaming 'I'd care if you stopped making things you weird little potato!' which is very reaffirming. 

But, almost every creative person I know struggles with this question. Circles this abyss and feels it start to pull them apart.

Creating things is hard in the best of times. 

Creating things when *gestures vaguely to the chaos of the world* is happening, feels impossible, like trying to bail out a boat with a cracked teacup.

But every time I think 'I'll just stop, why bother?', I can't bring myself to put down the cracked teacup. I want to create, I want to share stories, and games, and weird little ideas with all the people out there like me. Creation is a way to share pieces of ourselves with the wider world, to say 'I'm not alone, and neither are you' and it feels magical when that connection is made. 

So, to everyone else out there circling the edge of the abyss, staring into that bleakness of 'why bother?', I see you and I'll hold your hand until you can move from the edge, and you'll hold my hand when I inevitably teeter towards the edge because that is what art in all its many forms does.

It connects us when we feel like no one else understands our hearts. 

So, I guess all this rambling is just to say, why bother? Because I want all the other weirdos like me to feel a little less alone in this chaotic, scary world. 

This article originally appeared in Judy Black's email newsletter.

Saturday, July 10, 2021

[Link] THE LIES BEHIND PRODUCTIVITY

by Andrea Judy

Sharing time! I'm obsessed with productivity tips and blogs. Articles like '7 Habits Only Happy People Have' and '12 Ways You Waste Time Every Day' devour my morning and leave me feeling productive even when I have literally just spent 3 hours on LifeHacker and have nothing to show for it but chapped lips, dry eyes and a lingering sense of guilt. 

While I love reading about these tips, it's just because it feels productive without me having to actually do anything hard. Reading an article? Psssha, that's easy work and a total time waster, but this article will teach me how to optimize my morning so I get everything done and become a productivity ninja! 

That's not to say that these articles don't share good advice or fun tidbits of information that make you feel great about yourself. (I mean, did you know that millionaires tend to smile a lot. I smile a lot, I'm totally on the way to being a millionaire since we have so much in common.) However, at some point it's time to stop with the fun articles and buckle up for a ride. 

Read the full article: http://www.judyblackcloud.com/blog/2017/3/13/the-lies-behind-productivity

Friday, May 14, 2021

Get all 4 Finnegan Family Supernatural Hunter novellas in one gorgeous book!

If Sam Winchester was the illustrated lady in a traveling sideshow in the 1900s, he'd be Hazel Finnegan.

Hazel has a power, and with that power, a responsibility. She hunts down the things that go bump in the night, and once she kills them, traps them into her skin via magical tattoo transference. Then she can call upon the monsters she's vanquished to help her take out other baddies. But she might be in over her head this time.

Her father is missing, and she and her brother are desperate to find him. But they also have a traveling sideshow to run, locals to placate, competing shows to handle, travel to coordinate, and monsters to slay.

Now Hazel needs to find out where her father has gone, who took him and why, and what it means for the future of her sideshow, her family, and just maybe the world. And time is running out.

Shadows & Sideshows collects the first four novellas of the Finnegan Family Supernatural Hunters, a new historical fantasy series from author Judy Black, set in the world of Quincy Harker, Demon Hunter.

Available on Amazon: https://www.amazon.com/Shadows-Sideshows-Finnegan-Supernatural-Hunters-ebook/dp/B086M4ZVJ2?

Friday, January 4, 2019

[Link] Writing with a day job

by Andrea Judy

Most of the writers I know manage some kind of a day job for at least 40 hours a week, but sometimes a lot more than that, as well as all of their writing projects. It can be really hard to figure out ways to manage that and in my case, I don't even have a spouse or kids to complicate my schedule further. What I want to share today are some tips and tricks I’ve found to help manage my energy while spending my day working.

1. Taking a serious look at what my schedule actually looks like.

I know that it may sound a little silly but actually conceptualizing the times that you are committed to anything related to your day job is vital. If your commute is an hour in the morning then you probably can't try and squeeze in an extra 45 minutes of writing without sacrificing some major sleep. If your job allows for remote working then maybe you can easily fit that in first thing in the morning.

Know the reality of your job: do you actually get to take a lunch break where you could write? It's a really vital part of figuring out what times are even available for you to write. Know when the busy seasons are for your day job. If you work in financials than the end of fiscal year is probably going to be a really stressful time for you. By knowing that, you can try to mitigate the number of projects or external creative due dates you have during that time. Be aware of the most stressful times in your job if it follows a pattern like that and try to work around them.

2. What are your priorities? 

Figuring out what projects are the most important to you can really help make sure that when you do you have time to work on your creative endeavors you actually know what to work on. For a long time, I spent a lot of energy spinning my wheels trying to figure out what project I was even supposed to be working on or wanted to work on next. I lost a lot of time by not having my priority set. Now I know what projects I have coming up and what projects I really want to accomplish. It really helps make sure that the limited time I do have is used well.

