Showing posts with label Bobby Nash. Show all posts
Showing posts with label Bobby Nash. Show all posts

Friday, February 13, 2026

Captain Science Goes to Oz! (New from BEN Books)

Science and fantasy collide in the merry old land of Oz in the new digest novel, Captain Science in Oz! available in paperback and ebook at Amazon worldwide with more retailers to follow. The author will also have autographed copies for sale soon.

When his old enemy, the Beast Men of Rak, invade Oz, Captain Science answers Oz’s call for aid. BEN Books presents Captain Science in Oz!, a pulpy action-thriller by Bobby Nash featuring the return of the 1950’s super-science hero, Captain Science. Cover illustration by Jas Ingram.

Saturday, December 20, 2025

Holiday Short-Shorts 2025-- Our Contributors' Gift to You!

 


As the Grinch learned, "Maybe Christmas doesn't come from a store." The best gifts come from somewhere inside you, and if you're a creative, that's doubly so. 

In that spirit, our regular contributors to the blog are giving you the gift of holiday fiction. These are all original holiday-themed short-shorts written by our regular contributors. Thrillers. Horror. Crime. Drama. Family. It's all there. 

Happy holidays, everyone!

Note: All stories below are © 2025 by the author and are used here by permission.

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Last Christmas

I found him at last: Nick, skulking beneath the peppermint rafters where the toyshop’s shadows knot themselves into darker tidings, his trembling breath frosting the air like a naughty whisper. For centuries he’d dodged me, unraveling my spells, undoing my careful work, poisoning the holly with his sanctimonious shine. But tonight, sleigh bells rang for me. I crept closer, boots silent on sugared snow, heart humming with the warm thrum of justice long delayed. Now the North Pole is quiet again, and in the stillness, I savor the sweet, sweet taste of a world set right beneath my merry, crimson grin.

        -- Evan Slash Reed Peterson

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A Show for the Holidays

"Thank you," said Byron, as he took the mug of hot chocolate from his P.A. "It's just what I wanted. Well, more like what I needed."

"Sugar and just a little bit of the cold coffee poured in for caffeine and a kick."

Byron smiled. "Just what the doctor ordered."

"Enjoying the party?" Janet asked. "You don't strike me much as a partygoer."

"I'm not. I'm just here..." His voice trailed off. "Well, I'm here for something I want to see later."

"Oh," Janet mused. He meant the announcement of the big layoff for the lowest rung. His own suggestion for cutting 'unnecessary costs.'

The antlers on her Christmas moose sweater flopped as she motioned for him to take a sip. He did, downing a gulp before stopping with a weird facial tick. 

"Ooh. Cardamom? Nice touch."

She nodded. 

Cardemum, she thought. And the assload of thallium sulfate I put in the mug. There would be something to see, all right, but not the show her boss expected. 

        -- Sean Taylor

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Home for Christmas

Evie stepped up the familiar redstone steps to the front door of a house she once knew like family. She turned back to look down the steep hill toward the pine trees and the street and was sure, for half a second, she caught a glimpse of another house at another time, far but not so far from her. 

“Get on in here. It’s gettin’ chilly out.” Evie jumped and turned back to the door. 

“Momma?”

The woman smoking a cigarillo and dressed in a bright red sweater pushed the door wide to let Evie in. “You weren’t expecting Santa, were you?” She smiled. 

Evie couldn’t help but laugh. She’d forgotten that joke. It’d been so long. “Not yet.” She rushed to hug her momma, door slamming against her back. 

“I know. It’s been a long time.” Momma wrapped her arms around her. “But don’t you worry. We’re all here, and now we can have a real Christmas.”

The living room was lit by the enormous live Douglas fir in one corner of the room. Evie’s daddy was on a ladder hanging handmade wooden ornaments. It glistened with silver tinsel and huge colored lights, just like momma loved. She remembered how he used to give them to her children and her sister’s children when they were little. Her daughter still put them on her tree. 

Her daughter…

She gazed out the large window decked in large bubble lights. Just on the edge of the horizon, she could see her girl making ribbon cookies like she used to make until the year she couldn’t read the recipe properly. 

A tug at the shoulder brought her back. “Evie! Evie! Did you bring any cookies?”  She turned and saw the soft, impish face of her brother. For a moment, she couldn’t breathe. She should be with her daughter, not here. This is the wrong place and time. 

“I need to sit down, I think.” 

Momma led her to the couch. “Leave her alone, Mikey. I wondered when it would hit her.” 

Evie took in the scene. She was at home with her family at Christmas. There were bowls of candy on every flat surface, just as always. It felt normal and right, but then there were the other memories and other family just past her reach and on the edge of what felt real now. Daddy came down from the tree and sat with them. 

He patted her hand. “We’re all here. We’ve waited for you for a long time, Evie.” 

“You and momma keep saying this. Does that mean?”

“It means we are all together again!” Momma smiled and clapped her hands. “Your brother and sister will be here soon and we’ll have Christmas dinner, and it will be fine.” 

Evie went to the window and pointed out. “And what about them?”

Daddy joined her and squinted as though he could see what she saw. “She’ll bake those cookies and tell your stories. They’ll be with us soon enough.” He hugged her. 

Behind them, the dulcet voice of Brenda Lee began a verse of Jingle Bell Rock. Momma danced in with a plate of homemade cookies and hot chocolate. 

“Here’s those cookies you wanted, Mikey.” 

The teenaged boy laughed, and Evie couldn’t help but laugh too. It was good to be home.  

        -- Jessica Nettles

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An Encounter With Santa

“Santa!” the boy exclaimed.

He hoped the kid wouldn’t see him. Dressing as Santa to rob a bank during a Christmas party was smart, but he regretted sneaking into his ex’s place to hide a few bills in his kid’s stocking. He hoped the kid didn’t see the large roll of hundreds peeking out of his red pocket. 

Playing it cool, ‘Santa’ deepened his voice and whispered, “Well, Bill...you caught me. I was just about to leave you a special present.”

“But where’s your bag of toys?” Billy sighed. “Mom’s always complaining about how Dad never has enough…”

Always about the money, ‘Santa’ mused. Part of the reason they divorced was that he was a hard-working Joe who was hardly working in this economy. Ask her and she had “high standards”, but he felt she was more “high maintenance.” He did all he could to see his son, but he never seemed to have time…

Remembering where he was, ‘Santa’ crouched by the boy and whispered, “You want to see your dad, huh?”

“More than anything!” Bill beamed. 

“Tell you what,” Reaching into his pocket, ‘Santa’ withdrew a hundred dollar bill. “I’ll be bringing your toys later tonight, but you have to be asleep. I’ll also...uh...swing by your dad’s place and let him know. I’ll make sure you meet him at your favorite place tomorrow.”

Clutching the money in his hand, Bill beamed as he went back to bed.

Glancing around the room, ‘Santa’ saw two stockings pinned to a decaying entertainment center. One said “Mom” and the other said “Bill”.

Pulling off a few hundred-dollar bills, he placed them in the stocking marked “Mom.” He hoped that she would spend them on Bill, but he knew better. 

As he heard her stir from her sleep, ‘Santa’ crept out the door. He already had plans to launder his stolen loot, hidden in a cubby hole in his apartment. Tomorrow, he would hopefully meet Bill at their favorite park.  He doubted it, but if it happened, it would be the best Christmas present ever. 

