Showing posts with label Ideas Like Bullets. Show all posts
Showing posts with label Ideas Like Bullets. Show all posts

Tuesday, February 22, 2022

Tommy Hancock's Ideas Like Bullets

This blog has been very fortunate to have some amazing writers to contribute articles and interviews. Another of my favorites was a column about pulp fiction and writing pulp by the rather mythic pulper himself Tommy Hancock. So today let's celebrate that column by looking back at the full list here on the blog. 

Ideas Like Bullets -- Remembering Logan Masterson
http://seanhtaylor.blogspot.com/2016/04/ideas-like-bullets-remembering-logan.html

Ideas Like Bullets -- The Depression of Creatives
http://seanhtaylor.blogspot.com/2016/03/ideas-like-bullets-depression-of.html

Ideas Like Bullets -- How Well Do You Know Your Coppers?
http://seanhtaylor.blogspot.com/2016/03/ideas-like-bullets-how-well-do-you-know.html

Ideas Like Bullets -- From Van Gogh's Ear
http://seanhtaylor.blogspot.com/2016/03/ideas-like-bullets-from-van-goghs-ear.html

Ideas Like Bullets -- Read Your Bible
http://seanhtaylor.blogspot.com/2016/02/ideas-like-bullets-read-your-bible.html

Ideas Like Bullets -- Free Books From Pulp's Historical Characters
http://seanhtaylor.blogspot.com/2016/02/ideas-like-bullets-free-books-from.html

Ideas Like Bullets -- Writers Read (So Read This)
http://seanhtaylor.blogspot.com/2016/02/ideas-like-bullets-writers-read-so-read.html

Ideas Like Bullets -- HEY! DON’T CHANGE A THING! IT’S MINE!!!!
http://seanhtaylor.blogspot.com/2016/01/ideas-like-bullets-hey-dont-change.html

Ideas Like Bullets: Old Stories, New Takes, Same Spirit
http://seanhtaylor.blogspot.com/2016/01/ideas-like-bullets-old-stories-new.html

Ideas Like Bullets -- The Perilous Adventures of Anabelle Flagstaff
http://seanhtaylor.blogspot.com/2016/01/ideas-like-bullets-perilous-adventures.html

Ideas Like Bullets -- The Legend Speaketh...
http://seanhtaylor.blogspot.com/2016/01/ideas-like-bullets-legend-speaketh.html

Ideas Like Bullets -- Writing Challenge: "The Perilous Adventures of Anabelle Flagstaff"
http://seanhtaylor.blogspot.com/2015/12/ideas-like-bullets-writing-challenge.html

Ideas Like Bullets -- The Wake Up Call You Didn't Ask For
http://seanhtaylor.blogspot.com/2015/12/ideas-like-bullets-wake-up-call-you.html

Ideas Like Bullets -- Bullets from Another Gun Reviews
http://seanhtaylor.blogspot.com/2015/11/ideas-like-bullets-bullets-from-another.html

Ideas Like Bullets -- I Oughta Be Committed
http://seanhtaylor.blogspot.com/2015/11/ideas-like-bullets-write-what-you-want.html

Ideas Like Bullets -- Close to the Vest and Holstered
http://seanhtaylor.blogspot.com/2015/10/ideas-like-bullets-1-close-to-vest-and.html

Friday, March 25, 2016

Ideas Like Bullets -- The Depression of Creatives


by Tommy Hancock

A few weeks ago in a previous post, I used a phrase to classify writers, artists, sculptors, performers, pretty much anyone in the arts field that uses their talents to make or form something, be it a book, a performance, or a statue.  creatives.  Not a term I personally coined in this way, but one that I agree with and use often.   I open this way because what I want to talk about is a particular aspect of being a creative that I fully believe each who can wear that title deals with at some point or another, and many of us, myself most definitely included, on a regular basis.

Everyone in the world is special in some way, this I believe.  Some would argue that everyone in the world has a fire of creativity in them, the ability to imagine and bring things to a unique life.  I could argue this point with very salient examples to the contrary, but that’s a whole other mountain to die on.  When one is a creative, there is a passion, a volcano of emotions that percolates, rumbles, and finally erupts into expression, either on a page or a canvas or in a song or across a computer screen.  And what is crafted is not simply a piece of utilitarian necessity or padded luxury. No, it’s a vibrant, active part of both its maker and the experience its maker wishes others to have.  So, yes, all in the world are special, but creatives, for the aforementioned reason are set apart.

Emotions run high, at a near constant fever pitch with most creatives.  Where a pleasant event may make one person smile, it could potentially stir within a creative type a new idea, give birth to an entire world.  Anger irritates everyone, but in a creative, it also inspires an almost decadent form of invention from destruction, feeding the intense, raging skills of a creative, driving him or her to new heights, to the edge of their own private insanity, maybe.  Yes, creatives are emotional usually to an extreme, even those who have some skill at concealing it.

Although this passionate embrace of their emotional selves is largely what fuels creatives, it’s also a double edged sword that cuts so many of us.  Creatives also experience what can only be described as Depression, and although everyone can experience situational depression and there are those, creative or not who deal with clinical depression every day, there is something intense, not more, but differently when a creative is in the throes of depression because of the very essence of their being, because of what they were born to do.

Again, let me clarify this.  I am not belittling depression or saying in some way that creative people are special because they have a different sort of issue to overcome.  I have worked in or near the Mental Health field for over twenty years and have a clear and all too often up close understanding of how depression can ravage anyone and has touched everyone in some way.  I am offering a perspective on a particular group of people that suffer from Depression with their own aspects added to it, one of which I am. 

Some people really find it hard to believe that someone who writes books…or performs on stage… or can make a plain piece of paper suddenly into a fantasy land replete with penciled dragons actually experience depression related to the fantastic talent they have.  Not to the point of people believing creatives can’t be depressed, that would be silly, but more along the lines of “you can tell stories so well. How can writing or the act of it or being involved in it ever be depressing?”

It’s very hard to explain when I try to decide how to do so in my head.  So, it may come out rather oddly here, but we’ll give it a try.  The reasons that a creative can become depressed or get down about their work, about their talent are numerous, but many relate to how a creative ties him or herself directly into the work they produce.  Although there are a few out there who probably have the ability to just blindly turn out paintings or books or songs with little to no personal investment, most of us cannot. Most creatives quite literally put at least a little of themselves into every single work they make.  Be it a distinct memory that fuels it or simply a level of commitment that would boggle many minds, we pour some of who we are into the things that we create for others to hopefully enjoy.  And with that donation of self comes a lot of things.

Self-doubt is probably the most notable aspect of giving yourself to your art.  Does anyone want to see this? Is it good enough? Are they going to laugh at it?  What if it has no impact? What if I don’t make a dime off of this?  These questions are just a few of the slings and arrows we creatives throw at ourselves, many of us over everything we do.  Even those who don’t consciously focus on these querulous questions do at some point worry over how their work will be received or if it’s even worth it to do.  This path leads into a spiral for many creatives, that often unfortunately ends in them never going beyond one, if even finishing that, work.  They lose their way in the forest of their own insecurities and never ever get out, blending in with everyone else and allowing the thing that they wanted to give birth to, to add to the world to simply never ever be.
And yes, as you would imagine, that act of doing nothing, of not creating, adds a heavy, even dangerous edge to an already intense despair.

Another issue that can darken a creative’s perspective is one that I deal with regularly, that of completing, finishing work, and keeping up with all that that entails.  I am a self driven workhorse, someone who is so involved and eaten up with what he wants to create that I put myself into everything I can get my hands on.  And I get behind, even when I’m a hundred percent.  But, life gets in the way.  And projects slide and stack up and fall on me.  And then there’s the sudden inspiration to do one thing, working on it awhile, then seeing the next new shiny and moving to it, leaving the other cooling its heels as dust collects on it. Yeah, guilty of that too.  And whether it is being overwhelmed and behind or simply not being able to focus long enough to finish something, you end up with a lot of incomplete works and someone who is doubting their ability to follow through, who sometimes ends up resenting the choices they made to get as far into this as they did.  This feeling is not helpful in any way or fashion for anyone.

One other factor that often contributes to the depression of creatives is the passion versus payoff dilemma.  Yes, we’d all love to make our livings doing the creating we do best, but the reality of it is most of us never will be a full time whatever type of creative we are.  Many of us will have people buy our things and will likely be able to go have a few good meals off the proceeds or pay a light bill, but that’ll be it.  Some won’t ever get that much. And yes, some will hit it big and blow up to be the next King, Patterson, Cussler, Spielberg, etc.  But that population is small, extremely small, and yet it’s the goal most of us set our eyes on at some point.  The goal that ends up being a reason we hate ourselves because it’s one that we don’t reach when we think we should.  And obviously, you can’t eat passion, so if you’re relying on your art to feed you, then there has to be a payoff for you.  The struggle with this concept of creating for some reason beyond cash or simply to make a living and the battle to find a balance between the two has cost many a creative a sleepless night and worse, unfortunately.

