Showing posts with label horror movies. Show all posts
Showing posts with label horror movies. Show all posts

Wednesday, December 3, 2025

Movie Reviews for Writers: The Norliss Tapes


I can't believe I only recently discovered this flick. 

Considering just how big a Kolchak the Night Stalker fan I am, you'd think I would have seen it way earlier. 

Oh well. 

Coming into this movie, all I knew was that it was very similar to both the Kolchak movies and the series, and that it was produced by the same guy (Dan Curtis, also of Dark Shadows fame).

David Norliss is a writer working on a book debunking supernatural events. It's a book he pitched to his publisher. It's a book he has been paid a large advance for. Only, after almost a year, not a word is written.

Sanford: Hello, David. Been a while. How's the book coming?
Norliss: Sanford, I've gotta talk to you.
Sanford: I know, you're gonna tell me it's only half-written, and we're gonna have to delay our-
Norliss: Half-written, hell. I don't have a word on paper.
Sanford: It's been almost a year.
Norliss: I know how long it's been, Sanford. But I, uh... I can't write it. I'm afraid to write it. You're not making sense.
Sanford: We gave you a sizeable advance to write a book debunking the supernatural, which was your idea not ours. And now you tell me, a year later, you haven't even started it.

Now, before you chalk David's problem up to what is typically called Writer's Block, it's not that. It's much deeper. He's not distracted. He's not "blocked." He's terrified. 

Wednesday, October 29, 2025

UPDATED FOR HALLOWEEN 2025! Horror Movies that Influence Me as a Writer

 

Note: This is an update to this post. So many new movies have come out and I've caught up on a few I still had managed to miss from the "good old days" that it felt like the right time to update this list. 

As a writer of horror stories and connoisseur of scary flicks, I get asked a lot what my favorite horror movies are. Well, it's not that simple with me (it never is; ask my wife and kids). There are so many and how can one possibly pick a favorite when there are favorites in so many subgenres? (It's like how my wife tells me she can have more than one best friend when "best" is a superlative, not a comparative.) 

Anyway, as of this moment in time (subject to change), this is my list of favorite horror movies (and those that influenced my ideas and my writing) categorized by subgenre. 

If you want to consider this your own "to watch" list, I won't stop you. It's a fantastic list (at least in my opinion) of the essential horror stories committed to film. 

FYI, you will notice some crossover between subgenres, because, well, that's just the way horror works. 

New Category#1! Sinister Locations

My son Evan recommended that I include this as a new category, and the more I thought about it, he was right. I don't include a mere haunted house tale in this list though. Those will be under Ghost Stories/Haunted Houses. This list is reserved for a place that is more than haunted; it is cursed, unclean, unwelcoming and out to get you.

1. Hausu

2. As Above, So Below

3. YellowBrickRoad

4. In the Mouth of Madness

5. Dead & Buried

6. The Shining

7. Messiah of Evil

8. The Watcher in the Woods

9. Silent Hill

10. Dave Made a Maze

11. Suicide Forest

12. Population 436

13. Cabin in the Woods

14. Pet Sematary

15. Southbound

16. Skinamarink

17. The Dark

18. Neon Demon

19. Jugface

20. Waxworks


New Category#2! Kaiju


Who doesn't love giant monsters? It all began with the two kings, Kong and Godzilla. But American sci-fi quickly picked up on the theme and gave us lots of giant monsters thanks to the dangers of atomic bombs and chemicals polluting our waters. 

1. King Kong 1933

2. Gojira 1954

3. Godzilla Minus-1

4. Troll Hunter

5. Tremors

6. Them

7. King Kong 2005

8. The Host

9. Godzilla 2014

10. Destroy All Monsters

11. Monsters

12. Cloverfield

13. Mothra

14. Rodan

15. Kong: Skull Island

16. Tarantula

17. The Beast from 20,000 Fathoms

18. Nope 

19. The Mist

20. Q the Winged Serpent

21. Pacific Rim

22. Attack of the 50 Foot Women

23. The Blob 1988

24. Anaconda

25. Colossal 

Wednesday, September 17, 2025

Movie Reviews for Writers: House of Long Shadows

 

It's not the most common trope in movies about writers, but it is common enough to be a trope. What is it? It's the bet, the wager, that an author can whip out a novel in a limited amount of time when given the proper place and the proper incentive. 

One of the best examples is the star-riddled comedy murder story The House of Long Shadows. Featuring the classic horror talents of Christopher Lee, Peter Cushing, Vincent Price, and John Carradine -- as well as the teen heartthrob Desi Arnez Jr. -- it's hard to imagine it not being amazing (or at least a wink-and-a-nod, tongue-in-cheek pastiche of classic horror tropes).

Arnez plays novelist Kenneth Magee, an author of contemporary novels who feels they greatly outweigh the quality and humanity of classic Gothic literature. While discussing the idea with his publisher, they indulge in the following conversation.


Sam Allyson: When I think of Tolstoy, Victor Hugo, Charles Dickens, where are they all now I ask myself?

Kenneth Magee: I think they're dead, Sam.

Sam Allyson: You know what I mean. They dealt with people, human passions on the grand scale.

