Showing posts with label Graphic Novels. Show all posts
Showing posts with label Graphic Novels. Show all posts

Friday, October 13, 2023

Dime-Store Detective Live on Kickstarter!

Dime-Store Detective is a comic series for fans of hardboiled detective mysteries and supernatural stories. Detective Donald Mackinder is short on friends and time as he attempts to connect the return of a supernatural being to his family's moonshiner war of 1981.

Sign up now on Kickstarter: tinyurl.com/Dimestoredetective1-3

Tuesday, April 19, 2022

Top Ten Vertigo Series Most Ripe for TV or Movie Treatment

I know superhero comic book movies are all the rage now, but with so many streaming services looking to develop original material, I figure there's no time like the present to mine the glory of Vertigo's primo series that defy the superhero tropes and gimmicks. So, here is my list of the top ten Vertigo series that should become TV series or movies.  

Transmetropolitan


This mind-warping series from Warren Ellis broke brains all over the reading public with its prophetic look at the role renegade journalism needs to play in standing up to the powers that be. Information as currency. Narratives as truth. Facts as malleable. It's scary how prescient Ellis was with this one. 

Punk Rock Jesus

What if scientists cloned Jesus Christ and created a reality show around the idea? What if the new Jesus wanted to be more than a patsy or symbol for his corporate owners? What if he really identified with the punk aesthetic?

The Invisibles

Everything is a conspiracy. Grant Morrison perfectly captured the post-postmodern zeitgeist in this one. 

American Virgin

A beautifully irreverent story of how belief can be a problem, a solution, and something that changes as humans grow into better people. 

Coffin Hill

Cops and horror. A classic combination. Throw in some Gothic family secrets and this one could be the next season of Hill House or Bly Manor... easily. 

The Crusades

This one totally deconstructs the idea of a costumed antihero by putting an actual armored knight in the urban blight and having him dish out Batman and Punisher style justice. But is he crazy?

Death: The High Cost of Living

There's really nothing more that can be said about this one. Death takes the day off to appreciate the joys of life. Neil Gaiman's magnum opus, this one. 

House of Secrets

Perhaps my favorite work by Steve Seagle. I love how this series updated the old horror anthology book by exploring the idea of secrets and how they affect the intrinsic sense of justice and our own ideas about justice. And can even the ultimate judges be biased? Plus it has one of the coolest art styles I've ever seen. 

Angeltown

Black detective drama (both racially and tonally) that pretends to be hard-boiled but comes off far more noir than at first glance. Some of Gary Phillips finest work. 

Effigy

A former child star is disgraced over a sex tape. She becomes a cop, but her past won't stop following her. Then people start to die and it looks like it ties into the series she starred in all those years ago. 

Saturday, May 1, 2021

[Link] Streaming TV, Films Drive Surge in Graphic Novel Sales

by Heidi MacDonald

As the number and popularity of such streaming services as Netflix, and Disney+ continue to grow, many of these services have turned to adapting comics and graphic novels which have gone on to become some of their biggest hit shows.

Comics properties that have been adapted range from eccentric indie comics titles–for example, Charles Forsman’s The End of the F****** World on Netflix–to highly promoted superhero franchise series, among them WandaVision on Disney+ and The Boys on Amazon Prime. All of these shows have led to increased graphic novel sales, but along the way publishers have had to adapt and find new strategies to capitalize on their popularity on streaming media.

Among the challenges publishers face is the effort to link book releases to streaming TV shows: these services often don’t publicize broadcast dates until only a few months out. This means that publishers have to guess what the print demand will be, leaving them a narrow window to prepare. This can mean that books will be out of print for months just as demand spikes, unless publishers turn to more costly printers located in North America that can print and ship books to bookstores and comic shops more quickly.

One of the earliest (and most surprising) streaming successes based on a graphic novel was Forsman’s TEOTFW (as it’s called by many publications), the story of a teenage sociopath and a bratty thrill-seeker on a roadtrip, which was initially published as a series of mini-comics before being collected into a book by Fantagraphics. TEOTFW was published just as the streaming wars began heating up in 2017.