All of that explanation was done to get to the point of what to do about it.  Obviously, there’s the standard process of talking to someone or getting professional help if you’re simply too depressed to deal with it on your own.  Again, background in the field for 20 something years. There are good therapists and resources available that don’t involve locking you in a rubber room or necessarily putting pills down your gullet.  But if you’re at the point where your depression is such that you are walling yourself away, then it’s really time to reach out, to get help.  And there are people out there waiting to help you, I promise.

If you’re not to that point, but are constantly dealing with the up and down swings of being a creative, then I have to tell you something.  There isn’t a magic pill. I don’t have a solution scrawled on ancient parchment or a crystal that I can plug into a keyhole that will fix all the things which waylay us.  The biggest reason I don’t have that is it doesn’t exist and what may work for you may not work for the creative beside you.   So, no, no instantaneous fix.  

Instead, I have advice, or if you want to really know, I have what I use as my mantra lately.  It’s a logic of sorts that many creatives apply to the process already, just in regular production of whatever they come up with.  And yet it has special significance when one is drowning in their own pool of hopelessness and disillusionment. 

Just Do. Go forth and Do.  Doesn’t matter if you’re a writer with a deadline tomorrow or a sculptor who hasn’t put chisel to stone in weeks or a dancer who agonizes over that one move you just can’t get exactly right. If you’re a creative, don’t rest, hide, argue, or resist.  Just Do.  Because what you have to offer may be just the thing, might be the magic elixir of some sort just one other person may be looking for.  And what if you’re the only wizard who can work that brand of prestidigitation?  Just Do.

Is just doing going to make you feel less crappy? No, probably not every time.  Is it going to cause all the depression to dry up. Nope, actually, sometimes it might make it worse for a while.  But when there is not blanket answer, and all there is is either Do or Don’t… Do is always the best choice.

Struggles. We all have them. And these trials are unique to each of us simply because they are ours. And sometimes we seek to overcome them, we set a plan, we make a date to begin getting over them. And we do for a while, but then again we stumble and the stumble leads back to the struggle. There comes a point, though, I believe, when all that is left to do is either overcome or simply not. A point when you have to make the struggle a nothing, take away its name, its identity, its power. And simply do, whether or not you succeed in the way you think you should. Doing is living, not struggling. Even when it's hard and you seem to fail, it's still better than drowning in what becomes an unending fight, a surrender to a struggle that we ourselves allow to live.

I'm fed up with struggling. Tired of it in so many ways. Time to start doing.

Friday, March 11, 2016

Ideas Like Bullets -- How Well Do You Know Your Coppers?

It should come as no surprise to anyone who knows me or has read this column more than once that I like mysteries and PI stories, Pulp fiction type things that revolve around gumshoes looking for clues and getting knocked out or somesuch while doing it.  It also is no secret that I like books.  And like is probably much too light a word.  Books complete me on many levels, and the reasons for that are probably the subjects of three or four more posts down the road. 

In a different and unique way, those two things merge together right here, right now.  That’s right, kiddoes…. Time for a contest.

Below You will find a list of characters, most of them Private Eye types, some of them more Pulp Hero, maybe even a couple of straight up comic super types. But, here’s the deal.  Every name listed below has a person in the law enforcement realm that is associated with them.  Most of them are at odds with their counterpart who carries a badge, but some are actually friends, even work hand in hand with the officers they know. 

So, what are the rules here? Simple.  List for each character below the police officer/Law Enforcement character that is associated with them.   You must put an answer for each one in order to be considered for the contest, no skipping or leaving blanks.  And yes, obviously if You want or need to, You can use Google or some other form of research, but just in case some of You have the knowledge base  to handle this sans help, please note that when you send your answers in. I’d like to know the genre geniuses out there, as this will involve everything from TV to old time radio to pulp magazines to comic books and so on and so forth.

Now, I know what you want to know. Is this just an exercise to stretch our minds in futility or is it a true contest?  Well, yes, there are prizes.  Three to be exact.  The first three people who get ALL the answers correct (yes, all, no ‘the most right wins’ here) will each receive a book featuring one of the characters on the list.  The book will be from my personal collection and of my choosing.  What that means is it could very well be a newer title or could go back as far as the 1930s or 40s, depending on the character and what mood I’m in.  And yes, I’ll pay postage, at least in the States. For you who play from across the waters, we’ll work something out.

Send your complete list of answers to braedenalex@centurytel.net with the subject heading IDEAS LIKE BULLETS CONTEST.  That’s important as I will be looking for those emails and, as I get quite a lot of mail during the day, might miss it otherwise.  There is no time limit on this really, just until I get three correct lists of answers or I get tired of waiting for them.

Also, be sure to include your mailing address with your entry in case you do win!

So, without further yadda yadda yadda, find below the aforementioned list of characters.  Tell me the police/Law Enforcement type that goes with each one.  And…yes, You know I have to say it… The Game… is indeed afoot.

1. The Saint (Charteris book version)
2. Mike Hammer
3. Peter Chambers
4. Spenser
5. Candy Matson
6. Simon & Simon
7. Dawson Clade, the Bat
8. John Shaft
9. Jim Rockford
10. The Green Lama
11. Peter Gunn
12. Richard Diamond
13. Starman (Comic hero)
14. The Fat Man (NOT of Jake and the… fame)
15. Boston Blackie

Friday, March 4, 2016

Ideas Like Bullets -- From Van Gogh's Ear

by Tommy Hancock

I’m a writer.   I’m an editor, a publisher, a performer, a pundit of pulp, some have even said.  With all of that thrown together, I am what I tend to call a Creative.  It’s a catch all term and I will assume the meaning is obvious -- Creatives are the artists, the people who tell stories with their talents, be it with words, images, statues, across a stage or filling a page.  I am one of these and am friends with and even related to several who also fall into this category.

Now, this is not to say that everyone doesn’t have the ability to be a Creative.  I believe we all do.  But being a Creative, living a life focused on bringing the fevered dreams that fill your mind or even the vivid nightmares that haunt your soul to life, isn’t easy.  And, to be honest, it really boils down to being a choice, just what you’re willing to take on…and sacrifice to create.  So, while I do think everyone can be artistic in some way, not everyone is, often by choice, or sometimes by ignorance or circumstance.  

But I don’t want to get into the analysis… or in some cases, autopsy of what a Creative is. That’s not what I’m writing about today. That is a whole other topic, really.

Creatives, even though we are often set apart from everyone else, both by ourselves and the reactions of others when they find out what we are (It’s either ‘Oh You write! Wow!’ or ‘You’re a musician? But what do you do for a REAL job?’ and all possible answers in between), are after all people.  Yep, there you go, I said it.  We’re no more special than the Plumber who is a wizard with water pipes or the Accountant who masters the maelstrom of mathematics, not in the most basic sense.  We are all human beings and we feel the same emotions, suffer the same tribulations, and enjoy all the benefits of being people that any one else who calls themselves people does. 

What is often different, though, is how Creatives react and deal with the regular aspects of just being human.  Therein lies potentially what separates us from everyone else, and not necessarily in a ‘Yay! I’m different because of that and it’s great!’ way.

What I’m about to get into may not make sense to some of you.  Others may read it and, even if you don’t identify as a Creative, may see yourself in my words. As I get ready to write it, I’m not quite sure that it won’t just be stream of consciousness stuff pouring out of me like blood from a fresh wound.  I do think that somewhere in all the tangles and twists of what’s on my mind as I’m putting this together is a point, and I can only hope I get there.  Not just for some of you, but for me too.

I am extremely fortunate.  Not only do I create worlds singly in my head and have an unending need and desire to vomit forth these myriad universes onto a page to give them their own sort of life, but I also am a part of that process for other people.  Being a partner in a publishing house means that I have the opportunity to help other writers, artists, and even other types of Creatives do their thing.  I’ve been a writer as long as I can remember, so I know about having a character or an idea or even a single sentence that can literally stalk you for decades, the singular concept (or in my case so many ideas that they’re like bullets in a survivalist’s cache) that you have to express, somehow share with the world, even though the likelihood may be that no one but your Mom and best friend from third grade even see it.  That’s a maddening affliction to have and yet I wouldn’t trade it for all the normalcy and calm anyone might offer me. And to be someone who can help writers from those never published to those at the top of their game do just that, allowing them to release those ideas on an unsuspecting and sometimes unprepared populace, that for me is as much a creative endeavor and as fulfilling oftentimes as reading ‘By Tommy Hancock’ on the cover of a book.

Now, do I do any of the things I have mentioned above well? To be honest, I don’t know.  That’s not really something anyone can judge on their own. I mean, yes, there’s having confidence and feeding ego, sure, but really whether or not one is ‘good’ at what one does is not determined by the one, but by all the others around the one.  Sometimes I get the sense I am really good at what I do, other times not.  The fact of the matter is that I simply do what I do.

