Sunday, January 19, 2025
25 Years of Jetta!
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Tuesday, March 12, 2024
Martheus Wade: Ninja With a Pencil
Martheus Wade is a creative ninja who writes and draws ninjas. Why? I guess because it takes one to tell stories about one. The first time I met him he was showing off martial arts moves and demonstrating how to illustrate the human body as a piece of artwork in motion, a violent, deadly piece of artwork in motion.
Then I read his work in Jetta: Tales of the Toshigawa. I was hooked.
If you haven't met him and entered the world of the Toshigawa Universe, you don't know what you're missing.
Tell us a bit about your latest work.
I've recently been working on expanding my universe of characters called the Toshigawa Universe. The universe includes our books Shinobi: Ninja Princess, Jetta: Tales of the Toshigawa, Turra: Gun Angel, and the webcomic, Ready 2 Spar. The most current book that is out now is the redesign and re-release of Jetta: Tales of the Toshigawa - Defiance which was our first book ever to go nationwide. Ironically, it was first published by Shooting Star years ago.
What are the themes and subjects you tend to revisit in your work?
Martial arts is a huge theme of our books. I have always been a fan of anime and manga. All of that makes up the basis of our look and feel.
What happened in your life that prompted you to become a writer?
I've never considered being a “writer” really. If someone asked me to write a novel, I don’t think I could do it. I’ve always just seen these stories in my head and wanted to convey them. I've always loved reading and English class in school. So it was a natural progression to write stories and characteristics for my creations. So, I guess I am a writer in that respect!
What inspires you to write?
I see writing as an extension of my creativity while illustrating. It’s almost like the piece isn’t finished until its personality is infused into it. That’s why it's difficult for me to find interest in drawing fan art. I can’t inject my own story into it.
What would be your dream project?
My dream project would be a Wonder Woman and Jetta: Tales of the Toshigawa crossover. I got really close with a Jetta and Shi crossover that I got to write and illustrate in Jetta/Shi: Arrow of Destiny. She and Wonder Woman are some of my favorite characters. To place them alongside my character would be awesome.
If you have any former project to do over to make it better, which one would it be, and what would you do?
I’m kind of doing that now. I’m revisiting my old graphic novels and really getting a chance to update the art as well as add to the story to make it smoother. I’m adding color. I’m adding extra conversions. The characters are a lot more well-rounded. It’s been a treat to go back into these books again.
What writers have influenced your style and technique?
I love Marv Wolfman’s Teen Titans. He was first. The late Kentaro Miura’s work as a whole has been amazing to follow over the years. I love Stephen King’s work as well. I think all of those have been highly detailed worlds and characters. I try to bring those to my work as well.
Where would you rank writing on the "Is it an art or it is a science continuum?" Why?
Well, I think we are seeing the answer to that unfold in real time now. With the advent of AI and how it’s quickly trying to steal creative jobs, science is trying to eat the artist. Writing as well as a creative endeavor is on the chopping block because people can’t really fathom the spiritual, mental, and artistic energies it takes to make anything. The general thought is, “I should be able to do this. I see other people do it. Why can’t I?” What they don’t realize is that there is an entire history behind that person creating. A person brings their life experiences to the table while writing or drawing. But we are seeing Ai rip that end result off as creativity. Writing isn’t science. It’s as art as you can get.
What is the most difficult part of your artistic process?
Most would say starting. But I love starting and watching it evolve. I would honestly say finishing. Being satisfied with your work enough to leave it alone.
How do your writer friends help you become a better writer? Or do they not?
Kevin Williams takes red pens to my work constantly and Janet Wade, tells me daily how much a piece sucks. So they keep me on my toes. Haha.
What does literary success look like to you?
Success is being able to live comfortably while taking care of my family and having readers enjoy my work. I don’t have to be rich and have a private island or anything. I just want to live life creatively and allow my family to live it as well.
Any other upcoming projects you would like to plug?
My graphic novel series is up and going at ToshigawaUniverse.com. There you will find all of our different series as well as apparel. So, I’d love for supporters of independent comics to go there to check it out. There are books there for all ages, adult and young adult readers.
For more information, visit:
- Store: ToshigawaUniverse.com
- Patreon: patreon.com/MawProductions
- Art Classes: The Comic Studio on OutSchool.com
- Facebook: ToshigawaUniverse
- Instagram: ToshigawaUniverse
- TikTok: ToshigawaUniverse
- YouTube: @Toshigawadotcom
Tuesday, February 20, 2024
Scott McCullar: Bringing the Thrills
Tell us a bit about your latest work.