That and avoiding arrest. 

        -- Gordon Dymowski

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If Only In My Dreams

The house felt warm and cozy. Familiar. Loving. Safe. Inviting. The crackling fire in the living room filled the air with a hint of pine. Pleasant, it mingled well with the aromas emanating from mother’s kitchen. That mixture clung to his memory as powerful now as the first time. Mother’s voice, the sound of an angel, sang an old Christmas tune. She was slightly off-key, but that only added to her charm. He missed that sound. Father would avoid the kitchen, of course, cutting his beloved a wide berth until time to fix his plate. Turkey, ham, potatoes, dressing, gravy, green beans, and cranberries with fresh-baked rolls on the side. If nothing else, the family ate well on Christmas Day.

Just the way he remembered it.

It had been at least a decade since he last saw them. Even more time passed since those early holiday treats where family came together in love and compassion. One big mistake brought his life crashing down around him. Things were never truly as wonderful as his fractured memory, of course. No. Things were never as good in reality. That’s why he slipped so frequently into fantasy. Pulling the threadbare blanket tight around him, he closed his eyes and once more opened the front door and stepped back into a fond memory, slightly rewritten to recall only the good memories. Smiling, he stood in his mother’s kitchen and closed his eyes. It was good to be home again for Christmas.

If only in his dreams.

        -- Bobby Nash

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The Christmas Spirit

The holidays are always pregnant with memories. They used to be the happy ones, cooking the ham and mac and cheese together with Mom, tugging the fake beard off Dad's face and laughing, those kinds of things that made up the Norman Rockwell part of my life. 

Now the memories are darker, more melancholy, what I used to call bittersweet. Now I see only the open casket, the flowers that were already dying in the church, the people crying, the mechanical clicking as the expensive funerary box was lowered into the dark womb of soil. 

The fire in the hearth no longer gives me warmth. The feast has no flavor, so I have given up on trying to enjoy it. I ignore the presents under the tree. None are for me now anyway. 

My room is cold. Everything remains just as it was before, all my posters still in place, mostly just a little crooked, my cheap brand Les Paul guitar silent on its stand, my bed never unmade, not even when I lie down and try to sleep. 

The family gathers as usual. I watch without eating. I wait and listen. No one even attempts to draw me into the conversations. 

But they will later. They will after dinner, at least those who still visit the graveyard. I will travel with them, for then, they will remember I'm still a part of the family. Then, and for most, only then, will they speak to me.

Of course, they will never hear my answer-- nor even expect a response. Never again. 

-- Sean Taylor

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Down Through the Chimney

I opened my eyes. A sound from the roof woke me. “Santa?” I mumbled in my half-awake state.

The tin roof gave the distinct sound of sharp clicks followed by the soft tread of a padded foot. My mind recalled the old song, but it definitely wasn’t reindeer paws. Rolling out of bed, I ran to the window. Something growled from above me. I closed and latched the window, stepping back.

The sound, which started furtive, grew louder as something rushed towards the chimney on the other side of the house. I tracked the unseen visitor’s path as it thudded across the roof. The large open space gave me a perfect view of the fireplace. Too warm for a fire, it sat empty, a dark maw in the far wall. No stocking hung, no tree decorated. Just a sad room not ready for the current season. Grunts and scrapes drew my attention; this wasn’t Saint Nick descending. My feet refused to move as my heart pounded. Each echoing sound drew an involuntary flinch. The metal flue, still closed, groaned as an immense force pulled at it. Each bolt popped free, and I heard it drop to the metal grate where burning embers would sit in cooler weather. 

A dark shape lowered within the recess, a shadow within the shadows.  Bright yellow eyes turned and glared at me. My bladder emptied. No gifts this year, I must be on the naughty list.

        -- Seth Tucker

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The Night After Yule

Yule feast was done; trenchers stacked,
Pine needles underfoot, offerings packed.

All slept in the turf-house, children and gran;
Father lay dead-drunk like a felled, snoring man.

Only Mother stayed awake by hearth’s red glow,
Stitching knotwork on cuffs, sewing slow.

Through a shutter-gap Father swore he’d mend “soon,”
The aurora ran green on the snowlit dune.

Then bells—jangle, clatter—on leather drew near,
Not neighbor-folk homing; too many, too queer.

“Is it her?” breathed Daughter, as shutters went tap.
Mother murmured, “Hush now. Stay deep in your nap.”

“Will she take what we left?” whispered Son, pale with dread,
“My brightest cloak-pin? The sausages, the bread?”

“It isn’t the gifting,” said Mother. “Be still.”
“It’s how you’ve behaved; every deed, every ill.”

They remembered the summer: Father gone to the sea,
Grandmother ignored; the loom toppled with glee;

And sheep chased for sport till the byre rang with cries,
So they pleaded, “Hide us! We’ll help! We’ll be wise!”

“We’ll tend all the fires, wash dishes, and mind cows!”
Mother sighed, set down the thread, and slipped out, making no vows.

A whisper in darkness. The door swung with cold.
Grýla stooped inside, sack yawning wide, so bold.

Cat-eyes flashed ember; one finger: “Hush—hush.”
She drifted to Father like smoke in a rush.

She hefted drunk Father, still snoring, half-fed—
In the sack, he disappeared like a log from the shed.

Bells skated off. Night swallowed her track.
“Next Yule,” Grýla growled, “if they’re trouble, we’ll be coming back.”

        -- H. F. Day

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The Cold Side of the Bed

My wife died two days into Hanukkah but was back by Christmas. Her side of the bed remained empty only between her death and the evening after the funeral. She rested soundly, but never slept, never spoke, never offered a single argument against me, nor volunteered an explanation of why she had returned. 

She simply smiled using eyes, teeth, mouth, and dimples. Sometimes she stared, reclining in the dark green dress in which she had been buried, the silk gown that matched the one hanging in my side of the closet, for when we chose to "twin" on our dates. Each morning she was gone, and the sheets beside me were a good ten degrees colder than my side. 

Only once did she sit up and reach for my hands. I had made the mistake of drinking too much coffee before bed and couldn't sleep. She lay still until she saw the little dirt-colored bottle of pills. But she sighed silently and lay back down when she saw I only swallowed two of the round tablets. 

"I'm sorry," I told her. "I really am. I know we agreed, but I just couldn't do it. I didn't have the courage." 

She said nothing, merely smiling and staring, while I turned away so she didn't have to see me weep.

-- Sean Taylor

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Home for the Holidays

“Tonight is the fifth Christmas Eve since she died,” Jeremy said.

Dr. Morst nodded. “And how are you feeling about that?”

“I’m kind of used to it now,” he said. His hands twisted in his lap, squeezing and rubbing his fingers as though they ached. That would be difficult, since they were only stubs now. He’d lost most of his fingers when he was found in the snow, weeping and digging into the ice-cold earth of the cemetery with his nails, not long before he was assigned to Dr. Morst’s service.

“This is the night, then?” 

Jeremy stared down at what remained of his hands. “She scared the hell out of me the first time. Just her voice, on the other side of the shower curtain. Thought for sure I was nuts. Now I guess we know it, eh?”

“I don’t really care for the word ‘nuts,’ but I don’t think you’ve given yourself enough credit for the work you’ve done so far,” Dr. Morst said. 