Kenneth Magee: People have different behavior patterns now. They just don't go around acting like they're out of Wuthering Heights.

Sam Allyson: Are you trying to tell me that Wuthering Heights with all its brooding intensity, isn't as involving and real as a contemporary novel?

Kenneth Magee: It's over the top. I mean anyone can write one of those things. It's just a question of letting your imagination go bananas. Jesus! You want that kind of novel? I can knock it off for you in 24 hours.

Sam Allyson: That I don't believe.

Kenneth Magee: $10,000.

Sam Allyson: Oh come now.

Kenneth Magee: $10,000, I'll bet you.

Sam Allyson: Kenneth I rea...

Kenneth Magee: $20,000.

Wednesday, September 3, 2025

Movie Reviews for Writers: Killer Book Club


Oh my God! A horror slasher about a book club that focuses on horror fiction?! Can't believe I just discovered this one. It's as if it were written for me in particular. 

El club de los lectores criminales, the film's original Spanish title, is based on the book of the same name by GarcĂ­a Miranda. From a plot standpoint, it shares a lot with Scream. In fact, much of the plot and the tone are lifted almost directly from Kevin Williamson's deconstruction of modern slashers. 

But Killer Book Club takes the premise of a campus slasher and moves it into territory I love -- writing and reading books. Even the mysterious death that sets the plot into action involved writing and coming up with story ideas. Any more than that, well, that would be spoilers. 

Writing that lacks truth. What is truth?


In the first few minutes of the movie, we have a scene set in a writing course at college. Our professor, who is clearly not in favor of horror writing, says: "Monsters, demons, ghosts, witches… and other representations of darkness have never been well received by critics, despite their commercial success. I've always seen horror as a mediocre genre. It has a major weakness. It always seems to be missing something. What could it be?"

A student responds: "Maybe that the stories lack authenticity?"

Wednesday, March 19, 2025

Movie Reviews for Writers: Sinister


Sinister is the story of Ellison Oswalt, a true crime writer, and his family as they move to a famous "murder house" for him to write his new book -- one that he hopes will put his name back at the top of the charts after a few years off it. While living in the home, his daughter Ashley begins to act strangely. Ellison also discovers a cache of Super 8 footage that shows the truth behind the murders in the house -- and other murders. 

On the surface, this is probably one of the best ghost/supernatural monster stories to come out in years, and it (at least for me) was "scare the crap out of you" creepy. Nightmare-inducingly so. 

Beneath that surface, as we see Oswalt's struggle with his writing history and his new book, the movie has a lot to say about how we writers exist from book to book and how we are constantly needing to be and do more. 

Ten years ago, Ellison had a huge hit true crime book, one that helped shift the direction of a case and get the killer caught and brought to justice. But since? Crickets. Not only that, but he wrote a book that actually helped a killer go free. 

So, to say he is living with issues is one hell of an understatement. 

We Write Because We Have To


As writers we all have different catalysts for beginning to write, but ultimately we all keep writing for the same reason. We write because we are writers. We write because that's the action word that defines us. We write because we are driven to keep doing it. 

There are always thousands of other action words we could do -- cook, clean, manage, wait tables, code, etc. -- you name it, but because writing is the infection of choice, it's the thing we chase, the thing we do. 

Sunday, October 20, 2024

[Link] Script Collection: Supernatural Horrors That Still Send Shivers

by David Young

Horror has so many dimensions, but one of the most celebrated and explored is the horror of that which is supernatural. It’s not enough to be an extension of the natural—the horror we mean is the stuff of legends, myths, or creatures beyond the veil. Spirits, curses, devils, psychic disturbances, and living products of the mind all create stories we shudder to tell. That means they also provide the fuel for some of the most terrifying or fun horror films in history!

Script included in this article:

  • The Exorcist
  • The Babadook
  • Poltergeist
  • The Witch
  • Candyman
  • A Nightmare on Elm Street
  • Hellraiser
  • Final Destination
  • House
  • Rosemary’s Baby
  • Friday the 13th
  • The Evil Dead
  • The Grudge
  • Krampus
  • It
  • The Conjuring
  • Annabelle
  • The Omen
  • The Ring
  • It Follows
  • Insidious
  • Carrie (1976)
  • The Shining
  • Fright Night
  • Hereditary

Tuesday, October 8, 2024

UPDATED FOR HALLOWEEN 2024! Horror Movies that Influence Me as a Writer

Note: This is an update to this post. So many new movies have come out and I've caught up on a few I still had managed to miss from the "good old days" that it felt like the right time to update this list. 

As a writer of horror stories and connoisseur of scary flicks, I get asked a lot what my favorite horror movies are. Well, it's not that simple with me (it never is; ask my wife and kids). There are so many and how can one possibly pick a favorite when there are favorites in so many subgenres? (It's like how my wife tells me she can have more than one best friend when "best" is a superlative, not a comparative.) 

Anyway, as of this moment in time (subject to change), this is my list of favorite horror movies (and those that influenced my ideas and my writing) categorized by subgenre. 

If you want to consider this your own "to watch" list, I won't stop you. It's a fantastic list (at least in my opinion) of the essential horror stories committed to film. 

FYI, you will notice some crossover between subgenres, because, well, that's just the way horror works. 