Read the full article: http://www.judyblackcloud.com/blog/2018/10/15/writing-with-a-day-job

Sunday, August 19, 2018

Falstaff Books annouces Cabinet of Aberrations by Judy Black!


If Sam Winchester was the illustrated lady in a traveling sideshow in the 1900s, he'd be Hazel Finnegan.

Hazel has a power, and with that power, a responsibility. She hunts down the things that go bump in the night, and once she kills them, traps them into her skin via magical tattoo transference. Then she can call upon the monsters she's vanquished to help her take out other baddies. But she may have bitten off more than she can chew this time.

The troll was big, dumb, and strong as an ox, but that wasn't the real threat. The real threat lurks in the woods, and just maybe in whatever made her father disappear…

The Shadow Council Archives are historical novellas set in the universe of the Quincy Harker, Demon Hunter books. They are the tales of folklore and legend collected by The Shadow Council in the centuries since their founding.

Get your copy on Amazon.

Saturday, July 7, 2018

[Link] Tabletops and Storytelling

by Andrea Judy

I was really late to the part with tabletop gaming. While I played once or twice in college, it never really clicked until after college when I joined a small group that played together once every two weeks or so.

That group made of only 4 people (3 players and one dungeon master) hooked me and I've been playing regularly ever since. I've even run a few campaigns of my own and have always enjoyed the adventures that can be built through storytelling and dice rolling. But one thing I've really been noticing more and more is how playing tabletop games has taught me a lot about storytelling and what makes a compelling tale.

Let's start by defining what a tabletop game is. A tabletop game (like Dungeons and Dragons) is a game played with a group of players and led by a dungeon master. The dungeon master controls the enemies, and the general plot, but a good DM (Dungeon Master) will work with the players to tell a collabrative story. It requires a lot of imagination and innovation on all parts. The game is played by rolling dice to determine successes or failures. Combat is done in a similar way. You see a flash of Dungeons and Dragons at the very, very beginning of Stranger Things.

So what can you learn about storytelling through a tabletop game? Lots. Here are 5 things I've learned over the years.

Read the full article: http://www.judyblackcloud.com/blog/2017/2/6/tabletops-and-storytelling

Tuesday, June 26, 2018

Take Your Pick -- A Double Shot of Smart from Andrea Judy

Be Boring

When I was first starting to really take myself seriously as a writer (as in writing every day and trying to actively get published), I remember thinking that I was way too boring to write anything exciting. I mean, I don't do drugs, or get black out drunk every night. I don't go wild and travel through dangerous areas in the dead of night. Hell, I think the most dangerous thing I do on a regular basis is walk into my bookshelf nearly every morning when I'm getting ready for work because despite nearly a year of it being in the same place, it's always a surprise!

I grew up with stories about the wild antics of writings, with the motto 'write drunk, edit sober' being thrown around by everyone I knew. I always thought I was too much of a bore to fit in, but what I've found over the last few years has been the opposite. Schedules actually help me keep at my writing more than any sort of wild life ever could.

Knowing that I'm home by 4 every day and sticking to the schedule lets me prepare to write. It's become a habit now. I don't have to sit and wait to be inspired to write, it's simply 4:00 and time to write. Most of the writers I know who are successful do this. They write and take care of themselves. There are always exceptions to the rule, but by and large, the writers who are making it in the creative world work on schedules, not whims.

Read the full article: http://www.judyblackcloud.com/blog/2017/9/4/be-boring

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Find focus, not time

There never seems to be enough time, does there? It's something that I hear (and say) all the time. 'If only there were more hours in the day! I just don't have enough time!' And a lot of the time, it's true. But, since adding hours to the day isn't really a possibility... let's look at other ways to get some time back.

The number one thing that can make a big difference is focusing on one thing at a time. Don't try and do multiple projects at once. For me, this means that when it's time to write a blog post that means I can't also be...

  • watching a YouTube video (just for background noise I swear!)
  • check Facebook real quick (I'm just looking out for a message about an interview!)
  • have my email open (What if something important shows up?)
  • carry on a conversation with my roommates (It'll just be a second!)

If I want to get anything accomplished and not have the task be a terrible mess then I need to focus on that one task and that one thing alone. I'm not great at. I like having background noise but I'm learning that my default of YouTube isn't a great idea. Even listening to songs with lyrics can distract me.

So to help with that whole background noise thing, I turn on some binaural focus music on spotify. No lyrics and sounds that are supposed to help with focus.

Read the full article: http://www.judyblackcloud.com/blog/2017/10/9/find-focus-not-time

Monday, May 28, 2018

#MotivationalMondays -- Don't Forget The Hows

by Andrea Judy

I'm a hardcore goal setter. I love planners, my bullet journal, and the feel of the perfect pen in my hand. I can write out every task I have, check them off and keep on rolling. I see what I want and I mark it out on my calendar of when I want to accomplish it by. There's just one problem... I don't make myself a roadmap on getting there.