“Not enough to get out,” Jeremy said. “The second time was while I was driving, and I crashed the car. The third time I tried visiting her grave, and that’s how I came to your tender graces, doc.” He finally stopped rubbing his stubs together and instead tugged at the soft restraints. 

“What about last year?” Dr. Morst asked. “You were committed before Christmas, but you still weren’t speaking to me.”

“I guess I have made progress then,” Jeremy said. “Last Christmas Eve, she was whispering under my bed in the ward. Home for the holidays. I screamed a little bit, and the orderly gave me a shot. I could use more of those shots, doc. It’s the only time I sleep.”

Dr. Morst tried not to check his watch. There was no clock in the room, but the shadows were getting long, and he was really hoping to make it home in time to wrap his wife’s present before she came home from work.  “Do you only hear her, or do you see her?” 

Jeremy looked up at him. “Her voice is terrible enough. I don’t want to see her. She’s louder every Christmas, ever since she died. Please, doc, I need you to make her stop.”

Despite himself, Dr. Morst felt a tug of pity. Jeremy was so earnest and quite articulate since he regained the power of speech. “Your new meds have been working so well, Jeremy. Trust in yourself, trust the progress you’ve made.”

“That’s worse, doc,” Jeremy said, tears starting in his eyes. “If I keep getting better, I’m afraid she’ll get angry. So angry. Every Christmas Eve.” He paused. “She’s probably upset about me killing her.”

A knock at the door told Dr. Morst it was time to stop. He waited while the orderlies took Jeremy back to his cell, and then he could glance at his watch. Barely enough time left to get home before Sandra, so he hustled back to his office to put on his coat and grab his briefcase. 

As he checked out of the ward, he could hear the commotion back behind the bars. It was Jeremy, screaming again. 

-- Elizabeth Donald

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Heavenly Peace


Wind screamed around the tent, threatening to cave in the canvas and polyester on top of me. In the midst of the banshee-like weather, another sound fought to cut through. A howl. Long and mournful, with a sort of rumble in it, like gargling a chainsaw. 

When the winds paused every ten or so seconds, I heard footsteps crunching the leaves around my tent. I had chosen my spot for privacy rather than a public campground to be alone for the holidays, and my view of the valley and the river below had been worth it -- at first. But now, alone at night with god-knows who -- or what -- stamping around outside, I wasn't so sure. 

A single point of pressure pushed in on the canvas wall, and I jerked around to shine the flashlight on it, but just as quickly, it was gone. Moments later, the other side bubbled in and then straightened. 

Trembling, I crept to the front and unzipped the flap a few inches, just enough to see out. A huge silhouette stood enshadowed by the bright moonlight. It reeked. It turned, and I caught only the glow of its eyes, the same shine as any other wild animal at night. In its hand -- it had hands, not paws -- hung a dead rabbit. 

Leaning down, the beast-man placed the animal on a stone beside the still flickering embers of my fire. It turned to face me. The chainsaw of its voice rumbled again. 

Then it was gone. 

After a few minutes, when I could no longer sense it nearby, I stumbled outside and checked the fire and the rabbit it had left. A clean kill. A broken neck. No pain. 

I forced a grin. 

"Merry Christmas to you too, big guy," I said. 

-- Sean Taylor

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See the Blazing Yule before Us

Tim patrolled along the backside of the graveyard behind the Maple Street Methodist Church as snowflakes began to flutter around him. He remembered a time when the cold would have bothered him, and he would have rushed to the small brick house not far from here to start a fire, make a hot toddy, and settle in with a good book. 

He wondered who sat at his fireplace now. It’d been almost a full year since he’d taken the mantle of grim and been transformed into the semi-eternal black-dog guardian of this congregation, both dead and alive. The former grim, a gentleman who’d served as grim for more than eighty years, faced off against a gang of young, ambitious vampires, but it came close to ending him. He searched out a replacement and discovered Tim, who’d just been buried after a terrible motorcycle accident over on 41 Highway coming back from karaoke. 

So here he was now, patrolling. After the vampire thing, there’d been a few stray vandals and a couple of witches who wanted to raise some hell in his cemetery that they’d dealt with together, but Tim knew that Jez was fading. His time of training was coming to an end. It was more than most grims got, to be real. He’d discovered he could enter buildings without being seen, even beyond the church grounds, so he went to the library and read up on his new career. Being a grim was serious business. Guarding the church against demons and evil, death announcements, and generally being a good dog. It wasn’t like being a human, but it was better than an eternal dirt nap for sure. 

Tonight, he felt a difference in the fabric of things around him. The air, the snowflakes, even the lights from the houses and the trees that were decorated outside seemed thin and strained. 

A cough drew his attention. “Jez?” he woofed. 

“Quit dawdling, kid. It’s almost time.” The elder grim, a broad-shouldered black Shepherd with flecks of silver around his face, stepped from around a gravestone that looked like a small angel. 

“I’m not dawdling, dude.” Tim sniffed the crisp air and nipped at the flakes, which were getting fluffier by the second. “Besides, we’ve got until the end of the year, right? It’s not even Christmas Eve.”

Jez dropped his head and sighed, the way he did when Tim said something stupid. 

“What did I say?”

“Tonight is Yule…winter solstice,” said Jez. The snow began to stick to his fur, adding to the silvery halo around his face. 

Tim blinked. “And?” 

Jez nosed him hard and woofed, “You dumbass. I thought you’d read up on traditions. The Inside, here with the living, and the Outside, where those who are not living reside, the veil thins. My time ends tonight. I leave for the Outside permanently. This gig becomes yours.” 

“Well, shit.” Tim knew but thought he had a few more days…weeks. 

A jaunty fiddle rendition of “The Holly and the Ivy”  from the center of the graveyard. Jez chuckled. 

“Ol’ Bobby-Jack is warming up.” Tim saw a tall, lean figure of a man wearing overalls begin wandering through the stones. 

Jez howled and trotted toward his friend. Tim followed. 

The lights from the neighborhood around them dimmed as a single bright glow of gold, silver, green and red rose at the center of the graveyard. What should have been silent and dark was filling with people Tim hadn’t met before, dressed in all manner of ways from various times. There were three young ladies in pink and green fitted dresses with skirts poofed out by crinolines and decorated in tacky 50s-style Christmas trees. Nearby were several gentlemen in top hats and tail coats, checking their pocket watches and exchanging small gifts. An entire group of tiny children was running around, giggling and playing like they hadn’t had a chance to in a while, and several younger women dressed in longer skirts chased after them. One lone gentleman wandered among them, making sure everyone had a bite of candy out of a white bag he held in one hand. In one corner of the graveyard, the fir that looked so alone and grim most of the year stood tall and was covered in tinsel. Tim was sure he could smell hot cider. 

The man with the candy bag climbed up on a rather large stone, and a cup appeared in his hand. 

“Blessed Yule, my friends! Blessed Yule! Tonight, we welcome our dear friend and guardian, Jeziziah Mason. He has been our grim for lo these eighty years.”

“Here! Here!” Several voices shouted from around them. The man shushed them. 

“He comes to join us in the Outside and leave the hard work to young Tim McBride here, who I believe is worthy to fill Jeziziah’s shoes…or rather paws! Anyway, here’s to them both!” He lifted his cup as did the whole party. 

Tim glanced at Jez. “So this is it?” 

“Consider it your Christmas gift, kid.” Jez bumped up against him. 

“Gee, thanks. I don’t even get an instruction guide?” 