I just recently released THRILL SEEKER COMICS ANTHOLOGY #1 through my label BANDITO ENTERTAINMENT. This creator-owned, self-published independent comic book series was decades in the making after many false starts and stops due to roadblocks in my personal life that are now overcome.
THRILL SEEKER COMICS is a pulp action and adventure series featuring various interrelated stories told in a non-linear manner jumping around in different time periods about a ragtag group of heroes fighting evil in globe-spanning adventures on Earth-24 (as seen recently in INDIEVERISTY – A guidebook to the varied worlds of the independent comics multiverse). At the center of these two-fisted tales is the Dust Bowl-era vigilante known as THE YELLOW JACKET: MAN OF MYSTERY, who pursued by lawmen, is conscripted into THE STAR-SPANGLED SQUADRON to battle Axis Powers during the outbreak of World War II. Alongside THE EMERALD MANTIS and other colorful characters encountered, their enduring mission to fight crime, crush tyranny, and protect the world is carried on by a generation of successors.
It was just over 20 years ago my series first appeared as a cornerstone feature in each and every one of the six issues of SHOOTING STAR COMICS ANTHOLOGY and a few other sister titles. Now rebooted, THRILL SEEKER COMICS returns in this relaunch with all-new stories alongside reprints of the original tales that have newly remastered and restored artwork in full color in printed comic book anthology format. New heroes also join the fray in the first issue that includes several short stories in this same shared universe.
This series was inspired by Golden Age, Silver Age, and Bronze Age classic comic books and newspaper comic strips. The films of Quentin Tarantino. The Coen Brothers, and a touch of Akira Kurosawa also influence the stories. The genres in this anthology include superheroes, pulp detective and mystery, martial arts, and war stories with dashes of romance and humor to be injected in the tales.
Spinning out of the comic book, I’m also currently co-writing and illustrating a related online comic strip web series based on one of the brand-new characters from the anthology comic. She is a rookie private investigator in the early 1940’s. The webcomics series is called THRILL SEEKER COMICS PRESENTS MS. TITTENHURST: FINDER OF LOST THINGS about the divorced, red-headed Dame Detective from Texas who is also a college student. This feature and the comic strip were co-created and co-written with my wife Jennifer McCullar.
What are the themes and subjects you tend to revisit in your work?
Personal struggles. Family. Friendship. Pushing boundaries. Sly humor. Combative violence. Repentance. Revenge. Adventure. Trying to escape from personal matters. Interweaving fiction with history.
What happened in your life that prompted you to become a writer?
I don’t view myself as a traditional writer though I’ve dabbled and written some fictional prose short stories here and there. Instead, I mainly moonlight on the side on and off as a comic book writer and comic artist. I don’t feel comfortable calling myself a professional writer as I would rather use the term ‘storyteller’ to identify myself as I combine writing and drawing together to tell stories. Plus, I like the term “Storyteller” and it is the title of a damn good Rod Stewart song collection. Every picture tells a story and for me it isn’t always words.
What inspires you to write?
I enjoy writing and drawing comics. For me, creating comics is a bit of a release valve opening up all these stories out of my head to release and share them with others. My characters bounce around and talk to me in my head telling me stories that they want to share and let out in the world. I sometimes feel like I’m just transcribing events and bringing the visuals in my mind’s eye to view with the artwork. Hopefully I am entertaining a few folks along the way with the comic books and webstrips that I release. I think my life experiences and interests seep into my writing. I enjoy sharing and connecting with others with my work, but honestly, making comics is a creative and artistic expression done primarily to appease myself first and foremost and the audience second. Maybe that’s wrong of me, but it is my truth as to my satisfaction and why I do this. I love the creative process and seeing something tangible in front of me.
What would be your dream project?
When I was about to graduate from college around age 22, I wanted to become a comic book writer/artist with the goal of working for DC Comics. I especially wanted to write GREEN ARROW for DC Comics. I worked hard at it. At age 32, I was given the opportunity for a few years to be and advisor to the writers and editor of the book, and just for one fleeting moment, I wrote a story for GREEN ARROW SECRET FILE AND ORIGINS #1 (2002). For a brief time, I believed that DC Comics was going to hand off the monthly book to me after Kevin Smith and Brad Meltzer were done with their turns at bat, but instead, it went to Judd Winnick who held onto the writing chores for quite a while. That was my original dream project.