In that, however, are expectations.  Guideposts, rules, regulations I set for myself to make things happen, to get from point A to point B over and over again.  Now, that, for any Creative, is where we really do get into whether or not we are good at we do.  It’s not so much the end result, that is left, as said before, to the determination of others. For an artist, at least for me, how I get there, how I do what I do is where I get a sense of how good I am at said doings.

And, as before, there are times that I feel very good at what I do, that I am intensely aware of being accomplished and skilled and such.  There are other instances, though, where none of that applies.  What I feel is a great wall of despair and hopelessness and emptiness that probably always looms over me finally crumbling and falling down all over me.  To call it Depression is appropriate, for that is what it is, and albeit situational for me, it is oftentimes chronic and clinical for others.  But, and again, this is not an effort to make being a Creative seem something on a pedestal, because this puts us all more in a pit, just as passion and other emotions stir within those of artistic bents in a different way than other folks, so too does Depression.

Whether or not many of us admit it, we hang how we view ourselves, both as people and also how we see our art, on the intepretation of others. So much so that it becomes the core of who we are, that a single review can make a day or destroy a year.  That a raised eyebrow from across a table and a slight smirk as someone reads your latest story somehow becomes weeks of self doubt and anguish.  That a simple seemingly harmless comment such as ‘but I liked that thing you did a year ago better’ might cause a personal choice to pull out completely of the Creative business…or, for some, even out of life.

Dramatic statement? Maybe.  But no less true.  From Van Gogh’s ear to the multiple machinations of Creative types today, and before and beyond those, we are impacted, for right or wrong, by emotional ups and downs in ways that others might experience, but don’t quite understand as we do.  Defensiveness is an art form for a lot of Creatives and some of us have even become quite skilled in wearing it like a velvet cloak, able to parlay our words and hurt feelings in such a way that no one even realizes their criticism, constructive or not, has damaged our armor in some way.

As I said before, I hold myself to a standard in everything I do.  So, there is great truth in the statement that my worst critic happens to be me.  That doesn’t change the impact of becoming emotional over letting a ball drop or not getting the exact result out of a marketing campaign I want.  It still strikes like a mythical god’s hammer and, while sometimes it’s just a glancing blow, other times it leaves me in tiny small pieces.  Pieces from which I have to rebuild, pick up, and keep going.

Every day, though, especially lately for some reason, I get comments or queries or even just little subtle statements from other Creatives I know about their own endeavors, projects, and depressions.  And I see them pondering the sense of it all, of whether or not to continue.  Life swirls around them like a dervish and they suddenly are detached from the thing they loved most or they need their talent to translate into something else, be it recognition or money or other things, and it’s just not.  And from all, there’s a prevalent and growing sense of hopelessness, of ‘Why’s it even matter?’  It seems like so many of us who bring universes into being with a touch of a keyboard or the swipe of a brush are suddenly on the edge of some great abyss, all about to tumble in head over heel. 

I know I’ve been there. In the last few weeks, I have had more inclination to figuratively pack a bag and walk away from writing, publishing, performing, all of it.  Why? Various and sundry things, but all of it boiling down to being beaten upon and down by the very things I feel I need to do to be the best damn Creative I can be.  That’s what we often miss.  The lot we have cast for ourselves, the road we have chosen to travel, that path is wrought with these obstacles, these hills, these valleys.  It’s not like we don’t know this, we’ve struggled with bringing imagination to life and having people understand and get it since we were little kids with sticks fighting on dirt piles in our front yards.  It, however, doesn’t make it easier that we do have some sort of awareness of that as it happens.

This isn’t a cry for sympathy, especially not for me, or for any Creative really.  It’s a statement, more or less, with a personal request tacked on at the end. 

Don’t quit. Don’t stop.  Don’t die.

Even if I don’t know you or it’s three decades from the day this posts and you trip across it surfing the cobwebbed archives of the internet, please, read those words in that paragraph above again.

Don’t quit.  Because if you do, then there’ll be regret, doubt, and all sorts of other things to plague you, even if no one else ever sees it.  A nagging thing in the back of your mind.  Self hate growing from a tiny seed, from a decision to walk away from something that’s been burning within you forever.  Take a break? Sure, maybe, although our minds really don’t ever take vacation from creating, but don’t quit.

Don’t stop.  Even if it’s a sentence a day scrawled on a napkin or a straight line drawn on a canvas.  If it’s five minutes of practicing a pirouette or reading a monologue, just don’t stop.  Moving forward is all we can do, because if we stop, if we stand still, the road begins to carry us backwards, away from what we do and toward complacency.  Don’t stop.

Don’t die.  Yes, of course, I mean this in the literal sense, as I have lost acquaintances and even friends to the dark beasts that depression can be for those like us.  But I mean it just as intently in a personal, emotional, even spiritual sense.  You have the drive, the talent, and the need to create.  To cause people and creatures and planets to breathe, live, and thrive from the abstract ether of your imagination, which fuels other imaginations.  That is a type of living that is almost beyond words, and you do it.  In every piece you sculpt, every performance you do, every word you write.  Yes, it sucks sometimes and yes, you may spend moments that stretch into months where you feel no one understands, where you believe you are completely alone.  And the honest truth is that sometimes, You just might be alone in your drive, your admiration, your drive to do this.  Until that moment someone…even just one…. Finds something of value in what You do.  Live for that.  Don’t die.

And, of course, reach out.  I don’t talk about things like this well, ask the several people who have asked, requested, pleaded I talk with them.  But I still do share when I have to.  You don’t have to be alone, even if I don’t get what You create.  I don’t have to know You to help You by listening, by being there for You to vent to, to be a wall You can crash into.  If not me, then somebody.  Just don’t go silent into the darkness, let someone know You’re going in and let them go with You.

I’m on Facebook and can be reached at editorinchief@prose-press.com.  I don’t have to know You.   If You need an ear and there’s no one handy, drop me a line.

Friday, February 26, 2016

Ideas Like Bullets -- Read Your Bible

Being the writer/publisher/podcaster/convention guest/jack of all trades/that man can’t say no sort of guy I am, I do a lot. And often times in the midst of that doing, I get asked questions about aspects of all the aforementioned doing. So, every now and again, I’m going to share things with you here that will hopefully answer some of those questions. Not so much like a question and answer column, though there’s nothing at all wrong with those, but I want to try to make this more show and tell.  So, to get on with that…

As a publisher, I often post calls for anthologies that Pro Se Productions will be publishing.  When it’s a concept that I’ve come up with, or someone else has devised based on their ideas and characters, we often provide a ‘bible’.  I have been asked many times just what a bible is in terms of publishing, so I thought we’d take time today to not only define it, but also to show how I do a bible. 

A bible is literally the guidebook to the concept that writers may be writing.  It lists information about the idea in general, characters, setting, pacing, and anything at all the editor/publisher/idea giver wants to make sure the writers have at their disposal to begin writing.

Yeah, it’s really that simple. 

Below, you’ll see a bible that I put together for a concept called ‘The Ninth Circle’.  It’s complete and detailed, as I tend to do bibles in this manner, but they can range from anywhere from a few lines to entire volumes all their own. But you can see how I bible a concept.

BEFORE YOU DO THAT, HOWEVER- Pro Se Productions is looking for experienced formatters to help us get a back log of books out.  Preferably looking for people experienced in formatting books for Createspace for print and for Kindle and Smashwords as ebooks.  We pay in two ways, either a small up front amount or a lifetime-of-the-book royalty.  If interested, email me at editorinchief@prose-press.com.

And now, for some bible readin’…

PRO SE OPEN BIBLE-
THE NINTH CIRCLE


The title refers to the 9th Precinct, an area on the outer edge of the city. Lafayette Lane, known as Last Chance Lane to citizens, serves as sort of the Main Street, the center of the action of this part of town. This section of town is old and ran down now, but had a major heyday in the late teens, early 1920s all the way into WW II. This was a happening place, full of large buildings, theatres, grand homes, swanky clubs. Now, however, it’s a dark, dismal place with many of the same buildings there, but now they’re basically faded skeletons of the past, haunted with lost memories of yesterday and the lost souls of today. 



The 9th Precinct is known as ‘The Ninth Circle’ or “The Dante Precinct’, referencing the Circles of Hell in Dante’s inferno.. This part of town is where all the losers end up. If you work for a company or the city government and they want to get rid of you, they put you in their office or working over on Last Chance Lane. If you’re a criminal and you’re hiding from the law, other criminals, and yourself, you end up in the Ninth Circle. Imagine the city as a dumpster. The rank and fetid, the foul and odorous, the really discarded and misused trash all sinks to the bottom. That’s The Ninth Circle 


The best way to describe the cast of this story is as an ensemble. The area that this story takes place in is so small that its literally impossible for these people not to interact, so that will happen. Also its not like the Circle is across the world from the rest of the city, so denizens of the city will wonder down to the Circle and its citizens will climb up into the city. 



