Showing posts with label The Phantom. Show all posts
Showing posts with label The Phantom. Show all posts

Monday, March 26, 2012

[Link] Old-time radio and comics heroes burst back onto the scene

By Brian Truitt, USA TODAY
 
Who knows what evil lurks in the hearts of men? (Hint: The guy dresses up in a cape and runs around at night. And it's not Batman.)

The Shadow still knows — as do Flash Gordon, the Lone Ranger, the Green Hornet and other heroes of 1930s and '40s radio shows, pulp magazines and movie serials.

These good guys are making a comeback, though mainly in comics and feature-length movies. Next month, The Shadow receives a comics reboot courtesy of Dynamite Entertainment, which also publishes ongoing series starring Flash Gordon and Green Hornet plus a new title with pulp hero The Spider that's due in May.

On the big screen, a masked Seth Rogen stung bad guys in last year's The Green Hornet. And in The Lone Ranger, in production for release in 2013, Armie Hammer rides tall as the title cowboy with Johnny Depp as his sidekick Tonto. Baby Boomers grew up watching the Clayton Moore TV series in the '50s, although the saga began as a 1933 radio show in Detroit.

Though these characters may not be as well known as today's comic-book superheroes or the Star Wars and Harry Potter clans, they were the bee's knees for a generation that was decades away from the Internet and iPods.

Before Batman, there was the alter ego Lamont Cranston donning the shadowy mask and hat while haunting radio waves as The Shadow, voiced by Orson Welles in the late '30s.

And before Superman and Captain America there was Flash Gordon, an all-American space adventurer who tussled with planetary tyrant Ming the Merciless in sci-fi comic strips by Alex Raymond and serial films starring Buster Crabbe.

"The '20s and '30s are seen as a very romantic age, with the criminal underworld of urban America and high adventure of exotic foreign locations providing a bit of an edge," says Garth Ennis, who is writing the new Shadow comic. "The reality, I'm sure, would have been mostly a lot more mundane and occasionally quite grim."

He's crafting The Shadow as a dangerous champion of law and order with a flair for the dramatic, and he is embracing one of the vigilante's oldest and most famous traits: his habit of laughing as he consigns his enemies to their doom.

"I decided to be fairly sparing with it," Ennis says. "If he started howling every time he threw a punch or fired a shot, it would get old fast. So I decided to preserve the laugh for moments of deep, dark, extreme humor."

His take on The Shadow comic is a bloody affair, where the mysterious figure dispatches bad guys with violent aplomb. More than 70 years ago, though, audiences had to visualize with their imagination what was going on during the radio-show exploits.

The popularity of the old Shadow and Green Hornet radio shows and their ilk in their heyday is best compared to programs children flock to today, such as Hannah Montana and Dora the Explorer, says Martin Grams Jr., a radio-show historian and author.

Back then, kids and adults would read books, pulps and comics because they were a cheap form of entertainment, and radio was an even bigger medium because it was free.

Continue reading: http://www.usatoday.com/life/comics/story/2012-03-20/Radio-stars-and-pulp-heroes-return-to-pop-culture/53659158/1

Thursday, December 15, 2011

RIP Eduardo Barreto

Luis Eduardo Barreto (1954 – 2011) was an artist from Uruguay who worked in the comic book and comic strip industries.

Barreto's art appeared in such DC Comics series as The New Teen Titans, Atari Force, The Shadow Strikes, and an annual issue of DC Comics Presents (#4, 1985). For Claypool Comics, he drew Elvira, Mistress of the Dark; for Oni Press, he drew The Long Haul; and for Marvel Comics, he drew Marvel Knights.


On May 29, 2006, Barreto took over the artist duties of the comic strip Judge Parker from Harold Ledoux. Shortly afterward, Barreto was involved in a serious car accident. He was in the hospital for a few weeks, which left him unable to draw Judge Parker; as a result, Graham Nolan and John Heebink filled in.

In 2010, Barreto contracted meningitis, which forced him to stop drawing the strip, although continued working on other projects, such as a Captain Action special with writer Beau Smith. Mike Manley succeeded him permanently beginning with the March 15, 2010 strip.

Barreto had a son Diego also a cartoonist, who filled in for him as Judge Parker artist for a week. His daughter Andrea is a colorist.

In July 31, 2011, Baretto became the artist for the Sunday The Phantom comic strip.

Barreto passed away in December 2011. (from Wikipedia)


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For IDW editor Chris Ryall's memorial piece, click here:  
http://www.idwpublishing.com/news/article/2173


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This blogger best remembers Eduardo for his amazing work on the Cobb comics with writer Beau Smith. 

Addendum:  I just remembered the first time I met Eduardo Barreto. It was my first trip to Wizard World Chicago (which now feels like centuries ago). I was meeting my buddy Scott McCullar, and as an added bonus to my trip, he took me to another room to meet a guy he knew through some website work -- a little known writer I'm sure only a few of you have heard of -- Chuck Dixon. Anyway, so while I'm trying not to trip over my fanboy giddiness, Chuck introduces me to the two guys hanging out in the room with him, Doug Moench (if memory serves) and this quiet guy sitting on the couch, just smiling. It was Eduardo. Shortly after that we went out to eat. Something about Eduardo's demeanor was comforting throughout the night. Maybe it was the language barrier at the time, maybe it was just my stand-offishness at being in the midst of giants. Whatever it was, I knew I couldn't help but like the guy.

I only met him in passing at conventions after that, but he was the second true comic book professional I met in person, and he was so human that he helped this fanboy come to realize that pros are just people.

Thank you Eduardo. You were taken from your family and friends -- and fans -- way too early.