See I'm great at the what and the when. I know what I want and know when I want it by but I don't put together the how. So, I want to submit a short story for an anthology and their deadline is Feb. 28. I want to send in a story. I know that I need to have it finished early enough to get edited so I plan to have a draft done by the end of Jan. to give me time to get a beta reader (or two) and get edits in.

I plan to submit my story by Feb. 20 so I have some wiggle room in my timeline if something gets thrown out of whack or a beta reader takes a little long to get back to me. That's awesome. It's great to have that laid out on my color coordinated planner. But what that plan doesn't take into account is how am I going to get that story written?

Read the full article: http://www.judyblackcloud.com/blog/2017/1/16/dont-forget-the-hows

Saturday, May 12, 2018

[Link] What do I bring to conventions?

by Andrea Judy

Getting ready for conventions is always a little hectic. There’s a panic of what to bring, what to pack and what to leave at home. So a few months back, I made a list to help me get my stuff together! I thought other people might find that helpful so I’m going to share it here! Let me know if there’s anything you bring that I’ve not listed here.

Foods (Protein bars, water flavor (I like the mio coffee ones for caffeine fixes on the cheap), fruit, sweets, crackers, shareables!) I try to always make sure I have some at least semi-healthy stuff and that I have enough to share with my fellow vendors.

Business cards, post cards for table

Table cloth and decor

Read the full article: http://www.judyblackcloud.com/blog/2017/10/23/what-do-i-bring-to-conventions

Thursday, June 22, 2017

Crossing Through No Words Land

by Andrea Judy

Sometimes in life, you hit a patch where the words just won't happen. I don't just mean a writer's block or the dreaded soggy middle. I mean the times when your whole mind turns into an arctic tundra where nothing thrives. You can't think of a new idea, you can't think of writing at all. The idea of writing fills you with sickly dread. It sucks. So what can you do? Well put on your snow boots and let's figure this out.

1. Take a break.

Sometimes you just need a break from writing. Take a day or a week and just rest. Give yourself some slack and time to recharge. This is especially true if you have been really pushing yourself hard for a while.

2. Read out of your usual genre. 

If you write romance, pick up a western. If you write horror, pick up a space opera. Read something totally different than your usual fare. Sample something different and give yourself some fresh ideas and new genres to look into. You never know when you might find your next beloved book.

3. Enjoy a nap. 

Seriously, sleep is rad. Take a nap and see how you feel after some well deserved shut eye.

4. Skip that scene you hate. 

If you're avoiding writing, unable to write or just hating everything about the certain scene or chapter you're working on... just skip it. Put in a placeholder in and move on. If you hate that scene than does it have to be like that? Figure out a way to make it fun for you and the reader.

5. Get help. 

Sometimes this kind of a block is a big red flag that something is wrong. I know for me, when I found myself unable to write for months I knew something was wrong and went to find help. For me, this tundra of no words is a big ol' sign post that I am entering the depression badlands and it's a good time to talk to someone and get help. There's no shame in needing help.

So that's what helps me when I enter the tundra of no words. Is a sucky place that I don't even like to visit but sometimes you just have to cross it and get to the other side. Writing is hard mental work and it can be taxing to do. So keep on plucking on and we'll get to the other side together.

Note: Originally posted here. Reposted by permission.

Tuesday, October 11, 2016

[Link] The Long Con: Conventions & Conferences

by Andrea Judy

I love conventions. I've been going to them for over ten years. I started at small anime conventions and graduated to DragonCon and GenCon in recent years. When many writers approach me for advice on what they can do to improve their craft, I usually tell them to find a convention with a good literary track, go to the panels and take notes.

Many fantasy and science-fiction conventions have a series of panels (a track) devoted to writing and publishing. You can learn a lot from listening to professionals talk about their craft and better yet, it can be a great chance to meet other writers and network. Many of the writers that come to conventions are happy to talk shop with you and answer any questions you have.

Now, there are also a lot of writing conferences, and I've been to quite a few of those and they are also a great resource for writers at many levels in their careers. I've found the main differences between a convention and a conference is...

Read the full article.

Tuesday, October 4, 2016

Sean Taylor Shares the Skinny on THE NEW DEAL: MASKS AND MUTATIONS!

If you need someone to blame for this book, here I am. It’s simple math. A + B = C, with C being this book. If you’ll keep reading for a moment or two, I’ll attempt to explain.

A: What If

“What if” is a writer’s favorite game to play. It’s the basis of all stories. What if King Lear happened on a farm but from the POV of a “bad” heir? That’s Jane Smiley’s A THOUSAND ACRES, for the record. What if spiritual samurai tried to hold off imperialism from an invading and technologically superior force? That’s both history of Japan and the basis for a little space movie called STAR WARS. What it space were the wide-open West and we sent people out to explore it? You guessed it, STAR TREK.