New Category#1! Sinister Locations

My son Evan recommended that I include this as a new category, and the more I thought about it, he was right. I don't include a mere haunted house tale in this list though. Those will be under Ghost Stories/Haunted Houses. This list is reserved for a place that is more than haunted; it is cursed, unclean, unwelcoming and out to get you.

1. Hausu

2. As Above, So Below

3. YellowBrickRoad

4. In the Mouth of Madness

5. Dead & Buried

6. The Shining

7. Messiah of Evil

8. The Watcher in the Woods

9. Silent Hill

10. Dave Made a Maze

11. Suicide Forest

12. Population 436

13. Cabin in the Woods

14. Pet Sematary

15. Southbound

16. Skinamarink

17. The Dark

18. Neon Demon

19. Jugface

20. Waxworks


New Category#2! Kaiju


Who doesn't love giant monsters? It all began with the two kings, Kong and Godzilla. But American sci-fi quickly picked up on the theme and gave us lots of giant monsters thanks to the dangers of atomic bombs and chemicals polluting our waters. 

1. King Kong 1933

2. Gojira 1954

3. Godzilla Minus-1

4. Troll Hunter

5. Tremors

6. Them

7. King Kong 2005

8. The Host

9. Godzilla 2014

10. Destroy All Monsters

11. Monsters

12. Cloverfield

13. Mothra

14. Rodan

15. Kong: Skull Island

16. Tarantula

17. The Beast from 20,000 Fathoms

18. Nope 

19. The Mist

20. Q the Winged Serpent

21. Pacific Rim

22. Attack of the 50 Foot Women

23. The Blob 1988

24. Anaconda

25. Colossal 


New category! Stephen King Adaptations


His work has been adapted into films more than any other living writing writer, probably any writer living or dead, period. Some are fantastic, some are, well, less than fantastic. But here are the ones that have most influenced my work. 

1. Cujo

2.  Salem's Lot (1979)

3. Christine

4. The Shining (1980)

5. Carrie (1976)

6. It, Chapter 1

7. The Mist

 8. Gerald's Game

 9. 1408

10. It (1990)

11. Needful Things

12. Doctor Sleep

13. Pet Sematary (1989)

14. Secret Window

15. Misery

16. Desperation

17. It, Chapter 2

18. Maximum Overdrive (sure, it's silly but so much fun)

19. Cat's Eye

20. The Langoliers



Ghost Stories

For me, ghost stories are my favorite genre of horror tales, and whether they're about a haunted person, house, or even plot of land, I'm all in. 

1. The Orphanage

2. The Devil's Backbone

3. The Haunting (1953)

4. Thir13en Ghosts

5. The Others

6. Ju-on

7. The Ring (US version) 

8. The Innocents

9. In a Dark Place

10. The Sixth Sense 

11. The Shining

12. Session 9

13. The Terror

14. Kwaidan

15. The Babadook

16. Don't Be Afraid of the Dark

17. Last Night in Soho

18. Crimson Peak

19. I Am the Pretty Thing That Lives in the House

20. The Changeling


The Living Dead

I'm really burned out lately on zombies, and I'm really tired of the "zombies as the apocalypse" theme. I love, however, to see directors and screenwriters do something new and different with the living dead, which for me also includes mummies and ghouls returned from the grave. 

1. Dead Girl

2. Night of the Living Dead

3. Carnival of Souls

4. The Fog (original) 

5. Tombs of the Blind Dead

6. Make Out With Violence

7. 28 Days Later

8. Dawn of the Dead

9. The Re-Animator

10. Zombi 2

11. Dead Snow

12. Brain Dead

13. Dance of the Dead (2008)

14. Return of the Living Dead

15. Day of the Dead

16. Candyman

17. Hello, Mary Lou: Prom Night 2

18. The Ghost Galleon

19. Night of the Seagulls

20. Blood from the Mummy's Tomb


Dr. Frankenstein/The Monster

The scientist who wants to play god is another of my favorite genres in horror, but not just that. This type of film also includes for me those who can't accept the "wrong" parts of people and want to create a sort of perfect version, even in non-science-y ways. 

1. Deadly Friend

2. Bride of Frankenstein

3. The Bride

4. Frankenstein

5. Frankenstein Created Woman

6. May

7. Lady Frankenstein

8. Splice

9. Embryo

10. Demon Seed

11. Halloween III: Season of the Witch

12. Depraved

13. The Spirit of the Beehive

14. The Curse of Frankenstein

15. Ex Machina

16. M3ghan

17. Frankenstein Meets the Wolfman

18. The Island of Dr. Moreau

19. The Golem

20. M3gan


Vampires

Vampires. The original bad boys long before they ever sparkled. Let's just get this straight. I don't mind modern romantic vamps, but I prefer even my romantic vamps to enjoy a good rip of the jugular every now and then. 