“You’ve had a year with me. You’ll do fine.” 

Jez stepped forward and shook his body. His fur began to fade away. He put his front legs up on the gravestone where his friend stood. Then he shifted from dog to his former human form. Tim was not shocked that Jez was broad-shouldered and built like a blacksmith. What did surprise him was the dark black hair and the dance of joy the man did as he changed. 

Jez turned to him and gave him a broad grin. “Blessed Yule! Now go kick some ass.” 

        -- Jessica Nettles

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While Shepherds Watched Their Flocks by Night


Hazel stood in the cold wind, her skin bubblng up with goose pimples. She looked like a plucked chicken, she knew, but what did she care. She was way past her glory days. Who the hell was she planning to impress now? 

The little row of fir trees on the other side of the road were strung up with lights, and a wooden, hand-painted sign that read "Merry Christmas! God Bless Us Every One!" was nailed to the base of the center tree. 

She pulled the phone from her back pocket and took a photo, but when she searched her contacts, she realized there was no one to send it to, not really. No one who would be expecting anything from her, especially something like a photo of something she thought was cute. Only friends did that. 

Her friends sat squarely in her rear-view. 

The motorized rattling of the cab -- a converted minivan -- emerged from the curve about a hundred yards to her left. It stopped on the road barely a yard from where she stood. 

"Happy Christmas!" said the driver, a Middle-Eastern man with a large bald spot. "Big day, huh?"

Hazel shrugged. 

"Where to, Miss?"

"Is there a diner close where I can get some hot chocolate?" she asked. 

"Sure. Good pie too." He held on to his big, wide smile as though it kept his face from falling apart. "After that?"

She shook her head. "After that, it doesn't matter."

She climbed in and dropped her duffel bag on the seat beside her. As the cab made a U-turn and rattled away back up the road from where it had come, she glanced back long enough to see the Hollis Country Penitentiary sign disappear behind the trees.

        -- Sean Taylor

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Krampus at the Bass Pro Shop


“You ain’t Santa!” roared the great horned figure that pushed its way through the front window of the Bass Pro Shop. 

My fake beard dropped to my feet as I stood up and pushed the small girl who moments before sat on my lap, asking for a toy I’d never heard of between me and my plywood throne. “And you ain’t the clerk I sent to get me hot cocoa and cookies either.” 

The parents screamed louder than the kids, as the hairy demon bashed the gigantic moose near the registers with his holly-bound staff and clacked his hooved feet against the tile floor. 

A voice in my head whispered, He knocked ‘Rain clear out like she was a doll. Ava is froze. 

That was bad news. I’m pretty powerful, but not Krampus powerful, and familiars can only do so much. I guess I should explain. I’m ‘Rain’s familiar, Zeke. I can appear in lots of different ways. Usually, I’m a possum. Today, I’m a really bad Santa. I don’t human that well. 

The demon paused and grabbed one of the clerks in the gun department and stuffed him in the bag. “You’ve been stealing from the store, mister!” 

The little girl behind me bolted and when the rest saw her make a run, the others followed, even the adults. Krampus turned and snapped his clawed fingers. “Not yet. I get my due. It’s my night.” He pointed at me. “And YOU know it even if you ain’t Weihnachtsmann.” The crowd froze in place, and the only sound in the store was George Michael singing “Last Christmas.” Not only was I being threatened by some angry German Christmas demon, but he managed to send me to Whamhalla.

“I don’t know who that is, so you’re right. I ain’t that guy. Still, you don’t get to scare little kids on my watch!” I focused and shaped my magic into a sword. He’d try to kick my ass, but not without a fight. 

‘Rain’s up and she’s pissed. Iva, one of ‘Rain’s sisters and fellow witch spoke in my head. 

Well, get your asses over here pronto. 

Krampus laughed as he moved through the aisles of sportswear and fishing equipment. “Weihnachtmann…he has possums working for him now?”

“It is the South? Who did you expect? Some guy named Bubba?” I raised my weapon. 

He dropped the bag filled with gun clerk and drew back his staff. It glowed a menacing crimson. “Don’t mention that name.” He growled. 

“Bubba. What? Is he on your naughty list too? Oh, that’s too bad. I’m gonna take you down long before you get to him.” I began to chant an ancient spell I learned from an old Scotswoman 200 years ago. My sword glowed bright gold like a star. I felt a lightness fill me and song flood through me. All I could do is laugh. 

What the hell is that, Zeke? Iva’s voice punched through the choir in my head. 

All I remember is rushing him and seeing his eyes go from cold and confident to mortal terror in two seconds flat as I swung my sword and it bit into him. The scent of pine, hot cocoa, and the sharp edge of fresh snowfall surrounded me as I attacked over and over again. When it the energy, light, and scent faded, all that was left was the sack and the young gun clerk passed out on top of it. Before I passed out myself, I swear it was snowing in the Bass Pro Shop. I guess Christmas magic and maybe this Weihnachtmann guy is real after all. I mean, why the hell not? 

        -- Jessica Nettles

Friday, November 21, 2025

Valhalla Books unleashes Dante's Rebirth!

Get ready for a rebirth! Valhalla Books’ Dante’s Rebirth is now available in paperback & ebook  at https://www.amazon.com/dp/B0FLWW9GP3

After the stunning final reckoning that laid waste to Dante, the town begins to rebuild. As life returns to normal in the mining boom town, new arrivals bring fresh opportunities. The Pommel Brothers hit town looking to make their bones, unaware of the danger lurking around every corner of the desert town.

Meanwhile, Elizabeth Perth and Heath Moore have started rebuilding their lives and their future together, but a telegram announcing the imminent arrival of Albert Barclay, the owner of The Dante Dispatch brings a sense of dread.

The reopening of the Archibald mine, under new ownership, unleashes a new underground horror with sharp claws and sharper teeth. These creatures are hungry. And Dante’s citizens are on the menu.

If that wasn’t enough, Miss Maddie, Dante’s most mysterious elder, unleashes plans of her own for both Dante and the poor, wretched souls who call it home.

Get ready for an all-new Dante Tall Tale from award-winning author Bobby Nash.

Dante’s Rebirth is the fourth book in the award-winning Dante western/horror series written by Author Bobby Nash. Cover by Jeffrey Hayes. Published by Valhalla Books.

All four Dante ebooks are currently $0.99 for a limited time. You can find them here: https://www.amazon.com/dp/B0BX5QFR5P

Thursday, November 20, 2025

Fiction Like White Elephants: Subtext in Your Stories


Let's talk about subtext, you know, that stuff that's hidden subtly in your stories even though it never really leaves a footprint.

Dialog. How important is the stuff your characters don't say or avoid saying to each other in your work?

Terrance Layhew: Creating subtext in conversation is necessary. It immediately gives an inner world to the characters and a larger world at play. What people avoid saying directly or indirectly raises stakes, but done too much makes the story a melodrama.

Elizabeth Donald: If my characters are as close to living, breathing humans as I can make them, the things they don’t say are wildly important - just as they are for us allegedly-real people. When a married couple sits at the dinner table and says nothing but “pass the salt,” that tells us a great deal about their relationship, their thoughts and feelings, the comfort level they have reached (or not) between them. There are many times when we feel spurred to speak and do not, either for fear of social or professional consequences, adherence to behavior norms in society, or our own personal tendencies; a person who is generally conflict-avoidant may remain silent when insulted, even as they are burning to speak - or shout - on the inside. All of these should come to play in our characters, if we are to make them real. The worst thing you can do is an “As you know, Bob…” where a character explains the blatantly obvious to a person who already knows this information. A little subtlety goes a long way.