I’m still thankful for the opportunity to have written that one GREEN ARROW comic that I felt hit the bull’s eye. Elements from that single story popped up in the ARROW television series that they borrowed from my writing. I’m proud of that. I even received a letter of thanks and a bonus check from DC Comics twenty years later for that. Again, I just wished that I had a long run on the book years ago, but I don’t imagine that will ever happen and I’m okay with that now.
As for future dream projects… what I’m doing right now at age 52 with my THRILL SEEKER COMICS projects is my dream project that I am happy and content working on at the moment. Sure, I wish I could write, draw, and self-publish THRILL SEEKER COMICS as my only full-time job without the worries of having to keep a “day job”. I’m not there yet. I cannot do that financially with my bills that need to be paid, so working on these creator-owned stories is something that I do on the side on my own time and enjoy.
I do want to take a stab at writing some pulp fiction novels in the future… probably start off with a few shorter novelettes to test the waters. I’d like to dabble in some of those pulp adventures in prose.
I’d also like to work on Popeye as a writer/artist… or I guess the term should be “cartoonist”. Sounds a little out there, but that was a dream that I has as a kid in elementary school.
Other than that, my dream is to see that what I self-publish is well hopefully received and my readership grows.
If you have any former project to do over to make it better, which one would it be, and what would you do?
About 20 years ago, I wrote an adaptation of Charles Dickens’ A CHRISTMAS CAROL that another artist illustrated (and actually Sean Taylor was the editor on). And while that artist did a fine job, I wish I was the one who had illustrated it instead.
Since A CHRISTMAS CAROL is in the public domain, perhaps one day if I have time, I just might self-publish a new version of this classic and illustrate it myself as it is one of my all-time favorite stories.
What inspires you to write?
I really don’t ponder this question very much. I focus on putting out comic book stories and comic strips. For me, the storytelling is in both the script and artwork. I focus on that more as I’m handling both chores and trying to strike a balance that the written words will work hand-in-hand with the artwork to tell the proper story. I tell these stories out of enjoyment, passion, and the need to get them out of my head and put them out in the world. I’m not thinking about inspiration. It just comes to me. I’m concerned about finding the time to do the work.
What writers have influenced your style and technique?
The novels of Ian Fleming and Elmore Leonard greatly influenced my writing. Also movie script writers like Quentin Tarantino and the Coen Brothers have also been major influences on my storytelling. Comic book writers that include Denny O’Neil, Chuck Dixon, Mike Grell, and James Robinson had a strong impact on me.
To tie this in with the visual arts, I was inspired by those who could do both write and draw like Mike Grell (GREEN ARROW, WARLORD, JON SABLE) and Mike Mignola (HELLBOY) as well as some legendary newspaper comic strip creators like Milton Caniff (STEVE CANYON) and EC Segar (POPEYE) who did both chores. I wanted to be like them.
Where would you rank writing on the "Is it an art or it is a science continuum?" Why?
I don’t think I’m qualified to answer that question. If I were to say what I’ve experienced… it is both an art and can also rely on formulas to some extent to work and thus be a science. I have kept in mind “rules to writing” that I’ve learned from writers such as Denny O’Neil, Chuck Dixon, Bud Sagendorf, and Elmore Leonard. I’ve read and listened to what they have had to say about writing and they’ve all sort of compiled checklists of do’s and don’t’s that I’ve found helpful. Those checklists seem to me to be more formula-driven science but it is also an art.
What is the most difficult part of your artistic process?
Time management for me. Finding time to write (and draw). I have a 40-hour-a-week “day job” and thus writing and drawing take place when I can find those select moments to work outside of my day job and family life.
How do your writer friends help you become a better writer? Or do they not?
I’m inspired to see the passion and success of my writer friends. They inspire me to pursue my own creative passions and publish. I also occasionally bounce ideas off of them and they are my sounding boards when I seek private consultation.
What does literary success look like to you?
At this point in my life and with all the ups and downs that I have experienced, success for me is to follow through from start to finish on a project and have a tangible book in hand that also gets into the hands of others. If along the way I hear some positive feedback that someone enjoyed my work, then that feeds my soul and gives me the satisfaction that my work wasn’t done in vain. I no longer seek fame and wide recognition like I did in my youth when I was ready to take on the world. I had my Andy Warhol 15 minutes of fame sometime around 2002. Those 15 minutes of fame are long over and I don’t need that again. Now I just want to enjoy peace in my life and to scratch some creative itches.