“What if” keeps the fictional world from becoming stagnant. It’s the remix that word-artists use to create something new from something borrowed, something blue. “What if” is the glue (sorry for the cliché) writers make from the hooves of both classic and often forgotten literary steeds.

Now that we’ve established that, what about this one: What if the American public had a scapegoat on which to blame all the bad stuff from the 1920s and 1930s, such as the stock market crash, increasing crime, etc.? And what it that scapegoat weren’t a race but a whole new kind of people, a new generation of people born with amazing powers, some that could stay hidden in public and others that didn’t have that luxury?

B: Man Vs. Man  

Two super hero-themed books have always stuck with me as being important to the American cultural/creative landscape. The first is the X-Men adventure God Loves, Man Kills. It’s a masterpiece of Us vs. Them literature. The second is the Wildcards series edited by George R.R. Martin et al, particularly the first book with its crazy trip through American history with the added benefit (or detriment) of Aces and Jokers.

But this Us vs. Them theme sadly isn’t confined to books and movies. We all know that. Without racism, the X-Men wouldn’t have been so popular since that was their story to tell (only slicing it in a fantastical way).  The Wildcards books would have had little to say beyond mere escapist fiction without the realities of McCarthyism and anti-socialist and anti-communist politics at their core.

I’m not talking about simple man vs. man plot structures here. This is far deeper than the noble sheriff vs. the bad cattle rustler, or even the disillusioned copper vs. the vicious gangster. I’m talking about the propensity of human beings to focus on the things that make us different and use those very things at best to segregate the greater (us) from the lesser (them), or at worst the right and proper (us) from the evil and should be gotten rid of.

It’s one of the things that makes us rightly and truly suck as people, but it makes us great fodder for stories, fantastic fodder for compelling stories.

It’s the fodder at the heart of this collection of stories, which brings us to…

C: This Book

At its simplest, this book asks the question, “What if the X-Men happened in a generic way right around the Great Depression and took all the blame for, well, everything?” But it didn’t stay there. With the input of several writers I trust, value, and am jealous of, it became more than just a rip-off of the X-Men. It became something wonderfully and truly pulp, something that took the ideas of masked men with guns and fedoras from the realm of possibility into the realm of the fantastic, of superheroics.

The pulp era is filled with costumed do-gooders, but most of them were what my first super-fiction editor staunchly referred to as “mere vigilantes.” (A super hero, after all, had to have super-powers, according to him.) Men and women with guns. Men and women who were tremendous athletes, but nonetheless merely human.

This volume takes those men and women farther. But rather than putting the superhuman on a pedestal and seeing him or her as a god or goddess, it takes a more realistic approach. As I said above, we humans don’t have a good track record welcoming the new and different, especially when it frightens the bejeeszus out of us.

The title is an obvious riff on President Franklin D. Roosevelt’s political stab at rejuvenating the country. Only in this case the new deal is not what history tells us. It’s a new kind of human. The new and different. The thing no longer in the shadows that frightens the bejeezus out of us.

How the people involved “deal” with that new is what makes the stories in this collection worth your time and money.

So welcome to THE NEW DEAL: MASKS AND MUTATIONS.

I hope you enjoy your trip to the past that never was.

Sean Taylor
Creator of The New Deal: Masks and Mutations
September 30, 2016
Atlanta, Ga.

Thursday, September 29, 2016

HEROES AND HISTORY IN THE CROSSHAIRS- ‘THE NEW DEAL: MASKS AND MUTATIONS” DEBUTS FROM PRO SE PRODUCTIONS

A cutting edge Publisher of Genre Fiction, Pro Se Productions proudly announces the release of THE NEW DEAL: MASKS AND MUTATIONS.  A collection organized by Sean Taylor, THE NEW DEAL turns the best in New Pulp authors today loose on the concept of super powers in a real world setting at the end of the 1920s.  The anthology is now available in print and digital formats.

“THE NEW DEAL,” explains Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions, “asks the question ‘What if Super Powers were a thing at one of the most explosive points in our history?’ And this taut, thrilling anthology is most definitely the answer to that.  Each story tackles both the nostalgic view we have of the Golden Age of Comics and Super Heroes as well as the actual ramifications of something like this happening when the world was well on its way to Hell already.  From sentimental to terrifying, THE NEW DEAL: MASKS AND MUTATIONS delivers on every note, pushing readers into a world of fedoras and movie matinees that has so much more hidden under the surface.”

The Jazz Age is over and the Great Depression and Dust Bowl are ravaging across the United States. People need someone to blame. Luckily for a population who needs a scapegoat, the next wave of human evolution has begun, and it couldn’t have chosen a worse time to be born.