Sheela Leyh: From my own experiences, the subtext and context both matter. What is said is often just as important as what isn't said. It can and does affect your readers, as well as how your communication is received and does affect meaning.

It is important in mine as I hear dialog early in the writing process, even before the plot unfolds fully. What isn't said is often left for the reader to piece together as part of my thisness layer, as well as to help hold the reader's interest. For context, thisness is an older writing technique that helps make a place more real to a reader without jarring the reader out of the reading experience. The Oxford Writer channel on YouTube does one of the best explanations on the thisness concept that I've seen so far. By trusting the reader to fill in some gaps by leaving out only what needs to be left out, it helps build that relationship with the readers.

Jessica Nettles: Dialog: Silence is a lot like white space on a page. It gives room for the reader to breathe and feel and think thoughts about what ought to happen. With dialog it also give space for things to grow between characters. Kate and Shadow have a LOT of unspoken stuff between them. For instance, neither of them have to say, “I respect you.” They say it in the way they work. There are readers who have picked up something more between them—and maybe it’s there. Shadow certainly won’t say what he feels about Kate, mostly because he isn’t sure what to do with that feeling. He files it under respect, but he would defend her until he faded away. She sees him as her equal, which is once again, never spoken.

Friday, October 24, 2025

SNOW HITS THE ISLANDS IN AN ALL-NEW THRILLER!

Abraham Snow heads to Hawaii with grandfather, Archer in tow. After the events of Snow Hunt, our hero needs a vacation. He owes his old friend, and former undercover operative partner, Samson Brooks, a visit. Vacation time. Samson and his brother, Walker Brooks, a former CIA officer, now work together as P.I./fugitive recovery consultants. Snow gets caught up in their latest case and finds himself in deadly danger in unfamiliar surroundings when an old enemy shows up with vengeance in mind. He wants to feed snow to the sharks.

Get your water wings ready as Snow jets off to the big island in SNOW ISLAND.

Snow Island is the eighth book in the continuing adventures of Abraham Snow.

Are you ready for a new #SnowDay?

Snow Island is written by Bobby Nash.
Cover by Plasmafire Graphics’ Jeffrey Hayes.
Edited by Michael A. Gordon.
Published by BEN Books.
Audio book narrated by Stuart Gauffi, coming soon.

Snow Island is available at the following retailers:

More retail options to follow.

Contact the author directly through www.bobbynash.com or social media to buy a signed copy directly from the author.

Check out Snow’s complete adventures here: www.amazon.com/dp/B07G3K7S46

Learn more about Snow at www.abrahamsnow.com

Thursday, October 23, 2025

Discovering Yourself In and Through Your Writing


Just one question for this next writer roundtable.

Flannery O'Connor wrote, “I write to discover what I know" and “I write because I don’t know what I think until I read what I say.”

How has being a writer and telling stories helped you discover who you are and what you know?


Nikki Nelson-Hicks: Very interesting question. For me, some of my stories have helped me to touch on emotions that I didn't realize I had inside. Very much poking a blister and letting some stuff ooze out. I have also enjoyed creating characters who have the bravery I wish I had. That's also very insightful.

Jessica Nettles:
Being a writer as a kid helped me embrace my differences from the other kids at school. It gave me a space where it didn’t matter that I was the youngest or the smallest or weird. It was the first thing I felt confident was mine.

As an adult, it helped me rediscover myself after a really shitty marriage in my twenties. I found this spooky girl in the middle of the debris who needed to explore the darkness, my darkness. I learned my dark parts were okay and just as important as being good. I love that spooky, magic-loving girl. I learned that I have a voice that people actually enjoy (still shocked by this) and that I’m funny. Mostly, I learned that writing is who I am. I do many things, but at my core, I am my words. That’s my magic.

Lainey Kennedy: Writing has helped me explore the human conditions by creating characters that are both over the top but rooted in little bits of everyone I know. The adventures are the escapism, but the characters are what I know.

Fay Shlanda: My writing has helped me a lot as a person. I write poetry about my relationship with the world around me, which is mostly about mental illness and being broken.
I have discovered that I have much to say on the subject and that overcoming my hardships is something I would not trade in for an easier life. They have shaped me into someone I like and I use my knowledge to help others.

October Santerelli: I wanted to be a writer as soon as I heard it was a job you could have. I was in 7th grade, and I went home that night and told my parents that was what I wanted to do. And after that, writing became a lifeline, a way to express what I couldn't say, feelings I didn't even know I had. Writing helped me understand myself, like holding up a mirror and seeing with fresh eyes.

Thursday, September 18, 2025

The Name Game: How Do You Name Your Characters?


Let's talk about naming your characters for the new Roundtable.

What resources do you consider the most valuable when coming up with character names?

Samantha Dunaway Bryant: When I’m working in a contemporary, close to real-world setting, I look at details like where my character is from, what year they were born, who their parents were, and use that to help me select a likely name.

Census records and baby name books are useful for this.

Cindy Bergquist: Some come to me. Some I reference my favorite character naming book, The Character Naming Sourcebook

Lisa Haman: For me it depends on the story I'm writing. For The Insignificant Amy Dodd, I tried to think of a name that sounded like someone who is invisible. For Philippa Marlowmellow, since it was a parody of the noir detective stories I tried to make the name sound like an old detective series.

Van Allen Plexico: Writing ALPHA/OMEGA from 2005-2024, I needed a LOT of Russian names. Like 35 distinct Russian characters. I used every source I could find for first and last names, from websites to baby name books.

And I still wasn't completely happy with the range of Russian names!

Bree Jackson: If I’m going for symbolic, I take attributes of the character (ie: strength, beauty, resilience,etc…) and translate those words into different languages. Then I derive a name from the word that works best. In other instances, I’ll ask my beta reader group silly questions like “I need a name that isn’t Chad to describe a gym bro guy who looks like he lives off of wheatgrass and unseasoned chicken.” The results are entertaining and useful.

Chris Pocase: There were two methods I used to use when coming up with character names. The first one was to take two Latin words and sort of splice them together to make a name. But I plan to rename those characters since the combinations can be fun to come up with but difficult to pronounce.

The other method…use Google Maps and pick a random place in the USA, and look at street names. There are some really interesting ones especially in rural areas

Kay Lee: Sounds weird but I feel like my characters name themselves lol. Based on the personality of that character names that seem like a fit just kind of come into mind and make sense.

Friday, August 29, 2025

Jukebox Thrillers! Look for my newest story, "Sugar Walls"!