Any other upcoming projects you would like to plug?
Currently, THRILL SEEKER COMICS ANTHOLOGY #1 was released during the holidays and is still available. You can purchase directly from me on my website and it will soon (any day now) be available as Print-on-Demand from IndyPlanet.com. Also, I am currently running a free online comic strip THRILL SEEKER COMICS web series that updates every Monday, Wednesday, and Friday. Again, the comic strip web series is co-written with my wife Jennifer.
On May 1, 2024, I will be launching a Kickstarter Campaign for the 52-page THRILL SEEKER COMICS ANTHOLOGY #2 and a tie-in book THRILL SEEKER COMICS ADVENTURES #1 featuring the first collected MS. TITTENHURST: FINDER OF LOST THINGS web series “Case of the Missing Guitar”. If all goes well, THRILL SEEKER COMICS ANTHOLOGY #3 and THRILL SEEKER COMICS ADVENTURES #2 will be available for Thanksgiving 2024. The online comic web strips featuring the Dame Detective will also run weekly all year long in 2024. All are self-published through my label Bandito Entertainment. I also have a “secret” non-Thrill Seeker Comics project that I recently began working on that I’m aiming to release in January 2025.
For more information, visit:
My personal website is located at www.ScottMcCullar.com.
The official website for my comic series is www.ThrillSeekerComics.com with links to our online store, additional information, the online comic strip, and has an onramp to our official Facebook page where I hope you will like and follow us there, too.
Sunday, October 1, 2023
Now available! -- The Premiere Issue - THRILL SEEKER COMICS ANTHOLOGY™ #1
ORDER YOUR COPY NOW! The premiere issue of Scott McCullar's self-published independent comic book series THRILL SEEKER COMICS ANTHOLOGY #1 is available to back on KICKSTARTER. Please take a look and purchase your copy. Ships in November.
This is the first issue of a planned ongoing series to be published twice a year. THRILL SEEKER COMICS™ was created by writer/artist Scott McCullar and first released just over twenty years ago in the acclaimed indy comic series SHOOTING STAR COMICS ANTHOLOGY™ as one of the regular features in every issue. Now rebooted, THRILL SEEKER COMICS™ returns in this relaunch with all-new stories alongside reprints of the original tales that have been restored with newly remastered artwork in full color.
Featuring the Return of YELLOW JACKET: MAN OF MYSTERY™, THE GOLDEN AGE EMERALD MANTIS™, THE SACRED SCARAB™, and introducing the Dame Detective MS. TITTENHURST: FINDER OF LOST THINGS™.
CLICK HERE TO BACK THE CAMPAIGN AND ORDER.
Tuesday, September 12, 2017
Scott McCullar and His Thrill-Seeking Men of Mystery
Bad Girls, Good Guys, and Two-Fist Action would like to welcome one of pulpiest comic book creators around to the site -- Scott McCullar, the warped brain behind Thrill Seeker Comics and characters like The Yellow Jacket: Man of Mystery, The Emerald Mantis, and The Chrononaut.And coming out soon you’ll be able to get your own paws on the new, all-color special graphic novel that collects all the Thrill Seeker stories from the fan-favorite Shooting Star Comics stalwart.
Thanks for sitting in with us, Shaft (to those in the know, that’s Scott’s other way of being addressed). Let’s get to it then. Why don’t we start with you telling us about the formation of Thrill Seeker Comics back during the days of Shooting Star Comics?
I actually had the germ of an idea for the creation of this comic book series going all the way back to when I was a young teenager in middle school when I drew pictures of a martial arts character in my school note books that would become the Emerald Mantis during the age when Snake-Eyes and Storm Shadow debuted in G.I.JOE comics and cartoons in the early-to-mid 1980’s.
I revived the idea of writing and drawing my own comic book in the early 1990’s as I was finishing college. I had an idea for a story that took place in New Zealand and would transition to a make-believe city in the deep south of the United States. One of the characters was a female hero called the Tricrüsta, originally based on my ex-wife all those years ago when we were newlyweds. The fictional southern city was named St. FranÒ«ois de Port which exists halfway between Memphis and New Orleans on the Mississippi River where Arkansas, Mississippi, and Louisiana meet on the map.
