Tuesday, October 28, 2025
The Halloween Rerun Show
It's Halloween again! This time of the year is one of my favorite seasons and holidays. A time to celebrate the ghoulish and ghastly, and enjoy the scares. In honor of this time of the year, here are several of my favorite Halloween themed posts from this here little blog that could.Cover up with a blanket if it makes you feel safer.
Enjoy.
Classic Scares in Black and White
http://seanhtaylor.blogspot.com/2015/10/classic-scares-in-black-and-white.html
The Queens of Scream
http://seanhtaylor.blogspot.com/2015/10/the-queens-of-scream.html
Outgrow Horror Movies? Never.
http://seanhtaylor.blogspot.com/2012/10/the-writer-will-take-your-questions-now_12.html
Required Reading: 50 of the Best Horror Comics
http://seanhtaylor.blogspot.com/2015/10/halloween-link-required-reading-50-of.html
Scare Me
http://seanhtaylor.blogspot.com/2012/10/the-writer-will-take-your-questions-now_10.html
Thursday, October 19, 2023
Halloween Re-Runs: Outgrow Horror Movies? Never.
Why do you like horror films so much?
To answer that, I'll have to adapt the question into two new questions (because I'm a writer, and I need the space for words).
Why did I like them as a kid?
Because I could stay up late and watch something "forbidden," of course. That was the start of it. But from there I stuck around because of the scary moments (the adrenaline rush), the cute scream queens, and the monsters themselves. It was only later that I discovered the more gory and "sexy" horror films of the Eurotrash market and the Italian "sleaze" (many or which are quite tame by today's standards) flicks.
Why do I still love them as an adult?
Or to put it a way that perhaps some of you are thinking... Why haven't I outgrown them?
Because the writer and the adult and the literature major in me has found in good horror flicks all the stuff that made me fall in love with stories in the first place. Good vs. Evil, the existential search for meaning beyond mere survival, redemption for initially selfish characters, reaping what you sow, the sins of the fathers visited upon the sons -- it's all there. No, not in every film, and particularly not in the films that cater to the lowest common denominator (but you'll find that in ALL genres, not just horror). Because of the immediacy of the possibility of death, characters in horror films must face the kinds of questions the rest of us prefer to push to the back burner. However, with Jason chasing through the woods with a machete, you don't have that luxury. You find out quickly whether you want to really live or not, whether you regret your choices, and whether you choose to fight for the safety of others or turn tail and run away to save your own skin above all others.
Good horror films go where other movies often don't dare. Bad horror films do too, just not as well.
And they still can sometimes scare the bejesus out of the 8-year-old kid who still lives inside me.
Thursday, October 12, 2023
Halloween Re-Runs: Scare Me!
Oooh. There are so many good ones that I like to go back to from time to time. Let's see...
Books:
- Cujo (Stephen King)
- Pet Semetary (Stephen King)
- The Shining (Stephen King)
- Zombiesque (various, featuring my own tale "Posthumous")
- The Haunting of Hill House (Shirley Jackson)
- I Am Legend (Richard Matheson)
- Rosemary's Baby (Ira Levin)
- The Turn of the Screw (Henry James)
Stories
- "The Empty House" (Algernon Blackwood)
- "N." (Stephen King)
- "The Lottery" (Shirley Jackson)
- "Herbert West -- Reanimator" (H.P. Lovecraft)
- "A Shadow Over Innsmouth" (H.P. Lovecraft)
- "The Veldt" (Ray Bradbury)
- "The Man Who Loved Flowers" (Stephen King)
- "20th Century Ghost" (Joe Hill)
- "Young Goodman Brown" (Nathaniel Hawthorne)
- "Rappucini's Daughter" (Nathaniel Hawthorne)
- "Ligeia" (Edgar Allan Poe)
- "Berenice" (Edgar Allan Poe)
- "The Mask" (Robert W. Chambers)
- "The Upper Berth" (F. Marion Crawford)
- "Man-Size in Marble" (Edith Nesbit)
- "Silk" (Kimberly Richardson)
- "Pickfords Well" (Robert Freese)
- "A Warning to the Curious" (M.R. James)
- "Present at a Hanging" (Ambrose Bierce)