Coming soon from New Legend! Jukebox Thrillers: Solid Hits of the 80's is a totally awesome anthology of short stories by top talents inspired by top tunes from the 1980's. You may be familiar with the songs and even the videos, but you've never seen them like this! Check out this wickedly epic playlist: 

Jim Beard “One Thing Leads to Another”
Jayme Lynn Blaschke “The Old Man Down the Road"
Sara T. Bond "Don't You (Forget About Me)"
John C. Bruening "Only the Lonely"
Darin M. Bush "Cult of Personality"
Ryan Cadaver & Nicole Ghouled Cadaver "No Easy Way Out"
Christopher Collins "Electric Avenue"
A.R. Cook "Danger Zone"
Joe Crowe "Walk Like an Egyptian"
Keith R.A. DeCandido "Road to Nowhere"
Kevin Eldridge "Ride Like the Wind"
Michael Falkner "Stand"
Kelley M. Frank "Automatic"
Nicole Givens Kurtz "Wrapped Around Your Finger"
Michael A. Gordon “Centerfold”
Justin Gray “Valley Girl”
Darrell Z. Grizzle “Time After Time”
Joe Heath “Ghost Town”
Robert Jeffrey II "If This World Were Mine"
Bernadette Johnson “Every Breath You Take”
Dan Jolley “Somebody’s Watching Me”
Darin Kennedy “Only Time Will Tell”
Mike Lyons “Money for Nothing”
Violette L. Meier “Nasty Girl”
Adam Messer “Hungry Like the Wolf”
J.R. Mounts “Round and Round”
Bobby Nash “Running Down a Dream”
Jessica Nettles “Major Tom (Coming Home)”
Kelly Oechslin “Jessie’s Girl”
Mary Ogle “I Ran (So Far Away)”
James Palmer “99 Red Balloons”
Ashley Marie Pauls “Holding Out for a Hero”
Alan J. Porter “Two Tribes”
Sarah J. Sover “Careless Whisper”
Sean Taylor “Sugar Walls”
Vincent EM Thorn “The Number of the Beast”
Kelly Young-Silverman “In the Air Tonight”
Ricky Zero “Where the Streets Have No Name”
and more!!!

Jukebox Thrillers is scheduled to be released in November 2025. More details coming soon!

In the meantime, enjoy this music video playlist.

Friday, June 13, 2025

BEN Books release Secret Agent X and the Tenth Circle!

Secret Agent X and the Tenth Circle
An all-new pulpy action thriller
From author Bobby Nash and BEN books

You know his name.

A hero reimagined for a new century. 

His alias is legendary. Secret Agent X.

His true name is a mystery. A closely guarded secret known only to himself and his handler, Agent K-9, Secret Agent X works in the shadows to weed out crime, corruption, and terror. A master of disguise, X works undercover, switching between identities to carry out his missions. He could be anyone Look to your left. See that person? That could be X.

X could be anyone.

When K-9 learns that a dangerous criminal terrorist organization that has been looking war-torn locations, stealing precious antiquities, and using the proceeds to fund their war on peaceful loving people everywhere.

Join the action as the newly instituted Man of a Thousand Faces faces off against the mysterious Tenth Circle. Can X thwart their plans before a new attack begins?

Pulp Fiction’s long-running hero returns in an all-new action/thriller from award-winning pulp novelist, Bobby Nash.

Thursday, May 8, 2025

Ratcheting the Tension


Let's talk tension. No, not the way your back and shoulders feel after watching the news, but the dramatic tension in your stories. 

We're all taught that the best (or at least easiest) way to build tension in your stories is with a ticking time bomb. Have you found this to be effective for you? Examples from your work?

Peter G: I avoid the ticking clock as much as possible. Or, at least, limit its presence. My Hannah Singer books, for example -- there is a sort of ticking clock when Hannah is arguing in court. Once a petitioner's fate is decided, there's no do-overs, so she only has one chance to get it right. But, to ratchet up the tension, that's where the trial arguments come in. I intentionally make the stories where she gets the toughest cases, so the tension comes from seeing if Hannah can figure out what is going on AND can circumvent it. Telling the stories in first person and walking the readers through her mental processes helps. As a result, the tension shifts from getting something done in a certain amount of time and over to how smart she is.

Bobby Nash: I have used figurative and literal ticking bombs in stories. Putting a clock on solving a problem is a great way to ratchet up tension for the characters and readers. Knowing something bad is coming and they are no closer to solving it can make characters snap, lash out, or go introspective. Those things radiate out to the reader.

In Snow Hunt, Snow and his former C.O., a bomb disposal expert, are trying to catch a bomber who has been hired to assassinate someone of importance. They know the general where, the how, and the who. The tension comes in finding the bomb, which could be hidden almost anywhere in the conference center. Then, there’s tension when it’s found. Can we diffuse it in time? Then, there’s tension in trying to catch the bad guy before he gets away. There are several opportunities for tension in those scenes.

Sean Taylor: For me, it has always been the simple question of "will they" or "won't they." That's my ticking clock, and I have till the end of the story to resolve it. This can be a life-or-death situation, such as will they catch the killer or will they escape the death trap, as in my pulp stories. It can also be a more subdued, normal situation, such as will they fall in love or will they be able to reconcile. But regardless of the question, if it has the power to drive the narrative, it will have the power to build tension regarding its answer. 

Thursday, April 24, 2025

Writing Non-Human Characters: How Other Should Other Be?


During Stellar Fest, I was fortunate enough to be on two panels on characterization, both of which addressed the idea specifically within the realm of science fiction, and with a focus on non-human characters. But, sci-fi doesn't have a monopoly on non-human characters, so I realized immediately that I wanted to take this discussion to the blog. (And here we are.)

When writing characters who are not human, what is your starting point? The race, the species, the human characteristic to use as an entry point, what?

E. Robert Dunn: Typically, it starts with a race/species that I'd like to develop ... which may or may not include 'human characteristics.'

Danielle Procter Piper: First, I must realize that the story requires a non-human entity, after which I then decide what sort of being it should be. My background in biology helps me create realistic creatures, as does my artistic ability. When I wrote Quasar 169, it was based on a dream I had where a news anchor described a murder, and an image of the victim slowly morphed into an image of the killer. That's what inspired me to create a species of humanoid sexual shapeshifters. 

Bobby Nash: I start with the character. Most non-human characters can still have a human-ish trait that I can start with like how family works, or something about their personality. Then, I build from there.

Sean Taylor: I have to start with the character, plain and simple. That's always true for me whether I'm writing a straight white dude, a poly black woman, a purple Glorp from Vendellia 45, a Loup Garou from the Bayou, or a gaseous floating cloud above the top of Kilimanjaro. For me, that means something human in terms of characters, some need, some drive, something that man, woman, Glorp, Lou Garou, or cloud wants and must overcome some hardship to achieve. If I don't have that skeleton to put a coat on, then I can't start moving on the story. 

Thursday, April 3, 2025

Titles and Stories (We Got Together, Like...)


This week, let's talk about stories and titles and how they go together (or don't -- I wan't presume your process!). 

What comes first for you, the story or the title? How does one drive the other through the process?

Sara Freites Scott: The title comes first but may change after I write the story! (Which actually happened with my first book.)

Bobby Nash: It could happen either way. Most of the time, it’s the story. That said, doing series work, like Snow or Tom Myers, I like to have a page at the end that states, “Tom Myers will return in…” and so I try to have at least a loose idea and a title for the next book ready to go. I have had instances where the title changed in the process.

Sean Taylor: I find it very difficult to write without a title. I'll jot down story notes and hold off actually writing the narrative until the right title falls into place. Yes, I know that (among other things) makes me an odd duck. 

Chris Riker: First - the moment. That one heart-wrenching scene. It contains the seeds of the story. It lives at the heart of the theme. Where do they come from? I live in a stressful world. Perhaps you've heard of it. Earth? Second - a few characters. Names. Quirks. Third - The ending. Not the plot; that's different. I need to know where my characters need to get to emotionally. Lastly: WRITE!