I never got around to writing that story, but the fictional city was further developed by me when I began to play the VAMPIRE: THE MASQUERADE roleplaying game sessions in the early 1990’s after I had graduated. By late 1997, I began to create a squad of characters called THE OUTCAST SEVEN which I was going to feature in this fictional series in my own independent comic. I began writing scripts and sketching concepts for the comic, but it got put on the backburner as I was also starting to do some work for DC Comics and West End Games working on writing for the DC Universe Roleplaying Game as well as Green Arrow projects, acting as a writing consultant for Kevin Smith and Brad Meltzer, and eventually writing a Green Arrow comic of my own.
I was looking for a vehicle to launch THRILL SEEKER COMICS featuring the Emerald Mantis, but just didn’t find the right time until SHOOTING STAR COMICS ANTHOLOGY came along…
And all that good stuff from SSC… how did all that get started anyway?My recollection is that by late 2001, I was approached by some friends online who were also aspiring comic book writers that included folks like John Morgan Neal and Erik Burnham to join them on a venture to create an anthology comic book that would showcase our new talent with us all writing and drawing our own creator-owned stories. Many of the new collaborators on this project were regulars on Chuck Dixon’s message board called The Dixonverse at his website. This was the perfect place for me to launch what I would call THRILL SEEKER COMICS and I would feature the Emerald Mantis.
Except, I also created at the last moment for my first story what I thought would be a “throwaway” character that would prove to be more popular than what I had imagined. I introduced a pulp character with a trenchcoat, fedora, and attitude that began to take on a life of his own named the Yellow Jacket: Man of Mystery.
Just who is The Yellow Jacket, and what went into his creation?
The Yellow Jacket: Man of Mystery is what I would call a poor man’s version of the Green Hornet who is instead from the Depression era Deep South. He was inspired by just about every other comic book and pulp fiction book trench coat and fedora wearing vigilante toting a pair of smoking .45 pistols but being a southerner was my twist.
While influenced by characters like the Green Hornet, the Crimson Avenger, the Shadow, the Spirit, and even The Punisher… he was actually inspired more by George Clooney’s role in the Coen Brothers film O BROTHER, WHERE ART THOU? with his portrayal of the character Ulysses Everett McGill. He does have a bit of influence from Clark Gable in some of his roles in films like MOGAMBO and SAN FRANCISCO as well as a few others. Maybe slight touches of Bruce Willis and Humphrey Bogart are in Yellow Jacket’s DNA as well.
There is even a bit of my own Uncle Junior or my late Granddaddy mixed into Yellow Jacket as I sometimes imagine his southern mannerism and his way with the gift of gab in how he structures together his words in a southern dialect and context. The character originates from yonder down there in the South. Same territory as George Clooney’s Ulysses Everett McGill or even Brad Pitt’s portrayal of Lt. Aldo Raines.
Yellow Jacket is a tragic figure of sorts. He faked his death during World War One and took on someone else’s identity. After the Great Depression, he became a wanted vigilante in the 1930’s on the run getting into adventures and mishaps. His is a story of redemption. He is humorous, tragic, deadly, yet heroic in the end. He has acted as judge, jury, and executioner yet has a heart of gold. By the tales that take place in the 1940’s and beyond with him, he embraces a rebranding of sorts in becoming one of the masked mystery men fighting the Axis forces during World War Two and other evil doers beyond.
I have many more adventures planned with him and his earliest adventures are showcased in the THRILL SEEKER COMICS ARCHIVE VOLUME ONE.
What can you tell us about the rest of the Thrill Seeker Comics universe?In the pages of the SHOOTING STAR COMICS ANTHOLOGY, I was able to tell stories from different time periods with characters mainly focused on Yellow Jacket and different family generations of men who were the Emerald Mantis. You got to peek at a few other heroes like the Sacred Scarab. The Thrill Seeker Universe was conceived to be an alternate world in the multiverse that could easily crossover with characters you might find at DC Comics or Marvel. I do have my own fictional cities and other thrilling locations, but it is a variation of our world with heroes and villains.
I showcased a few heroes, but in my mind and in my sketchbooks and plans, it is a rich universe with many characters and stories to tell. I confess that part of my creation of this universe was that while I was just getting a chance to work for DC Comics when I began working on THRILL SEEKER COMICS, I was sort of frustrated that I couldn’t fully play in DC Comics’ sandbox with their toys.