1. From Dusk Till Dawn

2. Forsaken

3. Dracula (Spanish Version)

4. Let the Right One In

5. Night Watch

6. Chronos

7. Shadow of the Vampire

8. Nosferatu

9. Prey

10. Salem's Lot (original TV miniseries)

11. Near Dark

12. Dracula (Universal)

13. Lost Boys

14. Fright Night

15. 30 Days of Night

16. Strigoi

17. The Night Stalker

18. Embrace of the Vampire

19. Taste the Blood of Dracula

20. The Brides of Dracula


Werewolves and Shapeshifters

Lycanthropes may be the A-listers in the shapeshifter crowd, but the world of therianthrope isn't limited to just wolves. I think for writers, the shapeshifters offer one of the best shorthand for looking into what makes humanity actually human, whether, wolf or cat or snake or lizard.

1. Cat People (original)

2. Howling

3. Howling V: The Rebirth

4. An American Werewolf in London

5. The Wolfman (original)

6. The Reptile

7. The Gorgon

8. Cursed

9. Cat People (remake)

10. Dog Soldiers

11. Silver Bullet

12. Blood and Chocolate

13. Underworld

14. The Wolfman (remake) 

15. The Curse of the Werewolf

16. Frankenstein Meets the Wolfman

17. Ginger Snaps

18. Werewolves Within

19. Hisss

20. Night of the Cobra Woman


Demons/Devils

There are as many cultures of demons in the world as they're are countries and cultures of people. Although movies tend to default to the Western devil and demons, I wanted to include a few other brands of the demonic here as well. 

1. Wishmaster

2. Sinister

3. The Beyond

4. The Exorcist

5. Lisa and the Devil

6. Rosemary's Baby

7. Drag Me To Hell

8. Jennifer's Body

9. The Evil Dead

10. Hellraiser

11. Demons

12. Night of the Demons

13. The Garden (2006)

14. Insidious

15. The Exorcism of Emily Rose

16. The Last Exorcism

17. Nightmare on Elm Street

18. Antrum

19. Prince of Darkness

20. Hereditary


"Witches"/Cultists

Yeah, I know there's a huge difference between horror movie witches, Wiccans, and nature worshippers, but for this list it if fits in any of those it works. 

1. Suspiria

2. Black Sunday

3. City of the Dead (Horror Hotel)

4. The Dunwich Horror

5. The Wicker Man

6. The VVitch

7. The Babysitter

8. Curse of the Demon

9. Midsommar

10. House of the Devil 

11. Witching and Bitching

12. Season of the Witch

13. The Virgin Witch

14. The Love Witch

15. Inferno

16. Mother of Tears

17. Rosemary's Baby 

18. The Witch

19. The Woods

20. Viy

21. The Craft

22. Blood on Satan's Claw

23. Witchouse

24. The Autopsy of John Doe

25. The Lords of Salem


Slashers

It's the genre that will never take a break, much less die. Knives, axes, machetes, pointy sticks, bows and arrows, you name it, these folks use any tools at their disposal to dispose of their victims for revenge or no motive at all. And we still love to watch them. 

1. Twitch of the Death Nerve (Bay of Blood)

2. Peeping Tom

3. The Burning

4. Halloween

5. Sleepaway Camp

6. Friday the 13th Part II

7. Dementia 13

8. Hatchet

9. Audition

10. The Texas Chainsaw Massacre

11. Stage Fright (2014)

12. Last House on the Left (original)

13. I Spit on Your Grave (original)

14. Theatre of Blood

15. The Visit

16. All the Boys Love Mandy Lane

17. Martyrs

18. Final Girls

19. The Banana Splits Movie

20. Happy Birthday to Me


Creature Features

For my list, I'm separating supernatural and mutated creatures from the "Nature Gone Wild" critters. These monsters should be way about sharks and bears on the scary-meter. And they are. The thing I love about this genre is that often the critters are more sympathetic than their prey. 

1. Pumpkinhead

2. Gojira

3. She Creature

4. Pan's Labyrinth

5. The Creature from the Black Lagoon

6. Silent Hill

7. Dagon

8. Feast

9. Troll Hunter

10. Humanoids from the Deep

11. Tremors

12. Nightbreed

13. The Mist

14. Digging Up the Marrow

15. The Host

16. The Bay

17. Jeepers Creepers

18. Tremors III

19. The Golem

20. Cellar Dweller


Nature's Monsters

You'll never go back into the water. You'll never venture alone in the woods. You won't piss off earthworms or birds anymore either. 

1. Jaws

2. Cujo

3. The Birds

4. Eight-Legged Freaks

5. Piranha (original)

6. Chaws

7. Deep Blue Sea

8. Orca

9. Squirm

10. Willard

11. Empire of the Ants

12.  Marabunta

13. Alligator

14. Grizzly

15. Razorback

16. Food of the Gods

17. Anaconda

18. Snakes on a Plane

19. Cocaine Bear

20. Zoombies/Zombeavers


Aliens

At some point, sci-fi aliens shifted from adventure to horror, and I love it. Who says first contact should be with something we can categorize and tame? Certainly not these otherworldly killer critters?

1. Alien

2. Slither

3. A Quiet Place

4. John Carpenter's The Thing 

5. Aliens

6. The Blob (remake) 

7. Species

8. Virus

9. Night of the Creeps

10. Bad Taste

11. Invasion of the Body Snatchers (remake) 

12. Phantasm

13. Pitch Black

14. Day of the Triffids

15. Planet of the Vampires

16. Galaxy of Terror

17. Dead Space: Downfall

18. Under the Skin

19. The Mist

20. Killer Klowns from Outer Space


Psychos

There's often a lot of crossover between psychos and slashers, but a true psycho is out of his/her/their mind. They often have little to no rationale for their killings, and if they do, it's because of a break from sanity. They take the murderous urge above and beyond the average.