This cast has one thing in common. In one way or another, they’re all losers. At the bottom. All the way down. Most strive to be more and don’t make it, but some thrive at the bottom and don’t mind it, some even learning that by falling down from way up at the top. The underlying theme of this idea from the first story on will be focused on this cast of failed spirits and how they handle chances at redemption. These dangling bits of salvation will come in different forms in different arcs, sometimes a person, sometimes an object, sometimes just a thought or event, but the cast of the Circle will all be united, albeit loosely, by how they handle chances given to them to be more than… or at least something other than what they are. Some will strive to be better, others just to be better at it, some to be good, some to be bad…. some just not to die. The bottom line for The Ninth Circle is this…There are no happy endings in the Circle…just some less sad than others. 



The mood of this book will be a cross between the stark grittiness of Sin City and like stories…and the dark, yet strangely whimsical stance of Will Eisner’s Spirit. No masked hero in this, but I want it to have that ‘It might all work out/everyman’ feel to it, even though it only partially works out for anyone, if at all in the end on the Circle. 



The cast listed below is the central cast for now. That doesn’t mean other characters won’t step up and most definitely doesn’t mean others won’t show up in future arcs. The cast will shift and change dramatically, just another way to show how being down on the Circle can be short term for anyone, one way or the other. 



Nameless- This guy may be the closest thing to a hero the book has, but he’s actually probably the most lost of the bunch. A sign hangs on the outside of the dingy broken down ginmill that he calls an office. The sign simply says ‘For Hire.’ Our boy inside is just that. For hire for any job short of murder. Not that murder bothers him necessarily, but it comes with so many complications. He has a black and white concept of right and wrong: Staying alive and hopefully having some money is right, everything else is wrong. There are obvious signs this mid 40s low rent everyman was someone in his past, likely a pretty good policeman or investigator. He now works with no license, no badge, and no goal other than self preservation. He’s very hard boiled and extremely cynical and only has one friend, who probably doesn’t like him very much. 



Nameless probably won’t stay that way, because I don’t do real well leaving them nameless, but his history is a mystery and I want it that way a while. He will most likely be the POV of many of the stories, but not all. He will be a colorful character in the book, simply because his black and white view of things is so stark, he stands out. 



Detective Tom Stoddard -- A policeman with a promising career once, Stoddard now finds himself the lone plainclothesman in the 9th Precinct. Perhaps the most tragic character in the book, Stoddard is a resident of the Circle only because he thought he was doing his job. One of the policemen used in attempts to get to or deal with corrupt cops, Stoddard became a liability once the cops are dealt with. Using mistakes he had made, both willingly and unknowingly, the powers-that-be offered Stoddard a ‘transfer or be jailed’ sort of deal and, being nothing but a cop, he took the transfer. The transfer and time on the Circle has made Stoddard a hard man, single minded in pursuit of justice. His justice follows the letter of the law, almost fanatically, but his methods do not. Stoddard fully and firmly believes that he must clean up Dante’s Precinct and particularly the denizens of the Circle and he will do that any way possible. Beating prostitutes and pimps, framing the wrong people, making the sure the right people end up dead, nothing gets in Stoddard’s way of solving the crimes on the Circle. He’s a stark contrast in appearance to his spirit, though. Even though age has worn on him some, he has movie star looks, Errol Flynn or some other matinee idol. He uses those looks as well, but they don’t hide at all the monster the man who only ever wanted to be a good and right cop has become. 



Stoddard has particular issues with our boy, Nameless, so they’ll be seen together often. 



Walden “Plato” Platen -- Extravagant, over the top, constantly a performer and expert on everything, former University Professor and once Leading mind in every field, Walden Platen is now and forever one thing…An alcoholic. An older man, say late 50s, Plato, as he’s known due to his background, had issues with drugs and women through the 60s and 70s. By the time the 80s rolled around and left, he’d given up drugs, but resigned to float at the bottom of a bottle and from his professorship. He’s Nameless’ only friend and although Plato doesn’t necessarily care much for Nameless, himself, or anyone near him, he sees Nameless as his ‘cure for sobriety. Helpin’ you my boy makes sure I always want a drink when I’m done’. 



Billy “Newsie” Hawke -- Everyone used to know Hawke’s name. He once had a promising career as a newspaper reporter and wrote fantastic stories. One story too many, it turned out, and Hawke was revealed to be a liar, a fraud, and actually worse than that, someone who committed crimes to make sure he had stories. Vanishing from the world for years, he turned up on The Ninth Circle, running Newsie’s, a broken down newsstand he runs out of what had once been the satellite office for his old paper. A broken down vision of a man now, Hawke sells papers, magazines, and information, good and bad, to whoever will buy it. He also writes still, writing down his version of life on the Circle, hoping one day it’ll get back in print, but knowing it’ll probably only line his coffin. Hawke’s writings are another way to get this story told, even makes it accessible in prose pieces as well. 



Nurse Nancy, also known as Lady of the Open Arms -- Nancy Harrigan is the resident Mother Theresa of the Circle, but Mother Theresa never looked this good. Curves, honey blonde hair, and a corner on every charity movement in the Circle, Nurse Nancy helps people every day. She runs soup kitchens, free schools for children and adults, free clinics, and whatever else the denizens of the dumpster need. She is considered by many to be the sovereign saint to the people of the Circle. She also runs drugs, prostitutes, book, money laundering, and any other crime that can be profitable. She doesn’t talk much about her past, but everyone in the city knows her. She butts heads on a regular basis with encroaching gangs and crime families, but somehow always comes out on top. Nurse Nancy will welcome anyone into her open arms. They just won’t ever leave with everything that came with them. 



Leo ‘Spaghetti’ Stivik -- Once a prominent hitman, Stivik is now the gun for hire and only independent pimp on the Circle, the only not working for Nurse Nancy. Once in high demand, Stivik had one assignment in which he was to kill a prominent actress. He didn’t pay enough attention to know this actress had a date book that contained names of a President, two crimebosses, and various and sundry other celebrities. A veritable marked man, Stivik went on a killing rampage that, although it kept him alive, discredited him in the hitman business.

Unable to get work, Stivik could only rely on the fact that no one in the world thought they could kill him. “Spaghetti” Stivik, given that nickname because of a penchant he had for pasta after murder, drifted down to the Circle to take a piece of the action there. Stivik continually attempts to become the top dog in the Circle, but never manages it. However, his reputation of being unkillable has kept him alive. So far. He runs a stable of five or so girls and a few minor criminal enterprises on the side, enough to make him a thorn in everyone’s side. 


Lucie-Everyone knows Lucie. Not exactly beautiful anymore, but in no way exactly homely, Lucie has been around. Many times. Some would say she’s the female version of Nameless. She’s for hire herself, showing up on the Circle as everything from a part time girl for Stivik to a secretary to a…well, whatever was needed. Lucie is older, somewhere in her late 30s, early 40s, Lucie is friends with everyone, but doesn’t mind to make enemies either. 



‘Baby’ Bella Gayle -- Owner of ‘Baby’s’, Bella Gayle was a once up and coming songbird who found out too late that her face and voice couldn’t outlast the years of abuse she put her body through. After years of sex and drugs, Bella found herself working for Nurse Nancy. In a deal that most of the above cast was involved in one way or another in their past, Bella outfoxed Nurse Nancy and in the end ended up with a low rent dive she named after herself where she sings, still good at it, even though its huskier now and doesn’t turn heads as much. She has few friends in the Circle due to her dealings in the past, but she’s okay with that, because regardless, everybody comes to Baby’s. 



Pastor -- “Even People in Hell Need God.” Those are the words most associated for the mysterious clergyman known only as Pastor on the Circle. Using the only existing Church building in the Circle and calling it simply ‘The Church’, Pastor acts as the spiritual advisor for the lost souls. He’s been on the Circle for the last ten or so years. Considered by many to be a good man overall, Pastor is not without his secrets and these come to play often. It is unknown if he is actually a minister and what faith he actually belongs to and at various times he exhibits skills that no preacher should ever have, but overall people trust Pastor and follow his teachings. And he likes it that way. 



Missy Marker -- Missy is the first chance at redemption in the first arc. She’s a young girl, allegedly 18, who shows up on the Circle alone, needing help, and about 8 months pregnant. She claims no memory of who she is or where she’s been, but as the story rolls along, Missy will definitely know more than she wants anyone to know and will play all ends against the middle in search of her own salvation. 



With the cast laid out, giving a general overview of the first tale I have in my head is short and sweet. After an issue introducing the cast, done I think through Missy’s eyes, Missy will literally stumble into the story and become the center of attention. Some want to protect Missy and her unborn child. Others feel like they know who she is and what that child means. Still others don’t care about the child or the girl, just what they think she knows and how much it may be worth to them. What will unfold will be murder, treachery, children, drugs, guns, and all the things that make noir great. There will be heroics within the villainy and general life and death as well. 