Men and women with amazing powers now fly across the sky, turn their skin into gold, and block bullets with their bare hands. Some take to crime. Some hide their powers for their own safety. Some seek the Underground Railroad for safe haven and a new life in Mexico. Some try to fight the good fight and turn the tide of public opinion as heroes. All of them are in the wrong place at the wrong time in a wounded, terrified, and violent country.

In this collection from Pro Se Productions, Sean Taylor, D. Alan Lewis, Lance Stahlberg, Sean Dulaney, Andrea Judy, and Tommy Hancock spin history ’round like a top to create an alternate reality both comfortably familiar and strangely new for readers of action, adventure, and crime stories. THE NEW DEAL: MASKS AND MUTATIONS. From Pro Se Productions

Featuring an amazing cover by Timothy Standish and cover design and print formatting by Antonino Lo Iacono, THE NEW DEAL: MASKS AND MUTATIONS is available now at Amazon and Pro Se’s own store  for 15.00.

This exciting super hero anthology is also available as an Ebook, designed and formatted by Lo Iacono for only $2.99 for the Kindle and for most digital formats via Smashwords.

For more information on this title, interviews with the author, or digital copies to review this book, contact Pro Se Productions’ Director of Corporate Operations, Kristi King-Morgan at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Saturday, April 16, 2016

THE ADVENTURE CONTINUES-IN AUDIO! ‘THE BONE QUEEN’ NOW AVAILABLE AS AN AUDIOBOOK!

FOR IMMEDIATE RELEASE

THE ADVENTURE CONTINUES-IN AUDIO! ‘THE BONE QUEEN’ NOW AVAILABLE AS AN AUDIOBOOK!

From THE ADVENTURES OF THE PULPTRESS Comes A Villain Like No Other-THE BONE QUEEN by Andrea Judy. And now the origin of The Pulptress’ arch foe is available as a top quality audiobook produced by Radio Archives!

All of humanity shares one inescapable experience, one inevitable fate. They all die. And in death, one woman finds her destiny. To be a Villain, to stand toe to toe with the ultimate heroine, The Pulptress. But first, evil had to rise from somewhere dark. Renata, a devotee of Mene, Goddess of Death, is on a singular mission during the era of the Black Death: to kill the Necromancer who is bringing the dead back as chiffoniers, rag and bone men. With a small band of men who have survived the Plague, Renata must find who is attempting to steal away the power of death and destroy them once and for all. Chiffoniers dog them every step of the way. And when death itself finally comes for Renata, everything changes. Once hunted, she becomes the hunter, tracking down the necromancer at any cost to herself and those around her. From devotee to deliverer of death, follow Renata as she discovers her true purpose lies in what comes after life. May The Gods Help Us All.

Featuring a cover by Arianne Soares and a riveting performance by Julie Hoverson, THE BONE QUEEN is available now at Amazon at http://www.amazon.com/The-Bone-Queen/dp/B01DOJD5V4/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=1459622778&sr=8-1

This action packed audiobook is also available on Audible and Itunes.

THE BONE QUEEN is available in print and digital formats at Amazon and www.prose-press.com.

For more information on this title, interviews with the author, or digital eBook copies to review this book, contact Pro Se Productions’ Director of Corporate Operations, Kristi King-Morgan at directorofcorporateoperations@prose-press.com.

Check out Radio Archives and the fantastic audio books, classic radio collections, and the fantastic variety of classic Pulp eBooks they offer at www.RadioArchives.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Saturday, February 28, 2015

THE FINAL BATTLE COMES DOWN TO ‘BLOOD AND BONE!

FOR IMMEDIATE RELEASE

‘THE PULPTRESS VS. THE BONE QUEEN’ BY ANDREA JUDY DEBUTS!

Two of the most popular characters from Pro Se Productions return to clash one final time in the cutting edge publisher’s latest digest novel release. Author Andrea Judy’s final chapter in this battle of good and evil debuts in print and digital format- The Pulptress vs. the Bone Queen: Blood and Bone!

“Being the creator of The Pulptress,” Tommy Hancock, Editor in Chief and Partner in Pro Se Productions says, “I am honored that so many people enjoy her adventures. What was even better for me, though, was that Andrea Judy, when she wrote her story for the first Pulptress collection, found something in the character worth creating a suitable enemy for her. And man, did she ever with The Bone Queen. Equally tragic and horrific, The Bone Queen has everything a good Pulp villain needs and Andrea delivers all of it with a two fisted, yet concise style all her own. The Pulptress Vs the Bone Queen: Blood and Bone is not only a fitting close to the battle between these two characters, it’s also a fantastically told tale that is part quest for vengeance and part redemption story. And all fantastic.”

The Pulptress- Raised from birth by the world’s greatest heroes- and some of its villains as well – to be the greatest Champion for Justice and Right ever known.