1. Nightmare in the Wax Museum

2. House of 1000 Corpses

3. Psycho

4. Misery

5. The People Under the Stairs

6. Pieces

7. The Devil's Rejects

8. The Boy

9. 2000 Maniacs

10. Eaten Alive

11. Saw

12. Don't Breathe

13. The Collector

14. Dressed to Kill (and yes, there are problematic issues that don't translate well to today)

15. Stuff Stephanie in the Incinerator

16. Christine

17. 31

18. The Devil's Rejects

19. Fade to Black

20. The Pit and the Pendulum


Creepy Kids

Creepy kids have to be the absolutely creepiest movie "monsters." But it's so easy to overdo them and turn a flick into a farce. There's a very fine line that must be walked for the story to avoid the "cornfield" motif from Twilight Zone. 

1. Orphan

2. The Omen

3. Children of the Corn

4. Cooties

5. The Children (1980)

6. Hard Candy

7. Village of the Damned

8. The Bad Seed (1956)

9. You'd Better Watch Out

10. Wicked Little Things

11. Who Can Kill a Child

12. Alice, Sweet Alice

13. The Brood

14. Goodnight Mommy

15. Them (2006)

16. The Children (2006)

17. Kill, Baby, Kill

18. Case 39

19. Spider Baby 

20. Pet Semetary


Holiday Horror

I love just about any horror flick that is attached to a holiday. They can be so much fun, and typically they don't take themselves too seriously. Some though can be super creepy and terrifying, in spite of the holiday trappings (or often because of them). 

1. Black Christmas (original)

2. Halloween

3. Rare Exports

4. Santa's Slay

5. Saint

6. Gremlins

7. April Fool's Day

8. My Bloody Valentine (original) 

9. Anna and the Apocalypse

10. Trick or Treat

11. Satan's Little Helper

12. A Christmas Horror Story

13. Wind Chill

14. Dead End

15. Santa Jaws

16. Letters to Satan Claus

17. Holidays

18. Krampus

19. Terror Train

20. Violent Night


Anthologies

Okay. A lot of anthologies kind of suck. Maybe one good segment in a bucket filled with crap. But a few, a select few, get it right. Maybe by theming with a good theme. Maybe by lining up great writers and/or directors. Or just maybe by getting lucky. 

1. Trilogy of Terror

2. Trilogy of Terror II

3. Tales from the Crypt

4. From a Whisper to a Scream

5. V/H/S

6. Creepshow

7. The House That Dripped Blood

8. Asylum

9. Southbound

10. The Field Guide to Evil

11. Trick 'r Treat

12. Creepshow 2

13. A Christmas Horror Story

14. V/H/S II

15. Dr. Terror's House of Horrors

16. Tales from the Hood

17. XX

18. The Uncanny

19. Cat's Eye

20. Ghost Stories


Creepy Comedy

There's a big difference (at least to me) between a comedy movie that adds tropes from horror and a horror flick that paces and dresses like a comedy during its runtime. I tend to like them both. But the best is the kind that integrates both genres almost seamlessly. 

1. Bubba Ho-Tep

2. Shaun of the Dead

3. House (with William Katt)

4. Monster Squad

5. Black Sheep

6. Fido

7. The Cottage

8. Trailer Park of Terror

9. Doghouse

10. Tucker and Dale vs. Evil

11. Elvira Mistress of the Dark

12. Buffy the Vampire Slayer (movie, not series)

13. Abbott and Costello Meet Frankenstein

14. Grabbers

15. Zombieland

16. Evil Dead II

17. Abbot and Costello Meet the Mummy

18. Psycho Goreman

19. Young Frankenstein

20. Zombie Strippers


Giallo Horror

When Noir abandoned black and white, it found the world of four-color gore and violence. This is one of my favorite genres to watch. I love the Everyman aspect, caught up in a dangerous crime spree or mystery. And I love the way this type of film skirts the edges of horror tales and mystery stories. 

1. Don't Torture a Duckling

2. Deep Red

3. Blood and Black Lace

4. Hatchet for the Honeymoon

5. Bird with the Crystal Plumage

6. Tenebre

7. The Case of the Bloody Iris

8. Cat O' Nine Tails

9. Kill, Baby, Kill

10. Four Flies on Velvet

11. Night of the Glass Dolls

12. The Red Queen Kills Seven Times

13. Your Vice Is a Locked Room and Only I Have the Key

14. Black Belly of the Tarantula

15. Unsane

16. A Blade in the Dark

17. Whatever Happened to Solange?

18. Don't Look Now

19. The Strange Vice of Mrs. Wardh

20. The Perfume of the Woman in Black

21. Baba Yaga

22. The Girl Who Knew Too Much

23. Lizard in a Woman's Skin

24. The Iguana with the Tongue of Fire

25. Stage Fright 


Body Horror

This one can be a tough genre to watch. It tends to revel in its super-gross-out ideas and images. It can be sickening down to its core concept (I'm looking at you Centipede). But when maintaining a fantastic story to accompany that imagery, they can be the most memorable stories around.