Friday, February 12, 2016

Ideas Like Bullets -- Writers Read (So Read This)

Sometimes coming up with what to write about in a regular weekly blog (well, okay weekly most of the time) isn’t just off the top-of-your-head easy.  Especially for someone like me who has a ton of snippets, pieces, and singular lines running through my head, any of which I likely could weave into a decent post.  So, faced with this issue recently, I narrowed down my several options for this week’s post to two and asked a few people what they thought I should do.  One option was sharing writing tips, the other sharing an extended excerpt from my most recently published work. 

Although the scales were decidedly tipped one way as replies came in, I realized that I could actually do both, especially since my plan for giving writing tips was going to follow a sort of plan I had in my head. Essentially, I will share tips here every now and again, from the very first tip I would give any one wanting to be a writer all the way through the last one, in my own makeshift order, that, if it all comes out like I think it will, could carry a writer through the completion and possible publication of a story. 

Now, why I thought I could do both options in one column this time around is that my very first tip to any writer is a very simple one.  One so simple that almost instantaneously people will answer ‘Oh, sure, I do!’ when I ask them if they do this.  But, upon further questioning, at least one out of every three can’t recall the last time they did this or the last thing they did this to.  Even established writers often stumble with this one.  And no, it’s not ‘Writers write,’ although that is a tip I’ll get into in future columns.  And it’s not ‘Write what You know,” because that’s a tip I have touched on in a previous column and will revisit in detail later as well.  No, this is something so rudimentary, yet so essential to being a writer that we often forget that it’s a part of the process.

You want to be a writer? Fine. Then, to be a writer, one must read.

Sounds simple, right? And also, you’d be amazed at how many people wanting to be writers, after saying they do read but being unable to recall the last time they did or the last book they read, decide to tell me that reading and writing are separate.  They don’t really have but the barest of connections.

No, really. Not making it up. Heard it a hundred times.

A writer must read and, in my opinion, a writer must read almost as often as they must write, that being every day.  Why? Well, there are two answers I’ll explore briefly here.

First, reading is the best way to learn about writing styles. Not just the personal styles of others, but the way that types of stories read and are put together. Want to write a western? Well, reading one wouldn’t hurt, to both show you the conceits that may be required for a western AND ways you can write your take on it that sets it apart from other westerns.  You pick up stylistic inferences and tricks as well as different ways to approach structure and grammar.  Pulp Fiction, for instance, makes great use of two things most literary writers and English teachers would tell you to never use- Dialogue tags and sentence fragments.  Used to excess or poorly, these things can cripple a story.  But read tales where they’re used like scalpels by surgeons, and they make a story sing on a whole new level.  So, yes, read to learn how to write.

Secondly, writers should read so they can figure out what they like.  Yes, a writer should write what they know (again, more on this in a later post), but one wanting to put pen to paper should also read to figure out what they like, at least in fiction.  And it’s really a rather simple concept.  I am not a big romance reader. Bet that surprises you, but it’s the truth.  Now, could I write it? Sure, I could, I think.  Would it pop, though? Would it reverberate with the personal energy and involvement that I want all my works to have in them? No, it wouldn’t, it would simply be I hope a well told story of two people finding love and maybe making all sorts of connections (wink, wink) and then….yadda yadda yadda.  And why wouldn’t it have that? Because I don’t like romances.  How do I know that? Because I read and have tried reading them…and guess what? Not a fan.

Now, some of you are already out there yelling and screaming at your phones and computer screens that I’m wrong and that you can write in any genre you want to, whether you like it or not.  If you’re doing that, then go back and read the paragraph I just wrote. Yes, a person can write in genres they don’t like, sure they can.  But there’s a vital aspect added in when an author writes something that they like, when they’re focused on a genre or a style that impacts them, not as a creator, but as a person, as a fan. As a reader.

Read. Read so you can write what you like and so the rest of us will hopefully like it as well.

And, making myself my own example…I read all sorts of things, but I absolutely adore mysteries, especially those featuring a Private Investigator type.  So, my latest tale is definitely a PI story, introducing a new character and a new world, based on another type of thing I like- magic in the modern world. So, without further adieu, read the opening pages of the latest story written by a writer who writes what he likes to read…

THE LADY WORE VENGEANCE
A Free Mason, P.I. Story


She cut a haunting silhouette out of the darkness of the office doorway, only the dull jaundiced glow of the single light bulb dangling in the hallway behind her. Her left hand rested on its matching hip, delicate, long fingers riding dangerous, deadly curves.  Her right hand snaked elegantly up the doorjamb above her head, giving her shape the look of a sultry hourglass in repose.  Hints of crimson along her form flickered in and out of the black of night seeping in through the windows of my office.  A tight fitting, perfectly suggestive red dress, tailor made for her by some dowager on the outskirts of Paris, if I remembered correctly.  It was the last thing I’d seen her wearing before her unannounced, but not wholly unexpected arrival a few minutes ago.  The last thing she’d probably ever wear.

“As stunning as ever,” I said, turning my back to my desk and shrugging back into the trench coat I’d nearly shuffled off seconds before.  I’d only just opened the door, put the brown paper sack cradling my bottle of dinner and desert on the corner of my desk when those tiny little hairs, those holdovers from earlier states of evolution great minds tell us, stood up and did their ‘Somebody’s coming’ dance along the back of my neck.  No footfalls on the ancient stairs, no pained sigh of the third story hallway floor, no hushed whisper of skin and fabric against the wood of the door.  No sound. Just a sudden chill running like the blood of a dying winter down my back.  “Being dead and buried a month looks better on you than most.”

“Aw,” she cooed, her voice like thick velvet poured over melting ice.  Just soft enough to breathe new life into old memories, but enough rough to remind me why the memories were from long ago.  “I bet those are words you don’t say often to old girlfriends.”

“More than I’d like to admit.”  I stood, studied her as my eyes adjusted to the darkness.  Familiarity allowed the shapes of the battered couch and the war scarred hat rack to solidify.  The twin windows in the wall to the right gave off such little light due to opening on the dullest alleyway in the city, but still enough to pierce the black of a still unlit room.  Yet as my eyes played along her exquisite road map of a body, a joyride I’d taken as a naïve boy who didn’t know better and one I’d gotten off of as a jaded man who just didn’t give a damn anymore, I saw more dark than light.  Shadow danced around her like flickering streamers, allowing glimpses of the dress, a hint of thigh through the slit, the shimmer of her matching red heels.  But unlike the rest of the room, the darkness around her seemed alive. And selfish.

I took a deep breath, the scent of lilacs and earth filling my nostrils.  Lilacs I remembered. The smell of dirt laced with decay was new for her, but not unfamiliar.  “So,” I offered, “you just come back to be on display in my doorway?”

The shadows around her face shifted just enough to allow me to see those pouting scarlet lips, the bottom one making like the eaves of a roof over her chin.  “Didn’t you ever have manners? Too much to ask for you to invite a lady in?”

I stepped forward, crossing my mouse hole of an office nearly in one stride.  Standing now only three or four feet from her, I still only saw hints and glimmers in the dark.  It worked that way sometimes, I knew. I also knew a little more than I had minutes ago about who she now was. Or more, what she was on her way to becoming.  “You carried being a lady like most men wear ties.  Loose and long.  But yeah,” I said, my hands idly pulling my trench coat tighter, closed, “sure.  I think there’s just barely room enough in this hovel for two.”

She laughed, something lost between a giggle and a purr, and slinked toward me.  As she moved, the lingering black that had before clung and crawled over her like silken ribbons faded and the woman I’d known as Evelyn Passmore, never ever Eve or Evie, came into view.

She moved in the dress as if she flowed inside of it, all the grace of a lazy river ready to turn into raging rapids if just given enough reason.  The frock itself still held much of its luster, only slightly dampened by a film of ashen dust spotting it.  A random thread had begun to unfurl in one place or another, but not in ways that anyone who wasn’t looking for it would notice.  Hair the color of burnt amber still framed an almost doll like oval shaped face that ended in rather a sharp chin, the point softened slightly by the thickness of her lips.  I let a sardonic smile curl my mouth as she stopped just inches from me, allowing me the once over.   She really didn’t look like someone who’d lain in a coffin for the last thirty days.  A tease here, a lint brush there, and she’d be ready to rejoin the elite of the city in their nightclubs and society balls again.  Except for her skin and the eyes.  They were now more suited to the darker pursuits that Evelyn had always found fascinating.

Once vibrant, almost china white to go with the dollish face, her skin was now pallid, gray like burgeoning storm clouds.  Her flesh was mottled, her face a uniform light shade, while her bare arms sported spots, almost like dark, deep gray bruises.  What was revealed of her chest by the low cut of the dress also looked as if it had begun to pass from healthy to decomposing, but only slightly.  And her eyes, the glittering green of dew heavy grass before, they had changed as well.  Black, darker than starless nights, a shade heavier than whatever evil might lurk in hidden hearts.   As black as the arts that Evelyn Passmore had more than dabbled in.  But, they weren’t dead eyes.  They simmered with life in a way they never had before.  An unearthly, corrupted life, a morbid electric hunger that would never know peace and only demanded more.