The Bone Queen- Once an idealistic priestess to a Death Goddess, now the depraved embodiment of Death and twisted Resurrection, walking the Earth in search of unbelievable power.
These two women walk very different paths, paths that crossed explosively. But as they clash one final time, the Pulptress and the Bone Queen have something in common, the one thing that may kill them both- They thirst for vengeance!

Author Andrea Judy, creator of The Bone Queen, returns to the world of The Pulptress for a third time to bring to a close one of the most hardly fought and horrific duels New Pulp has ever seen- The Pulptress Vs The Bone Queen: Blood and Bone! And in this battle, no one may get out alive.

"I'm excited,” says Judy, “to share the amazing story of the Pulptress battling it out with the Bone Queen. It's been an amazing opportunity to have the Bone Queen grow into a villain truly wicked and worthy to go toe to toe with the Pulptress. I'm proud to let these two amazing women kick butt in the New Pulp world."

The Pulptress Vs the Bone Queen: Blood and Bone features stunning art work by Jeffrey Hayes, the Pulptress logo design by Sean Ali, and all other logo work by Hayes. The print version formatted by Forrest Bryant is now available for $9.00 via Amazon at http://tinyurl.com/kl9x93o and at Pro Se’s own store at http://tinyurl.com/q8uhrjn. It is also available as an eBook formatted by Russ Anderson for the Kindle at http://tinyurl.com/ppl9equ and for most formats at http://tinyurl.com/pac9tcl for only $2.99.

For more information on this title, interviews with the author, or digital copies for review, contact Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

For more information on Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Thursday, February 26, 2015

Do Your Read & Write Faves Connect?

This week's roundtable is a short, and hopefully simple one, the answers to which have been nagging at my brain for some time.
What is your favorite genre to read? To write? If they're not the same, why is that?

Robert Krog: My favorite genre to read is sometimes history/archaeology, and sometimes fantasy and sometimes, well, you get the picture.  When I look at my bookshelves, I see that I own about an equal amount of history as I do fiction of whatever genre.  These days, I probably read slightly more fantasy than anything else, but I've probably read more history, over all.  I don't have a favorite genre, though.  I move as easily through one as through another, with the exception of romance and erotica, which I do not enjoy, though I have nothing against a love story. 

When I sit down to write a story, it is usually fantasy that jumps out from my fingers first, so that may be a subconscious admission that I like to write fantasy more than anything else.  I certainly fall into that mode most readily. Still, the story that came to me fastest and was written most cleanly in the shortest amount of time was a piece of science fiction.  Furthermore, I limit myself to no genre and have written the gamut from literary fiction to steampunk. 

Why do I think of fantasy first?  Fantasy was what I read most when I was young, and that seems to have formed me.  Also, I spent many hours each week running around outside pretending with my siblings and friends that we were knights and wizards, elves and dwarves and such.  That is probably why.  There is also the fact that fantasy, as much as or more than, any other genre, allows the writer and reader to explore themes that they might not otherwise explore.  The distance fantasy affords is of inestimable worth. We can, through fantasy, symbolically explore questions. The exercise of imagination that fantasy affords is equally useful.  And fantasy is a natural extension of the sorts of stories told in every culture from the dawn of history on.  What is mythology but an attempt to understand the world through fantastic storytelling?  Then, too, fantasy touches us to the heart just as much any other type of well-written literature, engages our sense of wonder, and provides the reader with entertainment that can be edifying or merely escapist.

Ralph Angelo, Jr.: For me, the genre's are essentially the same. action packed Sci-Fi/ Epic fantasy. The same stuff I like to read I like to write. I usually get inspired by what I read at times and new ideas start to flow. My favorite stories to write occur out of the real world. They are in deep space or worlds filled with powerful beings be they magical or scientific in origin.

Kristofer Upjohn: I like writing horror, both non-fiction about horror and fiction. "horror" is a broad term here since some of my fiction isn't strictly horror based on content but rather in terms of darkness or bleakness. I also write stream-of-consciousness slash surrealist stuff. I like to read fantasy, comic books, noir/crime, a little horror (mostly Anne Rice and Brian Lumley) and some sci-fi. I've often pondered why I write one thing and read another and have yet to arrive at a satisfactory answer. Reading and writing are two different activities and I guess what pleases me to read is different from what I find fun to write (and what I'm good at writing).

Marian Allen: NOT simple! ~sigh~ If I HAD to choose ONE genre to read to the exclusion of all others, I suppose it would have to be fantasy, if fantasy could be sufficiently broad to cover magic realism, literary fantasy, urban fantasy, and science fantasy as well as the more traditional forms. And that would be the genre I would choose to write, too, given a broad enough interpretation of the term.

Armand Rosamilia: I write a few different genres but mostly horror and zombie fiction, although I have dabbled in contemporary fiction, thrillers, erotica, and even romance under a pen name... but I usually only read nonfiction books. I love biographies and memoirs. I can't remember the last time I read a horror book, and it has to do with me not wanting to inadvertently bleeding in other author's ideas into my stories, I guess...