1. Videodrome

2. Blue My Mind

3. Dr. Jeckyll and Sister Hyde

4. Altered States

5. Shivers

6. The Human Centipede II

7. The Fly

8. Teeth

9. Spring

10. Thale

11. Tetsuo the Iron Man

12. Society

13. The Fly (Jeff Goldblum)

14. Sssssss

15. Splinter

16. Dead Ringers

17. American Mary

18. Eraserhead

19. The Skin I Live In

20. Tusk


Voodoo

Voodoo is a mixed bag in horror. Some films treat it as a bogeyman and make stuff up left and right to give it more horror gravitas while some evil cast it as the "white man's fears of others" -- some select few at least try to treat it fairly as a religion. But whatever the bag it's put in, it's still the home of the original zombies. 

1. White Zombie

2. The Serpent and the Rainbow

3. Scream Blacula Scream

4. Venom

5. Eve's Bayou

6. Sugar Hill

7. The Skeleton Key

8. Ritual

9. Jessabelle

10. I Walked with a Zombie

11. The Plague of the Zombies

12. Black Mamba

13. The Curse of the Doll People

14. I Eat Your Skin

15. Ouanga


Gateway Horror for Kids

Even as a kid, I loved being scared by movies. Without these horror-themed entry-level flicks, where would kids like me have ended up? Some were designed to be horror-lite, but some just took elements of horror and wove them in to build in the creepy factor. Either way, they were my gateway drug as a kid. 

1. Coraline

2. Corpse Bride

3. Monster Squad

4. Goosebumps (the movie) 

5. Scary Stories to Tell in the Dark

6. The Gate

7. Willy Wonka

8. Monster House

9. The Watcher in the Woods

10. ParaNorman

11. Hocus Pocus

12. Little Monsters

13. Gremlins

14. The Lady in White

15. The Witches


Super Powers Gone Crazy

As a writer of superhero fiction, I love it when horror and superpowers mix. Call me a cynic, but I think if we have powers like that in the real world, they would more often lend themselves to moments of real horror than to moments of Boy Scouts saving folks from falling buildings. 

1. Phenomena

2. Carrie

3. The Fury

4. Firestarter

5. Brightburn

6. The Crow

7. New Mutants

8. Split

9. Scanners

10. Nightmare on Elm Street: The Dream Warriors

11. Akira

12. Dead Zone

13. Chronicle

14. Blade

15. Tourist Trap


Creepy Dolls

On the creepy scale, does anything rate higher than creepy dolls? I mean, really? (Okay, maybe clowns, but even that would be too close to call without a photo finish.) What is it about things that are almost lifelike that scare us so? Especially things that are inanimate. Is there something in them that reflects something we don't want to face back at us?

1. Dolls

2. Puppet Master

3. The Boy

4. Dead Silence

5. Love Object

6. M3ghan

7. Magic

8. Dolly Dearest

9. Marronnier

10. Corn

11. Tourist Trap 

12. Annabelle

13. Devil Doll

14. Bride of Chucky

15. Trilogy of Terror

16. The Devil's Machine

17. Baba Yaga

18. Anatomy

19. The Doll Master

20. Love Object


Stupid Shark Movies

I'll admit it. I love shark movies, both the genuinely awesome, scary ones that make me look twice at the ocean before entering the water at the beach AND the ones that are so stupid, so ridiculous that I simply laugh all the way through at the zany situations they create on celluloid. In fact, sometimes I prefer the really goofy ones, and the dumber the better. 

1. Sharktopus

2. Sharknado

3. Santa Jaws

4. Sand Sharks

5. Ice Sharks

6. Ghost Shark

7. Two-Headed Shark Attack

8. Empire of the Sharks

9. Sharknado III

10. Planet of the Sharks

11. Trailer Park Shark

12. Jurassic Shark

13. Ouija Shark

14. Toxic Shark

15. Malibu Shark Attack

16. Three-Headed Shark Attack

17. Sky Sharks

18. Shark Night

19. Shark Week

20. House Shark


Torture Porn

Not a fan of this subgenre, but the first Saw and the first Hostel, like the original found footage cannibal films, were groundbreaking horror flicks. Seems like the films they inspired were just insipid and uninspired derivatives. 

1. Saw

2. Hostel

3. The Wizard of Gore (original)

4. Martyrs

5. Cannibal Holocaust


Truly Weird/Genre Defying/Outliers

This last list is for my absolute favorite type of horror flicks, the kinds that don't fit neatly, or often at all, into easily definable categories. This is the place where the truly gifted or the truly insane come out to play. It's the kitchen where writers and directors operate with a blender and a spray nozzle more than with a paintbrush or a list of classic techniques and storylines. And it's where the best of the best in horror can usually be found (at least in my opinion). 