She leaned forward and then draped herself on me, pinning her body to my chest like a quickly wilting corsage.  I felt her breasts rise and fall, her lungs filling with air they no longer needed more out of routine than necessity. She stared ahead for a second, her eyes squarely planted at the base of my neck, then she looked down, a throaty chuckle rolling out from her welcoming mouth.  Her hands slid from around my neck and snaked their way down my chest, the right one hesitating about mid stomach on the right side. 

“You were always glad to see me,” she mewled, her fingers teasing the hard bulge, dancing along the length of it.

“Maybe,” I said, “but you know Nature didn’t leave me that well armed.” I pulled back slightly, forcing her fingers to fall away from their exploration. “Holster, same place it’s always been.”

“Okay,” she replied, a gray tongue playfully wetting her scarlet lips, “Just seems…longer than I remember.”

“World changes every day,” I said, turning away, giving her my left profile, the one she said she always favored. “What keeps a man alive has to change with it.  And that,” I said, my eyes falling on the bagged bottle that sadly was not going to get my attention as I had planned, “begs the question.   What’s keeping you alive, Evelyn? Why are you here?”

I let silence rise in the room like a slow tide.  Just as the quiet passed from uncomfortable to all encompassing, she breathed in sharply. Old habits died hard, apparently. Just like her.

“I died.” She said it as if it was something I’d not known, something she was reporting for the first time.  And I let her continue on, easiest way to get anyone to talk was to let them do it naturally, in their own time.  “I know it wasn’t much of a surprise to most,” she looked down at the floor, her hands folded in front of her, forming a gray fleshy arrow pointing at the floor.  “The way I was living. The parties, the drinking.” She paused. “The men. And the women.”

“But,” her voice sounded different, almost as if an innocence that had never truly been there was edging its way in, “I was actually a little caught off guard by my death.  I’d taken precautions, I thought.  Dabbling here and there with the dark things,” I grimaced at her familiar pet name for something so much more complicated than she made it sound, “that became more than just playing around.  But you knew that.”

She’d raised her head, I felt her eyes fall heavy on me. “Yeah,” I answered because she expected it. “I never cared for magic. Have no use for it.”

“I know. You made that quite clear when you walked out of my room two years ago.  Funny,” she mused, taking a step closer to my desk, to me.  “That’s when all that went from party games and silly little séances to…more.” She waited, wondering if the guilt she’d slung at me had hit its mark.  I didn’t move a muscle. “And I got pretty good at it,” she continued, disappointment tingeing her words.  “Learning the right words, putting all the pieces together. Moving up in that world, so to speak.  Didn’t think anything could stop me.  Or hurt me.”

“Until it did.” I turned to face her again. She had drifted to the corner of my desk opposite me, her fingers out, teasing the battered metal.  “You were awful young, everyone said, for a heart attack.”

“Is that what they said? Everyone?”

“No.  The coroner said he didn’t know of any reason your heart should have just exploded the way it did.  Nothing left but tiny pieces scattered all inside your chest. Like confetti, he’d said.”

Her head bobbed up and down, a shuddering nod.  “There were reasons.  And all of them far beyond highballs and spirit boards.  I had made…deals, allied myself with others who went from playing to pursuing the dark things like I did.  Eager to, to become a part of what made the world turn, what really makes everything around us move forward.  You know,” her words came faster now, a burst of passion behind them, “that it is what comes out of the shadows that fuels what light we have. You know that.”

“No,” I said flatly.  “No, I don’t.”

Her face wrinkled in frustration.  “Well, it does. And I wanted to be a part of that. I was tired of being just a person, just someone else for others to use, to move around. I wanted to be a force, a shadow all my own.  And I was almost there. Almost there. But I couldn’t do it alone.  No one can access the dark things that way alone.  They…”her words caught in her throat, “they demand too much for just one person to be able to give that much.”

“So, you made deals.  And someone, one of your partners, crawfished you.  Made you a part of the process instead of one of the benefactors.”

“Thought you didn’t know anything about magic.”

“Never said that, just said I didn’t care for it.  You were double crossed.  Sacrificed.”

As the word left my mouth, her entire body trembled.  Violently shaking, sounds like sobs rippled out of her.  I stepped toward her, then stopped just as quickly.  Her black eyes burned like ebony flames, raging fires fueled by hatred unquenchable.

“Yes,” she seethed. “And that is why I am back.  For retribution.  They…” her voice was little more than a growl, although she struggled to keep the ladylike ring to it, “Someone used me.  Killed me, knowing I would come back, wanting me to so a ritual could be finished.  But the dark things, they were already in me. They made sure I came back, not mindless, not a thrall, but something else. Something that could take what I needed.”

“Yeah,” I barked, moving forward suddenly, slapping her hard across the face, “But what flavor?”  She jerked back, staring at me, her eyes wide with shock. I slapped her again hard across the left cheek. “You were dead.  You’re not now.  But,” she was looking at me once more, her black eyes narrowed, her scarlet lips opened, her breathing short and ragged, “the dead come back in so many ways on the side of the street you’re walking. So, what are you?” I hit her again on the opposite cheek with my open palm.  “Ghoul? Fiend? Somebody’s undead plaything?” She glared at me now, anger creasing her gray face. Her eyes were little more than black slits and the red lips peeled back, baring startlingly white teeth.  “For once in your life, Evelyn,” I roared in her face, “be honest with me and yourself! Show me what you are!”

I raised my hand to hit her once more, but was stopped in mid swing.  Her left hand now held my wrist, nails digging like tiny blades into my flesh.  The rage in her features had gone from fury to something bestial, the wrath of an animal.  Her eyes sliced through me, the black in them almost palpable, seeming to pour forth from them, threatening to envelop me.  And her teeth glistened. Especially the four canines. A little longer, sharpened to a needle point, and wet with saliva and need.

“There you go,” I said softly.  “Whoever did this to you expected a dumb little lamb wandering to the altar.  But, you came back as the hunter.”

As I spoke, her grip on my wrist relaxed. We both lowered our hands and I watched as her appearance changed once again. The teeth receded and her lips closed.  Anger flushed from her face, leaving only sadness. Her eyes widened again, though still dark like the night, and looked woefully at me.

“It’s…”, she struggled to speak, “not like the book…or those silly movies.  It takes time.  My heart, it’s even back together, though not like before.  It doesn’t beat, but it’s there.”

“I know,” I said, almost soothingly.  “Everything takes time, it’s how corruption works.  But,” I smiled, “Lugosi sure makes it look elegant.”

“Elegant.” The word had no meaning for her as she said it.  “It is an existence, like anything else.  I am controlled by the same emotions, the same needs. The same…appetite.  Just for different food.” She turned away, her head lowered.  “And those I feed on, they don’t change, they don’t become.  It’s…not like that.”

“No,” I said, reaching out to her, my hand falling gently on her shoulder. “That’s all fiction. Because the fact is too terrifying to believe.  The idea that a person dying with hate and unfulfilled vengeance in their heart is all it takes to come back as a vampire, most minds can’t deal with that.”

“Not all it takes, “she said quietly. “I opened myself up to this, up to all of it. And I can’t stop it. I can’t even find the one who did this to me, even though that is why…all of this.” She spun around, her hands grabbing my coat lapels, desperation wracking her entire body. “I can’t even get the bastard who did this to me! I get distracted! I get hungry and…”

“That’s why you came to me,” I said, knowing her words would have been something different. “You need a babysitter.  Someone to hold your hand.”

She let go of my coat with her right hand and slapped my face this time. “Go to hell, Mason.”

“No,” I said, grinning through the stinging pain, “not again.  All right,” I said, pulling away from her.  “I’ll play tour guide, make sure you don’t dine on the regular folk.  But,” the smile never left my lips, “I work pretty much like your ‘dark things’.  Nothing’s free once you walk through that door, doll.”

From somewhere around her waist I didn’t see, she raised her right hand, fingers splayed out. In her palm rested two coins. Gold.  “Something,” she said huskily, “I had hidden away.”

“Good thing for me the Ferryman didn’t check your bags,” I said, taking the gold from her hand.  “Now, you may not be Pied Pipering your way back to your killer like they planned.  But I bet you have an idea who the most likely candidates are.”

She nodded. “I only worked in the darkest things with two people.  William Bygard. And Fineas.”

“Okay,” I said, already walking toward the door.  “Your nightclub owning boy toy and the milquetoast husband.  Let’s start with obvious and work our way to ludicrous, then.”