Richard Lee Byers: My answer to both "What do you like to read?" and "What do you like to write?" is that it varies according to my mood. Lately, I've been reading a lot of Lovecraftian horror and writing it as well. I will say that although I've written and likely will continue to write more swords-wizards-and-castles fantasy than anything else and love the sub-genre, I don't read nearly as much of that as I used to. I think that's partly because I'm so familiar with the beats and tropes that it's hard to surprise me and partly because if I'm writing a particular type of fiction, reading it in my leisure time isn't always pleasurable. I want something different. My final thought is that I may have reached the point where I don't look for particular genres so much as particular authors. If, for example, Joe R. Lansdale writes something, it doesn't matter if it's horror, crime, or whatever. I'm interested.

Andrea Judy: I love writing action adventure dark types of stories. While I also love reading horror and action adventure, I really enjoy reading romance. I love these because the happily ever after is soothing, the stories are fun, and it gives me an uplifted feeling after I've read them.

Lee Houston Jr.: I mainly read science fiction, fantasy (and despite the commercial applications, these are two separate genres), mysteries, and superheroes. I have written short stories in all four genres, but as far as books are concerned, I've combined science fiction and mysteries to create Hugh Monn, Private Detective and the Alpha series is my contribution to superhero novels. For whatever reason(s), I've yet to write a fantasy novel, or do something in science fiction or mysteries independent of the other genre book wise.

H. David Blalock: Speculative fiction. Both.


Selah Janel: My favorite genre to write is probably cross-genre, because I have a terrible time choosing just one, and I feel like a lot of elements in different genres line up well and play off each other in interesting ways. I also feel that, for me, the genre I write in depends on the actual story idea, and often times a fusion, if done well, is the best course of action for me. I love dark fantasy, love horror elements, but I couldn't give up folklore or fairy tale elements, and a lot of my leanings are firmly rooted in fantasy. I have a healthy respect of literary fiction and try to bring at least some of that to the table, and I don't mind romantic elements...So I guess my favorite genre to write is: yes.

I actually read more nonfiction than I do fiction, depending on the day. I love learning, and I like gleaning things that may help my own writing. That being said, in genre fiction I tend to read a lot of dark fantasy and a lot of comics and manga, but I also delve into cozy mysteries and chick lit/romance, too - it actually depends on the time of year: I have a definite dark mode and a definite fluffy mode. I think authors need to read everything - or if not everything, they absolutely cannot only read the genre(s) they write in. That may keep the focus on your genre(s), but it also really keeps a small circle of things you could be influenced by. Because I tend to embrace everything when I write, I suppose I have no trouble embracing everything when I read.

Stephanie Osborn:
I have several fave genres: SF, fantasy, mystery, science. And those are pretty much what I also write.

Tuesday, September 23, 2014

Imaginarium -- The Birth of a Truly Literary Focused Convention

The Imaginarium Convention I attended this past weekend is unlike any other convention I've been a guest for. Why? Because this one was all about writers and their creative works. Rather than short-sheeting the folks who create the stories readers love, Imaginarium chose instead to honor them and put them on display.

Were there some obstacles to overcome? Of course. Any con will have them. Particularly any first-year con. But with plans in place to stomp them into dust, Imaginarium is one of the cons I'm most looking forward to hitting again as a guest -- as often as the awesome folks there will have me.

What rocked?

For starters, the staff. Stephen Zimmer, Susan Roddey, and their team of evil minions made me feel right at home from the get-go. They seem to have a knack for anticipating issues and already be working on them before someone like me could even approach them to let them know the issue existed.

Also, the guest list was like a family reunion for me. It's often been said that you have two families -- the family you're born with and the family you choose to surround yourself with. This family is the one that I've made my own and has welcomed me into the madness we all share.

So, thank you to all who made it awesome from the bottom of my heart. My “booth babes” (daughter Charis Taylor and friend Ellie Raine) and I had a great time, from hanging with friends new and old to shaking out booties on the Masquerade Dance Floor.

Can't wait for next year!

And now for the photos...

The lovely Charis Taylor, working the table. 

My neighbor and new friend, author Heather Adkins. 

The beautiful and very patient Spider Queen herself, Jen Mulvihill.

My doomed dance partner, Selah Janel.

Tommy Hancock, Grand Guru of Pro Se Productions.

One of the finest writers I'm privileged to know, L. Andrew Cooper.

The best legs in Florida, M.B. "Embe" Weston.

Embe in action, selling books. 

Charis Taylor, holding down the fort and making all the money.

The books. 

The books and the comics. 

Charis' books and comics. She's also a published writer.

Dinner in the dark. I'm surprised the waitress could put up with us. 

Michelle looks far better in Tommy's hat than he does.

Ellie Raine, Kimberly Richardson, and Charis Taylor
wait for food. And wait, and wait, and wait...