1. Uzumaki

2. Lake Mungo

3. Rubber

4. The Lift

5. Lord of Illusions

6. From Beyond

7. Chopping Mall

8. The Woman

9. Jacob's Ladder

10. Freaks

11. Donny Darko

12. Us

13. The Deaths of Ian Stone

14. Irreversible

15. It Follows

16. Frontier(s)

17. The Broken

18. The Baby

19. Scare Me

20. Santa Sangre 

Wednesday, November 1, 2023

Movie Reviews for Writers: Conjuring Spirit


I love Asian horror. I just don't get to cover much of it here because it usually doesn't have much of anything to do with writers and writing. But today, we're both lucky, because Conjuring Spirit is a creepily beautiful (or beautifully creepy, take your pick) Vietnamese ghost story about a popular mystery novelist who leaves her husband after his affair and takes her son with her to an apartment complex to start over. 

After walking in on her husband in flagrante delicto, Lan decides she has had enough and she and her young son, Bi, move out. Cue the haunted apartment and the ghosts that only Bi can see at first. (Because, of course only the kid can see the spirits.)

All the while, Lan is under deadline (almost behind deadline) for her next book. 

The Guilt of Frustration


So, in the midst of having to learn to be a single parent, deal with a haunted kid who may or may not be seeing ghosts, and fend off the romantic advances of a neighbor, she also had to make time to write her book. Throughout it all, Bi constantly asks her to play with him and she promises later just about each time. 

You can hear the frustration (both with herself and him) in her voice and see the frustration in her face each time. Ever been there? You've finally managed to carve out some time to write and BAM!, here comes a call from your mother, one of your kids breaks a glass, you name it. And you start to feel guilty for your irritation that your family is cutting into your work time. (Because, your mother has clearly told you before that writing isn't a real job.)

The Power (and the Trap) of a Series


Early in the film, Lan meets with her publisher, who lays down the law about the pending deadline. During this conversation, Lan offers a few tidbits that are common to us as writers. 

Lan's mysteries series is based on the adventures of Detective Kieu, a female private eye. It's a best-selling series, so fans and the publisher keep clamoring for more. Only, Lan is growing a little tired of Kieu. 

When asked for yet another Kieu book, Lan responds, "Another story of Detective Kieu?" She's a writer who is full of ideas and wants to explore them, but she's trapped by her own success and by the expectations of readers. 

For all the benefits of writing a series in which each new volume markets all the others, there is the downside of sacrificing all your time to one character or set of characters. 

Hitting a Trouble Spot


During her conversation with her publisher, Lan admits that she is stuck with the newest book. She feels as though Kieu has worn herself thin as a character and she just doesn't know what she will do next. Without that crucial question answered the author can't move on to develop either the plot or the character. 

What does the issue stem from? It's coming from Lan's personal life (Can you say authorial intrusion, anyone?). But she can't help it. With her personal life in turmoil, much of that is bleeding over into the life of her best-selling detective. 

Because of Lan's situation, she just can't keep treating Detective Kieu like she has. With her life hitting a serious emotional depth suddenly, she feels like that must also be applied to her characters. 

Just as she faces new challenges, so much Kieu, or so she believes. 

Just as her view of the world has been shattered, so much the detective's worldview. 

It's what they both need to move forward. 

Detective Lan


Now, this is a minor and more fun thing, but sometimes we learn things in order to better write our characters. It could be something simple like visiting a cave to gauge the temperature and the feel of the rocks in the dark for accuracy in description. Or, in the case of both Lan and myself, it might be learning lockpicking to better incorporate it into your work -- writing work, I mean, so don't call the cops. 

When Lan and her boyfriend are breaking into a suspected killer's home, the guy is surprised to find she is able to pick the lock. She responds with a smirk and basically tells him she wouldn't be much of a mystery writer if she couldn't.
 
I concur, Lan. I concur.

Thursday, October 26, 2023

Halloween Re-Runs: Classic Scares in Black and White

In honor of Halloween, here are the creepiest moments I remember from b/w classic horror films, the ones that I find hard to shake once I've seen them:


1. The spiral staircase and the opening to the attic from The Haunting


2. The freaky maid glides by in House on Haunted Hill

 

3. The final confrontation in Carnival of Souls


4. The door-banging scene in The Haunting


5. The pool scene in Cat People


6. The daughter in the basement in Night of the Living Dead


7. The pond in The Innocents


 
8. "One of us" in Freaks

 

9. Norman's mother revealed in Psycho




10. The opening of Black Sunday



11. Alas, Poor Nan from City of the Dead/Horror Hotel

 

 12. The "rising" of Nosferatu



13. Meeting the zombies at night in White Zombie



Honorable mentions: 

The "resurrection" in Diabolique 



 and the revelation beneath the wax in Mystery at the Wax Museum

 

For more great scary moments, visit http://www.tasteofcinema.com/2014/the-20-best-black-white-horror-films-in-the-sound-era/ and http://www.denofgeek.us/movies/21744/50-genuinely-creepy-horror-movies

Wednesday, October 18, 2023

Movie Reviews for Writers: I Spit on Your Grave (or Day of the Woman)

 

I have to be honest with you. I didn't even remember that this one featured a writer until I saw it pop up on a list of horror movies about writers. And even then it didn't refresh my memory until I re-watched the flick a few days ago. 