Jerry Motyka: Yes. Sometimes I get inspiration from a title, other times I get inspiration for the story and the title comes last.

Brian K Morris: Most of the time, it's the story, especially when I'm working with someone else's characters. Then again, I've come up with a title that practically writes the story for me. Also, I have to really put on my thinking cap to come up with a halfway pleasing (to me, at least) title.

Aaron Rosenberg: Oh, story 99 percent of the time, definitely. A lot of the time I'm scrambling for a halfway decent title -- I just use a placeholder to start, and hope something better comes to mind as I get into the book properly.

Gordon Dymowski: For me, the story almost always comes first. It's easier for me to come up with a killer title for a well thought-out story than it is a story for a killer title. I have several works in progress which I have named "Untitlted [INSERT GENRE OR CHARACTER" here to make them easier to track.

George Tackes: Always the story. Something in the story inspires the title. I couldn’t imagine having the title dictate the story. Because sometimes a story can go in an entirely different direction.

Iscah: Usually the story comes first, but it depends. Originally Seventh Night was called The Magician's Apprentice, and the story more heavily focused on Phillip. Then I saw a book with the same title at the store and decided I needed a new name. As the best fairytales are named after the princess, I went with *Seventh Night*, but this meant my title character was unconscious for two-thirds of the book. So, I reworked the middle to give her more to do and a bit more of a growth arch. I do think the story works a bit better that way.

When I say the story comes first, I tend to mean the general story. I usually have an idea for the title before I have finished writing. In some cases, it's a working title. I had a story called The Littlest Vampire, which is another title that I discovered was taken. That one has been sitting on my hard drive long that I may have to retitle it again if it ever comes out.

Some titles emerge while the story is still forming. I can be glacially slow from the spark of an idea and finding time to write it. So I have several backburner novels which are partially formed and still in the notes stage. Most of those have working titles.

Friday, March 7, 2025

Crazy 8 Press' Thrilling Adventure Yarns 2025 is now on sale!

Are you ready for adventure? Crazy 8 Press' Thrilling Adventure Yarns 2025 is now on sale in hardcover, paperback, & ebook! Get yours today! 

To honor and celebrate the bygone era of pulp magazines, Crazy 8 Press has assembled a stellar lineup of writers to produce new thrills and chills, spanning mystery, sword and sorcery, horror, science fiction, romance, and adventures. We will take you to other worlds, other realms, and other times where heroes and heroines battled for justice or survival or just getting through the day.

Thrill to brand new stories from Dan Abnett, Charles Ardai, Liz Braswell, Russ Colchamiro, Win Scott Eckert, Mary Fan, Michael Jan Friedman, Paul Kupperberg, Elliot S Maggin, Jeffrey J. Mariotte, Author Bobby Nash, Christopher Priest, Aaron Rosenberg, Hildy Silverman, William F Wu. Edited by Robert Greenberger. Cover b Jeffrey Hayes.

Each yarn is bigger and better than the one before it!

Friday, February 21, 2025

Now on sale! Enchanted Tales & Twisted Lore: Fairy Tales, Folklore, and Fables Reimagined - Volume 1

Now on sale! Enchanted Tales & Twisted Lore: Fairy Tales, Folklore, and Fables Reimagined - Volume 1 of The Crossing Genres Anthology Collection featuring my story, "Real Boy." Vol. 2 also on sale. Get yours today! 

Step into a world where the familiar becomes strange, and legends take on new life. Enchanted Tales & Twisted Lore invites you to explore fairy tales, folklore, and fables as you've never seen them before. From the deadly woods of Baba Yaga to space-bound horror on a derelict ship. From a faerie knight hiding behind the innocent face of a toddler to a princess who fights for survival on Mars, these reimagined classics blur the lines between light and dark, hope and danger. With contributions from beloved authors and emerging voices, this anthology offers a spellbinding journey through the fantastical and the fearsome.

Foreword by "monster expert" Dr. Emily Zarka, creator, writer, and host of the popular YouTube series Monstrum.

As a bonus, enjoy the behind-the-scenes peek at the creative process through personal author articles.

Edited by Marx Pyle and J.C. Mastro. Published by Cabbit Crossing Publishing.

Thursday, February 20, 2025

The Courageous Soul


For the next roundtable for authors, let's talk about that "Courageous Soul" Kate Chopin said an artist must possess. 

In what ways have you found you had to be courageous as you became a writer? Is it something practical like just having the guts to try to make a living at it or something more cultural by using your work to make a statement?

L. Andrew Cooper: Writing anything for publication involves the possibility of ridicule and rejection and so always requires courage, but beyond that, the amount of courage you need relates to how much of yourself you're willing to expose and what other chances you're willing to take. I believe the best writing involves risk, so it requires a lot of courage.

Ef Deal: The only "courage" I needed to summon was to keep writing although I never sold or made a cent out of it for over 25 years. My husband resented it immensely, but he was someone who'd been paid to play since he was 9 years old. He was impressed that I had a rejection from Lester DelRey, and that I chatted or hobnobbed with writers he knew, but I don't think he ever thought anything would come of my writing until it actually did a few years ago. I never considered it courage, though. I just couldn't not write.

Bobby Nash: I think you have to be pretty courageous to put anything creative out in the wild. People can be cruel.

Brian K Morris: A little of all of them. I realized early on that if I wanted to carve a portion of the market for my work, it had to sound like me. I could sound like it was from a store of knowledge I'd amassed, or a point of view. I believe ANY opportunity to expose your inner workings, especially your heart, leaves you vulnerable and should be approached with derring-do.

Sheela Chattopadhyay: While I might not care much for Kate Chopin's works, I can understand her "Courageous Soul" concept. Taking the risks of being exposed to criticism, authenticity, and integrity are all part of the creative processes for any type of artist. Any artist being defined as working in any type of medium, whether that be writing to music to paint to architecture, etc. I specify that because even your architect has some artistry in the field since science and art do go hand in hand. That being said, building up courage often relies on trusting yourself and your own belief in your creative works.

I found that courage is necessary in general to be able to be oneself. Some of it was practical in wanting to become a better communicator and being able to connect with people better. While I sometimes make a statement with some of my work, I do sometimes have other works that are to help others grow as individuals. I try to leave people better than I found them.

Sean Taylor: I think it's both, at least for me. There will always be the courage of putting myself out there as a writer and finding readers to pick up what I'm laying down (so to speak). But I also believe that, as a friend reminded me today, all art is political, and well, we live in a time when art is under attack, particularly art that doesn't fit a strict and confining definition. Anything that goes beyond a conservative, backward ideal or takes a more critical look at United State politics and culture now seems to be suspect and suspicious and likely to be censored in the days to come, so the pushback is there to only create "safe" art. But I'm not that writer. 

Do you find that courage becomes more "old hat" and just part of your personality as a writer after a while, or do you still feel the butterflies when you put it out there for public consumption and critique?

Tuesday, February 4, 2025

Bobby Nash on Moonstone's Paladins!

Tell us a bit about Paladins, please.


I wrote a novel for Moonstone Books called PaladinsPaladins is a team-up story featuring several pulp characters, old and new. In the best heroic tradition, the characters find themselves facing a common foe and team-up to save the world. When the call came in from Joe Gentile at Moonstone Books to work on this, there was already some of the parts in place, including the title. The Night Marcher is a new character being introduced so I was introduced to her. I did not create her but enjoyed fleshing out her world. Domino Lady came on board when I did. She and I make a good team, and I’m always thrilled to write Domino Lady.