FIND THE REST OF THIS STORY AND MORE THAN SIXTY OTHER TALES WRITTEN AND ILLUSTRATED BY THE BEST PULP CREATORS IN THE BUSINESS TODAY IN ‘LEGENDS OF NEW PULP FICTION’ FROM AIRSHIP 27 PRODUCTIONS, AVAILABLE AT AMAZON!

Friday, February 5, 2016

Ideas Like Bullets: New Pulp Award Nominees Announced

The Pulp Ark New Pulp Awards, as announced earlier this year, are continuing in 2016 and will be awarded at the River City Comic Expo June 11-12, 2016 in Little Rock, AR.

With nominations now closed for the 2016 Pulp Ark New Pulp Awards, voting is open from February 5th, 2016 to 5:00 PM CST February 21, 2016.

“It’s time,” says Tommy Hancock, Coordinator of Pulp Ark and the Awards, “to pick the best of the best from 2015.  And we have always prided ourselves on being the Pulp Award that has always been open to public voting and we continue that practice this year. Anyone of age can vote, but we do ask, as always, that this be treated fairly and justly. Of course, we are aware of ways votes could be made that are either not valid or simply a result of someone begging everyone in their family and graduating class to vote for them.  What we ask is that those who vote and encourage others to vote do so with the right intent and consideration for all involved.”

Voting is open to all who wish to vote that are 18 years or older.  All voters are subject to being asked to provide verification of age or identity if necessary throughout the voting process and the determining of winners.  Refusal to do so if requested will result in the voter’s ballot being voided.

If you nominated in a particular category and do not see your nomination on the final ballot, it is because either the work/nominee was not appropriate for this year’s ballot due to not having been published or first published in 2015 OR it did not meet qualifications for another reason, such as a nominated work being a comic book or audiobook only, not a work of prose.

Voting opens on February 5 and will be open until 5 PM CST on February 21, 2016. All who wish to vote are asked to cut and paste  the ballot from the Pulp Ark Award Facebook page or any other source where the ballot is posted.  Then, the voter is requested to vote only ONCE for each category and to EITHER only list the nominee they are voting for under each category or to highlight the nominee(s) they are voting for in RED.  Once they have completed their ballot, voters are asked to email the ballot to PulpArkNewPulpAwards2016@yahoo.com. Each ballot must contain a link to a Facebook page, a Twitter account, an email profile, or some other verifiable source by which the identity of the voter can be affirmed.

In the past, the Pulp Ark Awards were physical plaques presented to each winner. The final form of the 2016 Awards has not be determined at this point, but a physical award of some sort will be given to each winner.

The Ballot for the 2016 Pulp Ark New Pulp Awards is as follows:

BEST NOVEL NOMINEES

  • The Green Lama: Crimson Circle by Adam Lance Garcia-Moonstone Books
  •  Circling the Runway by JL Abramao-Down and Out Books
  •  A Favor For a Fiend by Kelly A. Harmon-Pole to Pole Publishing
  •  Helldorado: Bad Times Book Four by Chuck Dixon-Bruno Books
  •  Ravenwood: Return of the Dugpa by Micah S. Harris-Airship 27 Productions
  •  Baranak: Storming the Gates by Van Allen Plexico-White Rocket Books
  •  The Dame Was a Tad Polish: An Armadillo Mystery by Nick Piers-Pro Se Productions
  •  Jezebel Johnston-Devils Handmaid by Nancy Hansen-Airship 27 Productions
  •  The Man with the Iron Heart by Mat Nastos-Nifty Entertainment
  •  Lie Catchers by Paul Bishop- Pro Se Productions

BEST COLLECTION/ANTHOLOGY NOMINEES

  • Legends of New Pulp Fiction by Various-Airship 27 Productions
  • Hides the Dark Tower by Various- Pole to Pole Publishing
  • Asian Pulp By Various- Pro Se Productions
  • Amazing Tails # 1 by Various- Outpouring Comics
  • The Ninth Circle by Various-Pro Se Productions
  • From the Dragon Lord’s Library Volume 2-18thWall Productions
  • Something Strange is Going On by Various-Flinch Books
  • Lazarus Gray Volume Five by Barry Reese-Pro Se Productions

BEST SHORT STORY NOMINEES

  • Spring Heeled Jack by I A. Watson from Sherlock Holmes consulting Detective volume 7-Airship 27 Productions
  • The Face of the Yuan Gui by Sean Taylor from Asian Pulp-Pro Se Productions
  • Bounty Buddies by Arthur Gibson from Amazing Tails #1- Outpouring Comics
  • Dragonfly Shadow by J. Patrick Allen from the Dragon Lord’s Library Volume 1-18thWall Productions
  • The Lady Wore Vengeance by Tommy Hancock-Legends of New Pulp Fiction-Airship 27 Productions
  • A Round for the Holly King by Nikki Nelson Hicks- Third Crow Press
  • Trouble Takes a Holiday by Arthur Gibson from Amazing Tails #1-Outpouring Comics
  • Big Trouble in Little Cheyenne by Tony Wilson from The Legends of New Pulp Fiction-Airship 27 Productions
  • The Tomb of the Veiled Prophet by Rick Lai from Tales of the Shadowmen Volume 12: Carte Blanche-Blackcoat Press/Hollywood Comics
  • Gridiron-Second Down by David Boop from Legends of New Pulp Fiction- Airship 27 Productions
  • Immortals From Lazarus Gray Volume 5 by Barry Reese-Pro Se Productions
  • The Pride of Jim Hardy by Terrence McCauley from Legends of New Pulp Fiction-Airship 27 Productions

BEST NOVELLA NOMINEES

  • Shadows and Phantoms by Barry Reese-From Adventures of Lazarus Gray Volume Five-Pro Se Productions
  • After the Wind by Wesley Julian-Wesley Julian
  • The Astonishing Tales of Sherlock Holmes: the Shrieking Pits by Nikki Nelson Hicks-Pro Se Productions
  • American Hercules : the Lion of Nemea by Mark Bousquet-Space Buggy Press
  • Night Hawk: Burning Skies by Ron Fortier-Moonstone
  • Tales from the Flip-Side: the Adventures of Big Daddy Cool and the Bombshell Kittens by John Pyka-Pro Se Productions
  • Lady Action-The Sands of Forever by Ron Fortier-Airship 27 Productions
  • Gentleman Rogue by Percival Constantine-Percival Constantine
  • Domino Lady: Money Shot by Bobby Nash-Moonstone
  • Badge City: Notches by M. H. Norris-Pro Se Productions
  • Ripper’s Ring by Steven R. Southard-Gypsy Shadow Publishing

BEST COVER NOMINEES

  • Jake Istenhegyi:The Accidental Detective, Volume One by Jeffrey Hayes-Pro Se Productions
  • Asian Pulp by Adam Shaw-Pro Se Productions
  • Amazing Tails #1 by Johathan Meyers and Rusty Gilligan-Outpouring Comics
  • From the Dragon Lord’s Library Volume 2 by Morgan Fitzsimons-18thWall Productions
  • Baranak: Storming the Gates by Mark Williams-White Rocket Books
  • The Quest of Frankenstein by Mark Hoffman-Blackcoat Press/Hollywood Comics
  • Charles Boeckman Presents Johnny Nickle Volume Two: Trouble Follows by Adam Shaw-Pro Se Productions
  • Bass Reeves: Frontier Marshall by Marco Turini-Airship 27 Productions
  • The Dark Leopard: Mouse Trap by Rock Baker, Jeff Austin, and Marc Haines-Pro Se Productions
  • Legends of New Pulp Fiction by Doug Klauba-Airship 27 Productions
  • Lazarus Gray Volume 5 by Chris Batista-Pro Se Productions
  • Nighthawk: Burning Skies by Douglas Klauba-Moonstone

BEST ARTIST NOMINEES

  • Mike Fyles
  • Doug Klauba
  • Morgan Fitzsimons
  • Mark Williams
  • Rob Davis
  • Pat Carabjal
  • Gary Kato
  • Bret Blevins
  • Jeffrey Hayes
  • George Sellas

BEST AUTHOR NOMINEES

  • I. A. Watson
  • Chuck Dixon
  • Arthur Gibson
  • Wesley Julian
  • Mark Bousquet
  • Frank Schildiner
  • Tony Wilson
  • Jim Beard
  • Nikki Nelson-Hicks
  • Barry Reese
  • Nancy Hansen

BEST NEW WRITER NOMINEES

  • John Pyka
  • J Patrick Allen
  • Andy Fix
  • Loreli McCole

Any and all questions should be emailed to PulpArkNewPulpAwards2016@yahoo.com

Friday, January 29, 2016

Ideas Like Bullets -- HEY! DON’T CHANGE A THING! IT’S MINE!!!!

by Tommy Hancock

I recently became involved briefly in a discussion on social media with a person I consider a friend of mine, someone who I interact with online because of shared interests and have done so for a number of years.  The discussion involved a recent announcement about a major comic company getting its hands on some television cartoon concepts that many would consider classic and doing their own updated comic takes on them, in some cases changing the status quo of the idea dramatically.  This person I consider a friend commented that he wasn’t that interested in all this because this particular company had a habit of not doing right by its own characters so he didn’t trust them not to be “screwing things up” with the aforementioned concepts.  I responded with my thoughts on the term ‘screwing things up’ in connection to different creatives handling concepts that were not there on and dearly loved by some sort of fandom. What ensued after that was a discussion, he continued to stand by his assertion and I acknowledging that and standing by mine.