That said, I have to admit that I enjoyed the excuse to watch this disturbing (and yes, exploitative -- after all, it's a female empowerment flick with a lustful booty shot on the cover) flick again. I know it's not everyone's cup of tea. Heck, it's not mine, but it's a master class in when to skirt that line between just enough and too much in order to enhance the plot at the risk of becoming gratuitous. And trust me, it does become gratuitous, but never at the expense of the story. It's just that dark and grimy and sleazy a story -- which is of course what makes it simultaneously compelling and repulsive. 

The plot: Jennifer Hills leaves the city to work on her novel in a cabin in the country. While there, she catches the eyes of a group of hillbilly thugs who rape her and leave her for dead. In classic slasher fashion, she gets revenge. As a plot, it's about as basic as it gets. 

For writers, there's still something here for us within that trope of the revenge slasher. 

The Need to Get Away from Distractions


We all tend to have a place that for us is "The Place To Write Best." It may be our office that we've decorated with our favorite posters, artwork, toys, knick-knacks, and/or curios. It may be the local coffee shop, our kitchen table, or a laptop stand set up on our screened-in porch. For others of us we need to get away to really relax and write to our fullest potential, like Jennifer does here. 

Matthew: Oh, are you a writer?
Jennifer: Mm-hmm.
Matthew: And you're gonna write a book here?
Jennifer: My first novel. I've written many short stories.

I tend to have this malady as well. I write best when I can fully pull away and spend a few days at my late Meme's house. With no Wi-Fi or phone or TV, I can devote time to writing without distractions. 

I could write more about this, but I've already covered it in several reviews so I won't beat that dead horse. 

Let's move on, shall we?

Characters Become Real to Us


As writers, we tend to know our characters deeply, perhaps more deeply than the real-life people around us. Of course, this is only possible because we've created them, but it's true nonetheless. Sometimes, they even become almost real to us, or at least real in our minds. 

When talking with Matthew, the delivery boy from the local grocer, Jennifer shares:

Matthew: Do you live here alone?
Jennifer: All alone with Mary Selby.
Matthew: Mary? Mary... is she in there?
Jennifer: Mary's right here. She's a fictional name. She's the Ieading character in a story I'm going to write here.

To Jenny, Mary wasn't just a character. She was a sort of roommate. 

For me, characters are more tenants, renting out space in my mind. They live there at least for the duration of the story I'm working on, but often longer. Such is the case with Rick Ruby and his love interest Evelyn. They have a permanent room in the Chez Taylor, and I think about them often, even when I'm not working on stories for the Rick Ruby books. 

Then other characters come and go with the stories and don't stay for long, but only stick around as needed and then quietly run off during the night. But they are no less real than the others. They exist and they take up space in my life. 

Never Heard of You


No doubt you get this one a lot, particularly when you mention (whether pressed for it or not) you are a writer. It often comes out as the less rude, "Have you written anything I might have heard of?" instead of the "I never heard of you." But the intention is the same. Your worth as a writer is only as good as your breadth of sales. You are judged not on your stories and your words but on your ability to market your books or your ability to land a big contract with a Big 5 publishing house. 

While Matthew and Jenny are talking at the beginning of the movie, they have this exchange:

Matthew: You must be famous. What's your last name?
Jennifer: Hills. It's okay if you've never heard of me. All my stories were published in women's magazines. 
Matthew: I don't read 'em.

It sounds like Jennifer has had this conversation before and she knows how to nip it in the bud. 

It can be daunting though to have your worth as a storyteller equated to sales figures and how many bookstores you're featured in the windows of -- or even worse, based on how many movies have been made from your books (particularly when meeting non-readers). 

Stories Echo Our Reality


This is one we just can seem to get away from -- like it or not, bits and pieces of our lives and the people around us creep into our work. While working at the cabin, Jenny has a voiceover from part of her novel in progress. 

"Chapter 8 -- page one. Finally, after weeks of self-doubt and much deliberation, she embarked on a temporary Ieave of absence from everything... that... that... formed the fabric of her life -- the big city... her job, her friends --"

Ignoring the fact that most of the writing that actually happens in movies about writers tends to be lackluster and cliche-riddled, it can't be denied that even though Jenny is writing about her protagonist Mary, she's actually writing about herself. Not only Mary is experiencing self-doubt and deliberation. Not only is Mary taking a temporary leave of absence from everything that formed the fabric of her life. Jennifer is doing those things too. In fact, it's likely that if Jennifer wasn't doing them, Mary wouldn't be doing them either. 

Sometimes these bits of reality sneak in via tiny cracks -- a friend's weird turn of the lip when feeling shy or a tell when someone is nervous. Other times they crash right through the door wholesale, as big as life, as a fully formed character, much like Mary does with Jenny. Sometimes they even become a sort of wish-fulfillment, and that's when a character is in danger of becoming the oft-vilified Mary Sue or Marty Stu. 

Wow. I'm kind of surprised there was this much in this little exploitation slasher. That's a lot more content than I expected from such a by-the-numbers revenge horror movie. 

Sunday, October 15, 2023

Halloween Re-Runs: The Queens of Scream

 In honor of Halloween, here's a nod to the lovely and talented ladies who have filled my dreams and haunted my nightmares. 


Can you guess them all?