I took archetypes and shook them all up with my own spin so that I would have my own toys to play with and break if I wanted to do so. Fifteen years later, now that I’m older, I’m actually much happier to play in my own toy box now and plan on reviving the series after more than a decade to write and illustrate new tales beginning next year.
I’d like to think that my Thrill Seeker Universe is where The Coen Brothers meets Quentin Tarantino meets Bronze Age Comics. My entire pulp universe inspired by hard-boiled noir tales, 1970’s kung-fu flicks, war films and grindhouse movie hijinks mixed with the feel of classic comic book sensibilities. While it isn’t intended for young kiddies, THRILL SEEKER COMICS is a frenetic mix of humor, bloody violence and reclamation of the soul aimed at mature readers that love blood and guts-style brutal action.
Tell us about this new book of Thrill Seeker Comics you’re putting together.
Friend and former Shooting Star Comics collaborator Erik Burnham encouraged me just over five years ago to collect all my Thrill Seeker short stories and put them into a collection. Originally, they were all drawn black and white. I admit there were a few panels that were rushed that I was not happy with that I wanted to redraw. I also had an unpublished story that was unfinished in what was going to be SHOOTING STAR COMICS ANTHOLOGY #7. With those tales and one published in a one-shot called JOB WANTED as well as an online comic web strip, I cleaned up the art and stories, colorized everything, and put in a sort of “DVD Commentary” in the back of the book along with some pin ups by artists. It is a really nice 128-page book that is completely finished and is currently running a crowdfunding campaign at Kickstarter that I hope many of your readers may check out and support.
Now, You know and I know how you got the nickname Shaft from your lifelong enjoyment and involvement with DC’s emerald archer, but your business dealings with him went deeper than mere fandom. What’s the skinny on that?
I broke into comics in the late 1990’s with the Internet being a new sensation due to my fansite dedicated to Green Arrow. Somewhere along the line, I got the nickname “Shaft” as you mentioned because of my love of Green Arrow, but also because I was a message board moderator at some sites for Chuck Dixon and others… and I was a hard-hitting no-nonsense guy.
When I was the Art Director at Shooting Star Comics when we were publishing independent books, there was a moment when one outside comic creator who wanted to work for us tried to bulldoze his way into something and I had strong words with him. I guess some of the other guys saw me take on a very superfly TNT and guns of the Navarone approach with him in my retort and thus I was “Shaft” forever after…
I later had a wallet given to me that said “Bad Mother Fucker” on it as I’m sure it was a nod to my love of Samuel L. Jackson… and somewhere along the line… many of the comic fans on Dixonverse and elsewhere gave me the nickname. It stuck.
Almost 20 years later, it still sticks in certain circles. But I’m much more chilled now in life.
Things were happening for you all those years ago. At one point, WIZARD MAGAZINE spotlighted you after Kevin Smith said he wanted you to take over writing GREEN ARROW comic for him at DC Comic. Then, not too long after that, you kind of disappeared on the scene. Glad you're back, but what happened?
I was always around on the peripheral, but a lot like John Lennon did in the late 1970’s before he came back with DOUBLE FANTASY album (um… and unfortunately was murdered), I sort of walked away from things too in order to deal with matters in my personal life.
To be frank, life threw me some curveballs with the end of Shooting Star Comics in 2006.
From there, I’ve spent my time raising kids, played bass guitar in a bar band, went to grad school to earn my master's degree, continued with my studies in martial arts and earned a few degrees with my black belt, went through a messy separation and divorce, lost a job when downsizing hit, lived in Japan for a while to figure things out, fought ninjas, got back on my feet here in America and found a new job, bought a home that I’m currently restoring, courted many fair maidens since I’m single now, and just going about and doing all sorts of other things.
I admit the separation, divorce, and aftermath took a huge toll on me. There was even a while there that THRILL SEEKER COMICS property was caught up for over a year in the legal proceedings of the divorce and frozen where my ex-wife would have owned half of this. Our lawyers worked out a deal and it actually states in my divorce decree that I traded the family dog and turned the pet over to her in order to keep full rights to THRILL SEEKER COMICS and be able to publish. I'm glad my kids got the dog and I got my intellectual property unfrozen and back.
It is true that life is what happens while you’re busy making other plans. My son Mitch was born in 2000 when I was helping Kevin Smith on GREEN ARROW. When I began working with SHOOTING STAR COMICS, my son was just a year old. Now my son drives, has whiskers, is about to earn his black belt, and is in his senior year of high school planning on going off to the University of Michigan in 12 months.