Read the full article: https://www.publishersweekly.com/pw/by-topic/industry-news/comics/article/86120-streaming-tv-films-drive-surge-in-graphic-novel-sales.html

Saturday, February 6, 2021

[Link] Yes, graphic novels count as 'real' reading

By Alex Mlynek

Really, they do! Whether you have a reluctant or avid reader, graphic novels are entertaining and improve literacy skills.

Until last year, Kevin Yu’s now 8-year-old daughter, Olive, wasn’t really into reading books for pleasure. But then, Olive discovered the graphic novel series Dog Man, and everything changed.

“We would catch her reading in bed at night by herself, and were like, ‘I’m proud of you, but go to bed!’”


She now begs her parents for new graphic novels at the school book fair, and rereads all of the Dog Man books and Captain Underpants, too. She’s also started creating her own comic-style drawings. And recently, says Yu, she brought home her first non-graphic book from school.

Graphic novels are teacher approved

“I used to look at graphic novels as the junk food of reading,” says Vicki Fraser, an elementary school teacher in Rosemère, Quebec. But that changed when she was introduced to a graphic novel biography of French-Canadian strongman Louis Cyr that she couldn’t put it down. “I was quickly pulled into the story, and the images helped to guide me, keep me focused, and make the story more clear,” she explains.

Now, graphic novels are an essential part of her grade 5 classroom and she highly encourages her own daughters, who are 12 and 14, to read them.

She says graphic novels actually help her students become more sophisticated readers, thanks to visual cues, like the font used, which helps to communicate a character’s emotion, for instance. This teaches them to pick up on a book’s tone, which is a skill they are able to use with non-graphic texts, too.

Read the full article: https://www.todaysparent.com/kids/school-age/graphic-novels-real-reading/

Friday, February 17, 2017

Gene Simmons' Dominatrix is back in print! Get your orders in!

Formerly with IDW Publishing and now being reprinted by Arcana Studios, Gene Simmons' Dominatrix will be in stores April 19, 2017. But you'll need to pre-order it this month at your local comic book store to ensure you get your copy.

Friday, January 30, 2015

Top Shelf Products -- Congressman John Lewis Recruits Another Generation to MARCH with New Graphic Novel

The much-anticipated MARCH: BOOK TWO is now in stores!

“With March, Congressman John Lewis takes us behind the scenes of some of the most pivotal moments of the Civil Rights Movement. In graphic novel form, his first-hand account makes these historic events both accessible and relevant to an entire new generation of Americans.” — LEVAR BURTON

"Essential reading... March is a moving and important achievement." — USA Today

"Riveting." — O, The Oprah Magazine

An astonishingly accomplished graphic memoir." — NPR

"Visually stunning… This insider’s view of the civil rights movement should be required reading for young and old; not to be missed."— School Library Journal (starred review)


John Lewis has been many things in his career: a civil rights activist, a featured speaker at the March on Washington, a leader of the "Bloody Sunday" march in Selma, a respected member of Congress, a recipient of the Medal of Freedom, and a worldwide symbol of the power of nonviolent protest.

With his latest project, he's added "#1 bestselling author," as his multi-part graphic novel autobiography, March, has become a smash success. Today, the long-awaited March Book Two reaches store shelves, poised to be even bigger than its predecessor — and perhaps even more relevant to this day and age. With March: Book Two, Congressman Lewis, Andrew Aydin, and Nate Powell give us a first-hand experience of milestone events that transformed the nation, including the 1961 Freedom Rides and the 1963 March on Washington.

At a time when, according to the Southern Poverty Law Center, the majority of states earn a D or F grade in teaching the Civil Rights Movement to their young people, March has quickly become a key resource for schools, libraries, activists, and the general reader. It’s been adopted in classrooms nationwide, spent 40 weeks on the New York Times Bestseller List, and even become the first graphic novel to win a Robert F. Kennedy Book Award. What's more, three major universities have planned their freshman orientations around March, compelling 15,000 students nationwide to read and discuss it in a single month.