The cast and crew of Kimberly Richardson's sure to be award-winning film short
The Attack of the Killer Beignets, coming soon to a computer near you. 
(From left to right, Michelle Weston, Charis Taylor, Me, Allan Gilbreath, Andi 
Judy, Tommy Hancock)


My lovely daughter Wonder Charis and my favorite femme
fatale, Kimberly Richardson.

Friday, September 12, 2014

[Link] Cut the Crap

by Andrea Judy

The process of editing.

The process of editing and rewriting.

Cutting words from your work can suck. It can, without a doubt, be one of the toughest parts of the writing process, especially when you either a) have to cut a lot of words/pages  b) have to add a lot of words/pages or c) to cut huge sections and redo them.

Figuring out what can stay and what can go is one of the challenges of making your story the strongest it can be. Here are a  few things that can help (and by the way, making gifs on Photoshop is a great way to waste time but an awful way to get editing done.) These are basically things that I do once I have a first draft of a story.

Continue reading: http://judyblackcloud.wordpress.com/2014/07/07/cut-the-crap/

Saturday, November 9, 2013

'THE BONE QUEEN' BY ANDREA JUDY NOW AVAILABLE FROM PRO SE PRODUCTIONS

In 2011, Pro Se Productions, now a leading publisher of New Pulp and Genre Fiction, debuted a new character initially as a live spokesmodel to promote both the company and New Pulp in general-The Pulptress. Proving popular in the New Pulp Community, the Pulptress appeared in her own volume of adventures by various writers in 2012. One story and one character besides The Pulptress within that volume in particular captured the minds, tongues, and hearts of fans so completely that she now comes to life in her own digest novel.

Pro Se Productions proudly announces the upcoming release of THE BONE QUEEN, a digest novel by Andrea Judy. Judy, a contributor to the original THE ADVENTURES OF THE PULPTRESS collection, titled that short story ‘The Bone Queen’, but the new book is something more. It is that most hallowed of stories-The Bone Queen’s origin.

"Readers," Tommy Hancock, Partner in Pro Se Productions and Editor in Chief, states," love villains. We cheer for the hero, but when the villain is engaging and stands out, we want more. We need to see not only how bad they can be, but why they're the all kinds of evil they are. THE BONE QUEEN is Andrea Judy's answer to all the questions and requests about the character she first spun for a fight against The Pulptress. This digest novel not only gives the origin of one of the most interesting antagonists in New Pulp, but it shows how someone who fully believes they are right can so easily become what is wrong."

From the Pages of THE PULPTRESS 
Comes A Villain Like No Other.

All of humanity shares one inescapable experience, one inevitable fate.

They all die.

And in death, one woman finds her destiny. To be a Villain, to stand toe to toe with the ultimate heroine, The Pulptress.

But first, evil had to rise from somewhere dark.

Renata, a devotee of Mene, Goddess of Death, is on a singular mission during the era of the Black Death: to kill the Necromancer who is bringing the dead back as chiffoniers, rag and bone men. With a small band of men who have survived the Plague, Renata must find who is attempting to steal away the power of death and destroy them once and for all. Chiffoniers dog them every step of the way.

And when death itself finally comes for Renata, everything changes. Once hunted, she becomes the hunter, tracking down the necromancer at any cost to herself and those around her.

May The Gods Help Us All.

I’ve always loved the villains in a story,” says Judy, “so I was thrilled to have the chance to tell a story from a darker point of view, showing the reader where a villain came from. It was a struggle at times to write, to remember that this wasn't a story about light overcoming the dark, but about embracing that darkness. I’ve had an amazing time working with Pro Se getting this book together, and I’m thrilled to share it with the world!”

THE BONE QUEEN, featuring an absolutely gorgeous cover by Ariane Soares, an artist with Fitztown, and format and design by Sean Ali and Tommy Hancock as well as Digital Formatting by Russ Anderson, is now available in print on Amazon and Barnes and Noble. The digest novel is also available for the Kindle, the Nook, and for most formats through www.smashwords.com.

For review copies or to interview the Author, please contact Pro Se Productions’ Director of Corporate Operations, Morgan Minor, at MorganMinorProSe@yahoo.com

For more information on Pro Se Productions, go to www.prose-press.com and like Pro Se On Facebook at www.facebook.com/ProSeProductions.

Tuesday, November 5, 2013

GEORGIA LITERARY FESTIVAL 2013 PANEL SCHEDULE


Just a reminder that The Ruby Files writers and creators Bobby Nash and Sean Taylor join Van Allen PlexicoAndrea JudyBarry Reese, and more at the 2013 Georgia Literary Festival, which is being held on November 9 - 10, 2013 in Milledgeville, GA. Panels take place on Saturday, November 9th. Click on the panel schedule grid above for a larger view.

You can learn more about this amazing event here and here.

We hope to see you there.