How the heck did Shaft, Jr. grow up so fast? Not to mention that I have a daughter who is now 21 years of age.
Well, after this decade of preoccupation with other things, I'm now looking to get back to writing and drawing brand new comic book stories featuring my characters from THRILL SEEKER COMICS.
I miss working in comics and look forward to returning with new stories. And I look forward to the release of this archive collection that you can order now with a pledge on Kickstarter.
How can readers get involved in the Kickstarter and get copies of the TSC book?
I truly appreciate it once again if anyone is interested in buying the archive book, you please head over to Kickstarter website and pledge in one of the brackets fitted for you to order the book. We have a goal that we’re trying to hit by the last day of September but would love to hit it now and provide some stretch goals with cool items to be offered that you can find out about now if you take a look.
You can check out the Kickstarter page at:.
https://www.kickstarter.com/projects/scottmccullar/funding-for-publication-of-thrill-seeker-comicstm
Friday, September 30, 2016
Remembering Shooting Star Comics: Gone But Not Forgotten
In December 2001, a group of online friends, all aspiring comic book writers, came together to produce a showcase for their talents. As readers who love the medium of comic books, they also had a desire to see their scripts given visual form. Since they were serious about their ambitions in this particular field, they decided to pool their resources, find artists (or in some cases, do the art themselves), and publish their short stories (all of it creator owned, original material) together in one book – and then to send that book out into the world, into the hands of the comic book reading public during the summer of 2002.
These friends are also not the least bit reluctant to acknowledge some of the main influences on their own progress in the medium. As a consequence, they decided to ask a couple of those influences to contribute to the endeavor. Chuck Dixon, whose articles on writing for comic books are almost as good as a writing course, was invited to contribute a Western story. And another of those influences, the legendary Denny O’Neil, was asked to write a foreword for the book. He very graciously agreed. The first issue of SHOOTING STAR COMICS ANTHOLOGY was the result of those efforts.
From 2002 to 2006, Shooting Star Comics expanded and became an independent publisher committed to releasing a wide variety of genres and styles in our books. Including both new talent and longtime legends in the industry, Shooting Star Comics produced a high-quality anthology series for six issues and a variety of one-shots and mini-series.As the 15th Anniversary approaches, this website will expand in the days to come to document the history of our small independent publishing house and serve as an archive that recognizes the body of work produced. This site will also serve as a present day guide pointing to where you can work of the original creators now.
Tuesday, January 27, 2015
"Shaft"ed -- Getting to Know Scott McCullar
Tell us a bit about your latest work.
I’ve been meticulously cleaning up all of my body of work that I produced a decade ago of my THRILL SEEKER COMICS series that was published by Shooting Star Comics. I’ve got just a few more final touches on putting together a 128-page archive edition to put out remastered in full color.
What are the themes and subjects you tend to revisit in your work?
I touch on noir pulp fiction-like stories and push my characters onto the road to redemption and understanding.
What would be your dream project?
I used to say that it would be a long run writing GREEN ARROW for DC Comics. I’d still jump at that opportunity, but for now, I want to kickstart my own independent creator-own series and have it be sustainably published as an ongoing series of projects.
If you have any former project to do over to make it better, which one would it be, and what would you do?
I would have liked to have done a few things differently in helping operate Shooting Star Comics, LLC to have kept it sustainable as a publishing company with my pals.
What inspires you to write?
The love of telling stories and entertaining… now while making income with writing and drawing.
What writers have influenced your style and technique?
The writers that most influenced me in comics are comic book writers Denny O’Neil, Chuck Dixon, Mike Grell, Kazuo Koike, and James Robinson. I’ve also really enjoyed the storytelling of Matt Fraction. As for other writers, I’m a fan of Elmore Leonard and Ian Fleming. I’ve also enjoyed the classics from Wells, Dickens, Poe, Hammett, etc. I will also that film and the screen writing of Quentin Tarantino and Akira Kurosawa have also influenced me.
Where would you rank writing on the "Is it an art or it is a science continuum?" Why?
A little of both.
Any other upcoming projects you would like to plug?
I’m about to release THRILL SEEKER COMICS ARCHIVE COLLECTION – VOLUME ONE later this year. You can visit my website at www.scottmccullar.com for more info. In the meantime, I do have a SAMPLER available with three stories from the Archive available for sale on my website.



