Why a graphic novel? Because John Lewis remembers the impact that a 1957 comic book "Martin Luther King and the Montgomery Story" had on him and his whole generation, inspiring them to take up nonviolence and join the civil rights movement. Now he's having the same impact on young people today.

As America continues to grapple with issues of race and the legacy of the civil rights movement, March offers an unforgettable success story and a way forward — one that's already been embraced by countless readers who are looking for hope today.

Congressman John Lewis is an international icon, and his story is now more essential than ever. See why this project has become such a phenomenon — join the March!
   
Top Shelf Products    

Your friend thru comics,

Chris Staros
Top Shelf Productions
PO Box 1282
Marietta GA 30061-1282
USA
chris@topshelfcomix.com
www.topshelfcomix.com

Saturday, December 29, 2012

The Top Trade Paperbacks of 2012

Okay folks... here are my picks for the top trade paperbacks of the year to pick up at your local comic book store (and if you're local to me, then that means you pick them up at Galactic Quest in Buford, dig?)...

And trust me, this list wasn't easy. There were quite a few really incredible collections that were published this year, and if the Resident Alien and/or Punk Rock Jesus trades had hit this year, this list would be different.


1. Saga V1 (Image)



2. Revival: You're Among Friends V1 (Image)



3. Scarlet Spider: Life After Death V1 (Marvel)



4. Red Hood and the Outlaws: Redemption V1 (DC)



5. Rachel Rising: Shadow of Doubt V1 (Abstract Studios)



6. Saucer Country: Run V1 (Vertigo)



7. Demon Knights: Seven Against the Dark V1 (DC)

 

8. Dancer (Image)



9. Winter Soldier: The Longest Winter V1 (Marvel)

 

10. Tie -- Fairest: Wide Awake V1 (Vertigo)



Fatale: Death Chases Me V1 (Image)

Tuesday, March 6, 2012

The Writer Will Take Your Questions Now (#101) -- The Long and Short of It

What's the difference between writing a graphic novel and writing a comic book?

As I say in my bio for the conventions, "Yes, Virginia, there is a difference."

The specifics? I'm glad you asked.

For starters, the most obvious difference is that a graphic novel is longer, but that just doesn't mean it takes up more pages. It also means it takes up more plotting. It takes up more thought for building up your characters. It takes up more time to let your story unfold in a way that it might not be able to in a monthly comics that needs it's own "3 bangs and a cliffhanger" each month. (Even if it's being collected later as a trade, because a trade collection is a different animal than a graphic novel, though the two are often marketed under the same name.)

When writing a graphic novel, you must think about it the same way a writer thinks of writing a novel. A monthly comic is akin to a serialized group of short stories and must meet those criteria, but a graphic novel is far more reaching than that. Sub-plots, minor characters, build-up scenes, segues, denouement, etc. are all going to demand your attention in a graphic novel, and you'll have the time and the room to play with them -- providing their the best tools to use in your story.

My favorite part of crafting a longer-form work though is that I don't have to follow the arbitrary "22 pages ending on a cliffhanger" rule. In an original graphic novel, if I need a 3-page chapter, that's fine. I'll add it. If a chapter needs to go into 28 pages, that's not a problem either. Because the book isn't designed to be read monthly. It's a take a bite at a time to devour the elephant kind of experience instead.

Tuesday, January 31, 2012

Teaser art for A STITCH IN TIME, my original sequel to H.G. Wells' THE INVISIBLE MAN and THE TIME MACHINE

This is one I've been talking about for a while now, and I'm thrilled to say this one is finally back on track and moving ahead to hopefully hit a release date for the end of 2012. Fingers crossed.

Even the rough concept art from new series artist, Martheus Wade, is simply a thing of beauty.



"What's the story?" you ask. Well, without giving too much away...

Revisit the fascinating world of H.G. Wells as the Time Traveler and an all-new Invisible Man return to the future in order to save Weena and the rest of the Eloi from the primitive, flesh-eating Morlocks. But who is the new Invisible Man, and what is his tie to the late Griffin, the crazed killer who was once known by that title?

How's that for a teaser?