What follows in this column is not about this discussion and not at all about this friend.

But I do bring up said conversation and said friend to both clearly point out that what I’m about to say is not about him and the majority of fans of most anything out there AND to identify what I think the majority of supporters of any fandom are like.  I truly believe, although these days it is more like hoping than believing, that most people who are fans of a movie universe or a comic character or a tabletop game, or anything that might qualify for those of us who identify as geeks as having a fandom are actually normally functioning, reasonable people who just happen to feel strongly about a particular thing they like, maybe even love in a completely appropriate fashion.  They can make strong statements when they disagree with how a property they hold dear is being handled and on the same hand, they have the ability to comment positively when someone does something stellar with same property, be that by telling a story that keeps the property true to what they love about it or by doing something completely new and different that they actually feel works for the property.  That group of devotees to various and sundry properties is where I’d place my aforementioned friend, as I’ve seen him respond appropriately in every situation and even making positive comments on different takes on the things he loves when they have been done in a way that he thinks is appropriate to the concept he likes.  Again, that is how a fan should be and act and I really DO hope that most of us are still that way. 

No, from this point on I am not addressing the likes of my oft mentioned by never named acquaintance above or those like him.  Where my attention turns to now is the other type of ‘fan’, a term which I am hesitant to use because really, for the individuals I’ll now be discussing, the actual word from which fan is derived is probably more appropriate.  Fanatics.  People who not only like certain properties, enjoy certain stories, shows, characters, etc, but people who apparently have an unhealthy obsession for them,.  These fanatics, who not only voice their disapproval of how a particular character is being handled, but who believe that it is their place and function to comment on every sniggling point that is wrong with said handling are to whom I speak now, or at least speak about.  Because it’s not just this completely over the top arguing and reviewing of just what clause of the intergalactic law the character who would never violate that actually did violate, thanks to the new writers that we see so much of now that bothers me.  No, I am completely overwhelmed, angered, and saddened sometimes to be called a geek or a fan because that means that those I call the uninitiated lump me in with those nutbar fanatics who talk disparagingly and often disgustingly of the creator who has perpetrated this malfeasance of applying their take on said concept, to the point of insulting them or anyone who supports their version of the idea.  Those admirers so ardent over an idea that they loved as a kid or discovered while reading on a bus trip to somewhere that instead of acting like civilized human beings with one another, seek to discourage, incite, and be downright ugly to any who disagree with them.

I think what bothers me most of all about this class of ‘fan’ is that they often dig in their heels up to their armpits and become not only unwilling but whatever is ten parsecs beyond unwilling to even entertain anything new related to the concept they covet.  They refuse to go see the new movie, yet they critique the holy hell out of something they won’t even deign to damage their eyes with.  They won’t even read a page of a new author handling a character created by someone else because whatever trailer or preview they’ve seen just ticks them off to no end, so there can be nothing redeemable. 

Now, the friend I focused on when I started this? He’s not this type, and I know this for fact because I’ve discussed and witnessed his discussions of trying different takes on things and usually not being happy with the treatment of his favorite characters, but sometimes finding himself surprised.  No, again, a fan, as I now define them, will staunchly stand by whatever aspect of their favored concepts they believe in, but they will also not shut themselves off from any other takes on said idea and will be respectful not only of others who like the different takes, but also will have enough respect for people in general and the creative process specifically to at least try the different version, if for no other reason so that when they do argue about it and say it stinks to high seven heavens, they can say they have at least tasted of the rotted meat!!

But, no, the ‘fanatics’…or maybe they’re just really close minded, mean spirited…nah, wherever I was going with that was just going to be too long and hard to remember… what I am about to say is aimed at them.  Yeah, you out there who got butt hurt over the fact that The Force Awakens did have story beats from the first Star Wars movie, but you only know that because you stayed in your little dark cave and read your computer screen, wouldn’t even put out the effort to go see the movie before you attacked it based on what other people said and spoke of it as if you were some sort of vaulted expert.  Yeah, you who won’t pick up a Sherlock Holmes book up that doesn’t have the name Doyle in the author’s spot, but you’ll get on your mailing list and your Facebook page and not only malign stories you’ve not read, but make personal comments about an author’s parentage or whether or not they should live to write another Holmes story.. Oh, and yeah, you too who at conventions see some kid cosplaying their favorite character and proceed to walk up to them and ridicule them for using cheap face paint or duct tape or drawing the S they wear on their chest on a piece of construction paper because that’s not how it’s done and they’re nothing but a disgrace to the character that You know so well, even though you’re standing there in your street clothes, wearing a bat symbol t-shirt.

So, yeah, all of you who fall into the above, who probably haven’t hung on long enough to get this far, what comes next is for you.

Get. Over. Yourselves. Now. Today.

Before your own damned ignorance and stupidity on how your infatuation with a made up story forever cripples you in having any appropriate social interaction with human beings, muggle or otherwise. 

It has been said many times that the advent of the internet and of things like Facebook and Twitter has made it easier and more acceptable for people to make more personal attacks, to release more vile vitriol than ever before at one another.  My big round Death Star it has.  If you’re one of those people who are wishing ill will on creators who just don’t agree with you, whether that be the ruin of their career or something even more heinous, then the fact that you have an Instagram account didn’t make You that way.  You, something about You, allows you to be a brazen idiot where the whole world can see it. And guess what? Only You can make that any different.

Here’s the weakest argument, really, for any fan related tirade, even the ones I sometimes go on.  Though we may find a story, a movie, a show, an idea that we absolutely in many ways quite literally fall in love with at some point, and yes, my own list is very long, it is still just a fictional creation, albeit a world we feel at home in.  And, here’s the important part of this, we fell in love with the version we encountered.  Not the ones before it, were there any, and not the ones after it, but the singular one that impacted us the most.  To believe that our dislike or at least ambivalence toward the other versions gives us any more right to do more than grumble and complain and harken back to what we loved the most, which is what most sensible people do, is completely off base.  We are not experts in any fandom enough to claim that we know any better what should happen with an idea that 99 percent of us are never going to touch.  We can be saddened, we can even be angered by what X author does with Y character in Z universe, but that does not give us the right and shouldn’t even be enough to make it occur to us to be nasty and mean and vindictive or outright stupid enough to wish bad things on people we don’t know or to spend endless hours and days arguing about how bad something is that we’ve not even tried to partake of.

Seth Rogan made a movie a few years back.  The Green Hornet, some of you might have heard of it, most probably didn’t it because it had a mediocre showing at the box office. Now, although many fans of the character, myself included, went into the movie and all the hype before it with hope, it became pretty clear early on that this was not going to be the Green Hornet we wanted.  Not the version as originally conceived in the radio show in the 1930s and not the TV version which gave a young Bruce Li a leg up in Hollywood.  This wasn’t even going to be based on one of the better comic versions of the character that has come along in the last 20 or so years.  No, this was going to be a trainwreck of monumental proportions.  And, yes, it proved to be such, for Green Hornet fans and those who had never heard of the character alike.

At the time of all the fervor about the film, there were fans, like me, who said, “Okay, not hopeful, but I’ll at least give it a watch, to see what it’s all about.” I always want to know about whatever I may be arguing about in the near future.  Other said, “Nope, not gonna see it. Not gonna waste my time or money.” And some of those same people, when the reviews came out verifying what they felt was wrong with the movie, chimed in with an ‘I Told You So’ or two, maybe. And of course there were all sorts of responses between the two, including some GH fans, maybe two at last count, who liked it enough to say so.

Then one particular response stuck out to me, from someone I’d known a tad through the internet.  And it went something like this.  “Seth Rogan should die.  Anyone involved in this piece of Shit should rot in hell. How dare they do this to my Hornet!”

Yeah, that.

Don’t be that fanatic. Please. Ever.  That serves no purpose other than for someone to add to a probably already sizable mound of evidence they’ve been building for your upcoming commitment hearing. 

Love your fandoms.  Defend them if you feel you need to.  But don’t forget…and this is coming from a writer and a Publisher who would love someone to be uber passionate about some of the stuff I’m doing and my writers are doing as they are about the bigger properties… it’s not yours, only the feelings and emotions a particular version of it gave you are.  And why dishonor something that gave you pleasure, and maybe even acted as a way for you to feel good about yourself, by reacting like a complete and total lunatic when someone comes along that has a different bent on it?

Makes no sense to this fan.