In Paladins, a mysterious villain seeks items of rare power. This brings the villain and his followers/henchmen into contact with lord of the jungle, Ki-Gor, his wife, Helene Vaughn, Ravenwood: The Stepson of Mystery, The Night Marcher, Judgment’s sidekick, Nelu Qui, and The Domino Lady. Eventually, their stories converge with explosive results.

How does this one continue the themes you revisit in your work or is it something in a different vein?


Good vs. evil is a theme I revisit often.

Friday, January 31, 2025

Secret Agent X Returns!

The Man of a Thousand Faces is back in action! Pulp hero, Secret Agent X returns in an all-new, twenty-first century serialized novella releasing weekly-ish at http://www.patreon.com/bobbynash

Read the opening chapter free at  https://www.patreon.com/posts/120178991 with subsequent weekly-ish chapters for paid members. Join us for as low as $1 a month and that includes the serialized stories. It helps me a lot. Thank you.

Newly instated Secret Agent X tackles his first mission, taking on the villainous Tenth Circle. Who is X and how is his origin connected to the Tenth Circle? Find out in this brand new pulpy thriller from author Bobby Nash and BEN Books.

Thursday, January 30, 2025

The Writer As Eternal Student


For the next roundtable let's talk about how writers are eternal students (though usually on self-study courses). 

The first side of that coin is that we can only write what we know. How has that been evident in your work? Are there topics/interests/specifics that you find your work covering over and over again?

Bobby Nash: I always take the “write what you know” advice to be the beginning of the journey. I didn’t know much about FBI agents or serial killers when I wrote Evil Ways, but I knew about the relationship between two brothers so that’s the foundation for the story. If the relationship between them is solid, the rest I can build on from there. I’ve had demeaning day jobs. I can use that as a basis for a story or character, even if it's not the same job, I can extrapolate from real life to make the story feel real. If I took “write what you know” literally, my stories would be very boring.

Ef Deal: I write steampunk, which has the advantage of being set in history. There's a lot to know about history, and the information is readily available. My plots involve an element of social conflict, an historical setting including historical figures and events, scientific dvelopments of the time period (1840s), and paranormal features as they were understood at the time. Research is essential to nail down all of those elements in such a way as to find a nexus where they present a plausible plot for me to pursue. I like to get down to the personal level, so I often read journals of the time, memoirs of the historical figures, newspaper articles. These often give me significant lines of description or dialogue. When I saw Eugene Delacroix's comment about the Paris-Orleans railway being "a blessing to my rheumatic bones," for example, I knew that line had to be in the book and that the story would begin there. In researching conditions for child laborers in the coal industry, I learned of the disaster that drowned 30-some kids, and I learned their names so at least one would be immortalized.

Paul Landri: Buckle up because this is a long one! 

One of the best compliments I’ve gotten so far for the first book in the Crimson Howl series came from an up-and-coming comic book writer friend of mine named Patrick Reilly (he’s got an anthology series coming out later this year everyone should check out,) who told me that I write “white rage” very well. Now, I don’t normally talk politics but art has been and always will be political by its very nature.

I am not an angry white man in the sense that I feel my privilege is being eroded by outside influences. I am angry at the injustice I see all around me perpetuated by thoughtless and ignorant men who feel like the march of progress is somehow an affront to their identities. In Howl book 1 I wanted to channel that feeling because I grew up around this type of thinking. The Jersey Shore where I lived, Atlantic Highlands, is a pretty blue-collar area despite its status as a tourist town. Lots of fishermen and old salts who’d spend their late afternoons and evenings at the local watering hole lamenting about how the good days were behind them. These were people from an older, less tolerant generation who had no filter and didn’t care, after a few Miller Lites, who knew their opinions. Of course, this was constantly brushed off because they were “from another generation” (as if that was any excuse!) So when I came up with the character of Arnold Grant, the titular character of the Crimson Howl series, I wanted to see how a character with superpowers from a “different” generation would exist in the modern era. I came up with the idea of the Crimson Howl as a character in 2014. Two years before the MAGA movement usurped the Republican party and transformed it into something unrecognizable. I like to joke (although it’s becoming much less funny as time goes on,) that the Crimson Howl was MAGA before MAGA was MAGA.

I have a degree in history from Monmouth University. My senior thesis was on propaganda during World War 2 in America. You can read it at the Guggenheim Library in West Long Branch if you’d like. I found the subject fascinating (and got an A on it, to boot!) and wanted to incorporate as much of my WW2 knowledge and nostalgia into the book as possible. When creating the world for Return of the Crimson Howl I had to marry my love of Golden Age comic books with my fascination with World War 2. How to do that, though? Well, the answer is simple: make superheroing a part of the New Deal. I don’t seem to recall if this had been done before, but it definitely worked in my narrative. I currently work with the estate of Joe Simon, who along with Jack Kirby created Captain America. My work has a heavily anti-fascist bend that I’m very proud of.

Despite also being very anti-mafia in real life, I find mafia stories fascinating because it’s a shared part of my Italian-American heritage for better or worse. I’m a big fan of Mario Puzo and wanted to honor his style when I wrote the origin chapter of Rudyard Sinclair, our magical/mystical character named The Swami (He’s on the front cover of Return of the Crimson Howl, done up in full color by Terrific Ted Hammond). In that chapter I got to bring the knowledge of the mob I learned while living out in Nevada and bring it into the story in a fun way. It’s always great to name-drop Kefauver and the hearings that helped destroy the prestige of the Italian mafia.

Lance Stahlberg: If I only wrote what I knew, my books would be pretty boring. I do not live an exciting life. I go out of my way to make sure that not every character has all of my interests and such. Though of course there are elements of me in each of them. I know Chicago, but I've only set one of my books there.

Friday, January 24, 2025

DEVOUR THE RICH now available from Above the Rain Collective!

Above the Rain Collective has released Devour The Rich, a horror anthology. I have a story in this one called “Secret Employer” that puts a spin on the Undercover Boss phenomenon. I love writing a good twist. This story allowed me the opportunity to try my hand at a tale that would feel right at home in The Twilight Zone. It was fun. Thanks to Juliet Rose for letting me be part of it.

 About Devour The Rich:

Who hasn’t wanted to exact revenge on their oppressor? From bad bosses to corrupt corporations, and the greedy elite, this anthology has it all. Tales of the poor, marginalized, and working class being pushed to their absolute limits and screaming, “enough is enough!”

Each story will take you through the horrors many face surviving day-to-day, and how they finally snap to take down those who control their very livelihoods. These stories will make you squirm in your seat and root for the underdog, even when it ends in a bloody, bone-chilling victory.

Stick a fork in them, they’re done.

Featuring stories by Kirsten Noelle Craig, Wayne Turmel, Maya Preisler, Brýn Grover, Christine Cunningham, Bobby Nash, Alanna Robertson-Webb, Pete Russo, Kelly Barker, R.E. Sargent, D.Z. Hollow, Ian Gielen, Besu Tadesse, Christina Graves, R.C. Abernathy, and Juliet Rose. Cover art by Alexandrea Christianson. Published by Above the Rain Collective. https://abovetheraincollective.com

Devour The Rich is available at the following retailers: