Showing posts with label New Babel Books. Show all posts
Showing posts with label New Babel Books. Show all posts

Saturday, December 1, 2018

Free Holiday Short Story -- It's Christmas, Baby, Please Come Home


It’s Christmas, Baby, Please Come Home
by Sean Taylor

This story originally appeared in Cyber Age Adventures Magazine and is collected in my short story collection Show Me A Hero by New Babel Books.

The woman across the table from me wasn’t really a woman at all. She had no real skin to speak of or any kind of humanity other than the feminine shape she had forced her new body of light and energy to look like. Her arms and legs may have been covered up with regular clothes like the rest of us wore, but the way I could see through the parts of her shiny, twinkling form that weren’t covered by clothing reminded me all over again how she was no longer human.

She was something else.

Just like my baby.

Her name was Nancy Elliot, but most of the world knew her as Starlight. A superhero. A woman who had lost her body years ago and had become a freak.

“We love our little girl, Ms. Starlight,” said my husband, Chris. “It’s not like we don’t want her.” He sat beside me,  his hands gripped together in one tight fist, his muscles as tense as his mind had to be. Putting words into the air for both of us. Trying not to make us sound like monsters. “It’s just that I don’t think anymore that staying with us is what’s best for Mackenzie. I think she needs parents who can understand her situation and deal with it better.”

“It takes one to know one, huh?” asked the Elliot’s attorney, a tall man with dark hair that had introduced himself as either Tom or Thomas or Tommy.

Nancy placed her hand on his shoulder. “I’m sure that’s not the way Mr. Brown meant it.” Her fake face looked calm and compassionate. Like a mother’s face. “I’m sure this can’t be easy for them either.”

Her husband sat beside her, wearing a dark blue suit with white pinstripes. He looked like a lawyer himself, but he kept quiet, saying everything he needed to by saying nothing at all.

“I only mean that Deidra and I aren’t really capable of taking care of someone like little Mackenzie. We’re just just not physically or emotionally prepared to cope with the responsibilities of having a child that can burst into flame at a moment’s notice.”

“No parents are ever prepared for their children, Mr. Brown,” Nancy said.

I wanted to tell her that, although she was right, this went far beyond that. That a few months of sleepless nights or constantly having to clean wet bedsheets were quite a different matter than never being able to touch a child without wearing asbestos gloves and being turned down for every homeowners’ insurance policy we applied for when they discovered our daughter’s unique talent for setting herself and her surroundings on fire whenever the mood struck her.

But I didn’t. I couldn’t. She had lost a son only a few years ago. A normal son. One born to her before she became a freak. And MacKensie Elizabeth Brown, born December 17, 2003, had been my first and was my only, so what right did I have to correct a mother who had been through far more than I had?

So I merely shuffled my hands in my lap and nodded, then I smiled at her and her husband, then glanced back down into my lap.

Our attorney, or more correctly, the attorney we had hired just to take care of the adoption process, rifled through the stack of papers in front of him and cleared his throat. “If you are ready, we can sign the papers now,” he said, reaching into his pocket for a pen. He pulled out four and handed one to me, one to Chris, and one each to Nancy and her husband. “I’ve gone through the trouble of highlighting the areas to sign in yellow and marking them with an ‘X’ as well. A little overkill in preparation never hurts, I always say.”

I took a pen and looked at Chris. He forced a smile and looked back at me, then looked away toward the corner of the ceiling. I dropped the pen onto table.

“Mrs. Elliot,” I asked, trying to sound sincere.

“Yes?” she answered.

I wished then and there that some—What do they call them? Supervillains?—that some supervillain would begin a rampage downtown and Starlight would get a beep on her pager or special phone, or whatever people in authority used to contact super types, and she’d have to leave and allow me a few more moments of motherhood, a few more minutes of being a parent of a child I didn’t need and couldn’t raise.

Just a few seconds more of living without the guilt of giving up on a child I didn’t want to accept the responsibility of raising.

But there was no beep, no call, no interruption. Only her calm, understanding smile that she drew in the air with light in an attempt to make us all feel at ease around her.

“Nothing,” I said. “I thought there was something I wanted to tell you, but I guess there really wasn’t.”

She reached across the table for my hand, and I let her take it, if just to know what her artificial touch felt like. “It’s okay,” she said. “I know this has to be difficult for you.”

Her hand felt somehow cool and warm at the same time, like a weird combination of thin metal and a light bulb. I said, “Thank you,” and let go, then settled back into my chair.

Our attorney distributed sets of documents to each of us, indicating where to sign and what parts of the page we might most like to read over before agreeing to, and I signed as I was instructed, barely listening and centering my gaze on the highlighted ‘X’s on the back page of each form.

After a few minutes, he stopped passing around papers and instead gathered them all in front of him and began to sort them into three stacks. The center stack, the largest of them, for him to file with various agencies and in his off-site storage should Mackenzie ever decide to look us up once she grew up. The two smaller stacks were for us and the Elliots to keep or burn or lose or file away.

There was a lot more talk, all friendly and agreeable and tending to go along the lines of how this decision was really best for all of us, and how Chris couldn’t think of a better couple to raise our daughter, and how much Nancy and her husband had been looking forward to having another child after their youngest boy had died of luekemia. We stood up and hugged each other and cried, and the attorneys shook hands and exchanged a second set of business cards.

And it was over.

On the way outside, I followed a few yards behind the Elliots, watching as they walked to their SUV, like a normal couple. Nancy’s husband opened her door, then closed it after she stepped inside, then made his way around to the driver’s side and got in. I wondered why she didn’t just fly to pick up Mackenzie. After all, that was how they got around, right?

Chris came up behind me and put his arm around my shoulders. I pulled in close to him.

“She’ll be better off. You’ll see,” he said.

“Her hand,” I said.

“What?”

“Her hand. It was like nothing I’ve ever felt before.”

“Really.”

“Yeah, really.”

And the world seemed suddenly normal again.

(C) Sean Taylor

Saturday, December 24, 2016

Free Christmas Short Story -- It's Christmas, Baby, Please Come Home


It’s Christmas, Baby, Please Come Home
by Sean Taylor

This story originally appeared in Cyber Age Adventures Magazine and is collected in my short story collection Show Me A Hero by New Babel Books.

The woman across the table from me wasn’t really a woman at all. She had no real skin to speak of or any kind of humanity other than the feminine shape she had forced her new body of light and energy to look like. Her arms and legs may have been covered up with regular clothes like the rest of us wore, but the way I could see through the parts of her shiny, twinkling form that weren’t covered by clothing reminded me all over again how she was no longer human.

She was something else.

Just like my baby.

Her name was Nancy Elliot, but most of the world knew her as Starlight. A superhero. A woman who had lost her body years ago and had become a freak.

“We love our little girl, Ms. Starlight,” said my husband, Chris. “It’s not like we don’t want her.” He sat beside me,  his hands gripped together in one tight fist, his muscles as tense as his mind had to be. Putting words into the air for both of us. Trying not to make us sound like monsters. “It’s just that I don’t think anymore that staying with us is what’s best for Mackenzie. I think she needs parents who can understand her situation and deal with it better.”

“It takes one to know one, huh?” asked the Elliot’s attorney, a tall man with dark hair that had introduced himself as either Tom or Thomas or Tommy.

Nancy placed her hand on his shoulder. “I’m sure that’s not the way Mr. Brown meant it.” Her fake face looked calm and compassionate. Like a mother’s face. “I’m sure this can’t be easy for them either.”

Her husband sat beside her, wearing a dark blue suit with white pinstripes. He looked like a lawyer himself, but he kept quiet, saying everything he needed to by saying nothing at all.

“I only mean that Deidra and I aren’t really capable of taking care of someone like little Mackenzie. We’re just just not physically or emotionally prepared to cope with the responsibilities of having a child that can burst into flame at a moment’s notice.”

“No parents are ever prepared for their children, Mr. Brown,” Nancy said.

I wanted to tell her that, although she was right, this went far beyond that. That a few months of sleepless nights or constantly having to clean wet bedsheets were quite a different matter than never being able to touch a child without wearing asbestos gloves and being turned down for every homeowners’ insurance policy we applied for when they discovered our daughter’s unique talent for setting herself and her surroundings on fire whenever the mood struck her.

But I didn’t. I couldn’t. She had lost a son only a few years ago. A normal son. One born to her before she became a freak. And MacKensie Elizabeth Brown, born December 17, 2003, had been my first and was my only, so what right did I have to correct a mother who had been through far more than I had?

So I merely shuffled my hands in my lap and nodded, then I smiled at her and her husband, then glanced back down into my lap.

Our attorney, or more correctly, the attorney we had hired just to take care of the adoption process, rifled through the stack of papers in front of him and cleared his throat. “If you are ready, we can sign the papers now,” he said, reaching into his pocket for a pen. He pulled out four and handed one to me, one to Chris, and one each to Nancy and her husband. “I’ve gone through the trouble of highlighting the areas to sign in yellow and marking them with an ‘X’ as well. A little overkill in preparation never hurts, I always say.”

I took a pen and looked at Chris. He forced a smile and looked back at me, then looked away toward the corner of the ceiling. I dropped the pen onto table.

“Mrs. Elliot,” I asked, trying to sound sincere.

“Yes?” she answered.

I wished then and there that some—What do they call them? Supervillains?—that some supervillain would begin a rampage downtown and Starlight would get a beep on her pager or special phone, or whatever people in authority used to contact super types, and she’d have to leave and allow me a few more moments of motherhood, a few more minutes of being a parent of a child I didn’t need and couldn’t raise.

Just a few seconds more of living without the guilt of giving up on a child I didn’t want to accept the responsibility of raising.

But there was no beep, no call, no interruption. Only her calm, understanding smile that she drew in the air with light in an attempt to make us all feel at ease around her.

“Nothing,” I said. “I thought there was something I wanted to tell you, but I guess there really wasn’t.”

She reached across the table for my hand, and I let her take it, if just to know what her artificial touch felt like. “It’s okay,” she said. “I know this has to be difficult for you.”

Her hand felt somehow cool and warm at the same time, like a weird combination of thin metal and a light bulb. I said, “Thank you,” and let go, then settled back into my chair.

Our attorney distributed sets of documents to each of us, indicating where to sign and what parts of the page we might most like to read over before agreeing to, and I signed as I was instructed, barely listening and centering my gaze on the highlighted ‘X’s on the back page of each form.

After a few minutes, he stopped passing around papers and instead gathered them all in front of him and began to sort them into three stacks. The center stack, the largest of them, for him to file with various agencies and in his off-site storage should Mackenzie ever decide to look us up once she grew up. The two smaller stacks were for us and the Elliots to keep or burn or lose or file away.

There was a lot more talk, all friendly and agreeable and tending to go along the lines of how this decision was really best for all of us, and how Chris couldn’t think of a better couple to raise our daughter, and how much Nancy and her husband had been looking forward to having another child after their youngest boy had died of luekemia. We stood up and hugged each other and cried, and the attorneys shook hands and exchanged a second set of business cards.

And it was over.

On the way outside, I followed a few yards behind the Elliots, watching as they walked to their SUV, like a normal couple. Nancy’s husband opened her door, then closed it after she stepped inside, then made his way around to the driver’s side and got in. I wondered why she didn’t just fly to pick up Mackenzie. After all, that was how they got around, right?

Chris came up behind me and put his arm around my shoulders. I pulled in close to him.

“She’ll be better off. You’ll see,” he said.

“Her hand,” I said.

“What?”

“Her hand. It was like nothing I’ve ever felt before.”

“Really.”

“Yeah, really.”

And the world seemed suddenly normal again.

(C) Sean Taylor

Thursday, December 17, 2015

Holiday Re-Runs -- Free Story "It's Christmas, Baby, Please Come Home"


It’s Christmas, Baby, Please Come Home
by Sean Taylor

This story originally appeared in Cyber Age Adventures Magazine and is collected in my short story collection Show Me A Hero by New Babel Books.

The woman across the table from me wasn’t really a woman at all. She had no real skin to speak of or any kind of humanity other than the feminine shape she had forced her new body of light and energy to look like. Her arms and legs may have been covered up with regular clothes like the rest of us wore, but the way I could see through the parts of her shiny, twinkling form that weren’t covered by clothing reminded me all over again how she was no longer human.

She was something else.

Just like my baby.

Her name was Nancy Elliot, but most of the world knew her as Starlight. A superhero. A woman who had lost her body years ago and had become a freak.

“We love our little girl, Ms. Starlight,” said my husband, Chris. “It’s not like we don’t want her.” He sat beside me, his hands gripped together in one tight fist, his muscles as tense as his mind had to be. Putting words into the air for both of us. Trying not to make us sound like monsters. “It’s just that I don’t think anymore that staying with us is what’s best for Mackenzie. I think she needs parents who can understand her situation and deal with it better.”

“It takes one to know one, huh?” asked the Elliot’s attorney, a tall man with dark hair that had introduced himself as either Tom or Thomas or Tommy.

Nancy placed her hand on his shoulder. “I’m sure that’s not the way Mr. Brown meant it.” Her fake face looked calm and compassionate. Like a mother’s face. “I’m sure this can’t be easy for them either.”

Her husband sat beside her, wearing a dark blue suit with white pinstripes. He looked like a lawyer himself, but he kept quiet, saying everything he needed to by saying nothing at all.

“I only mean that Deidra and I aren’t really capable of taking care of someone like little Mackenzie. We’re just just not physically or emotionally prepared to cope with the responsibilities of having a child that can burst into flame at a moment’s notice.”

“No parents are ever prepared for their children, Mr. Brown,” Nancy said.

I wanted to tell her that, although she was right, this went far beyond that. That a few months of sleepless nights or constantly having to clean wet bedsheets were quite a different matter than never being able to touch a child without wearing asbestos gloves and being turned down for every homeowners’ insurance policy we applied for when they discovered our daughter’s unique talent for setting herself and her surroundings on fire whenever the mood struck her.

But I didn’t. I couldn’t. She had lost a son only a few years ago. A normal son. One born to her before she became a freak. And MacKensie Elizabeth Brown, born December 17, 2003, had been my first and was my only, so what right did I have to correct a mother who had been through far more than I had?

So I merely shuffled my hands in my lap and nodded, then I smiled at her and her husband, then glanced back down into my lap.

Our attorney, or more correctly, the attorney we had hired just to take care of the adoption process, rifled through the stack of papers in front of him and cleared his throat. “If you are ready, we can sign the papers now,” he said, reaching into his pocket for a pen. He pulled out four and handed one to me, one to Chris, and one each to Nancy and her husband. “I’ve gone through the trouble of highlighting the areas to sign in yellow and marking them with an ‘X’ as well. A little overkill in preparation never hurts, I always say.”

I took a pen and looked at Chris. He forced a smile and looked back at me, then looked away toward the corner of the ceiling. I dropped the pen onto table.

“Mrs. Elliot,” I asked, trying to sound sincere.

“Yes?” she answered.

I wished then and there that some—What do they call them? Supervillains?—that some supervillain would begin a rampage downtown and Starlight would get a beep on her pager or special phone, or whatever people in authority used to contact super types, and she’d have to leave and allow me a few more moments of motherhood, a few more minutes of being a parent of a child I didn’t need and couldn’t raise.

Just a few seconds more of living without the guilt of giving up on a child I didn’t want to accept the responsibility of raising.

But there was no beep, no call, no interruption. Only her calm, understanding smile that she drew in the air with light in an attempt to make us all feel at ease around her. 

“Nothing,” I said. “I thought there was something I wanted to tell you, but I guess there really wasn’t.”

She reached across the table for my hand, and I let her take it, if just to know what her artificial touch felt like. “It’s okay,” she said. “I know this has to be difficult for you.”

Her hand felt somehow cool and warm at the same time, like a weird combination of thin metal and a light bulb. I said, “Thank you,” and let go, then settled back into my chair.

Our attorney distributed sets of documents to each of us, indicating where to sign and what parts of the page we might most like to read over before agreeing to, and I signed as I was instructed, barely listening and centering my gaze on the highlighted ‘X’s on the back page of each form.

After a few minutes, he stopped passing around papers and instead gathered them all in front of him and began to sort them into three stacks. The center stack, the largest of them, for him to file with various agencies and in his off-site storage should Mackenzie ever decide to look us up once she grew up. The two smaller stacks were for us and the Elliots to keep or burn or lose or file away.

There was a lot more talk, all friendly and agreeable and tending to go along the lines of how this decision was really best for all of us, and how Chris couldn’t think of a better couple to raise our daughter, and how much Nancy and her husband had been looking forward to having another child after their youngest boy had died of luekemia. We stood up and hugged each other and cried, and the attorneys shook hands and exchanged a second set of business cards.

And it was over.

On the way outside, I followed a few yards behind the Elliots, watching as they walked to their SUV, like a normal couple. Nancy’s husband opened her door, then closed it after she stepped inside, then made his way around to the driver’s side and got in. I wondered why she didn’t just fly to pick up Mackenzie. After all, that was how they got around, right?

Chris came up behind me and put his arm around my shoulders. I pulled in close to him.

“She’ll be better off. You’ll see,” he said.

“Her hand,” I said.

“What?”

“Her hand. It was like nothing I’ve ever felt before.”

“Really.”

“Yeah, really.”

And the world seemed suddenly normal again.

(C) Sean Taylor

Tuesday, December 25, 2012

Free Holiday Story: It's Christmas, Baby, Please Come Home


It’s Christmas, Baby, Please Come Home
by Sean Taylor

This story originally appeared in Cyber Age Adventures Magazine and is collected in my short story collection Show Me A Hero by New Babel Books.

The woman across the table from me wasn’t really a woman at all. She had no real skin to speak of or any kind of humanity other than the feminine shape she had forced her new body of light and energy to look like. Her arms and legs may have been covered up with regular clothes like the rest of us wore, but the way I could see through the parts of her shiny, twinkling form that weren’t covered by clothing reminded me all over again how she was no longer human.

She was something else.

Just like my baby.

Her name was Nancy Elliot, but most of the world knew her as Starlight. A superhero. A woman who had lost her body years ago and had become a freak.

“We love our little girl, Ms. Starlight,” said my husband, Chris. “It’s not like we don’t want her.” He sat beside me, his hands gripped together in one tight fist, his muscles as tense as his mind had to be. Putting words into the air for both of us. Trying not to make us sound like monsters. “It’s just that I don’t think anymore that staying with us is what’s best for Mackenzie. I think she needs parents who can understand her situation and deal with it better.”

“It takes one to know one, huh?” asked the Elliot’s attorney, a tall man with dark hair that had introduced himself as either Tom or Thomas or Tommy.

Nancy placed her hand on his shoulder. “I’m sure that’s not the way Mr. Brown meant it.” Her fake face looked calm and compassionate. Like a mother’s face. “I’m sure this can’t be easy for them either.”

Her husband sat beside her, wearing a dark blue suit with white pinstripes. He looked like a lawyer himself, but he kept quiet, saying everything he needed to by saying nothing at all.

“I only mean that Deidra and I aren’t really capable of taking care of someone like little Mackenzie. We’re just just not physically or emotionally prepared to cope with the responsibilities of having a child that can burst into flame at a moment’s notice.”

“No parents are ever prepared for their children, Mr. Brown,” Nancy said.

I wanted to tell her that, although she was right, this went far beyond that. That a few months of sleepless nights or constantly having to clean wet bedsheets were quite a different matter than never being able to touch a child without wearing asbestos gloves and being turned down for every homeowners’ insurance policy we applied for when they discovered our daughter’s unique talent for setting herself and her surroundings on fire whenever the mood struck her.

But I didn’t. I couldn’t. She had lost a son only a few years ago. A normal son. One born to her before she became a freak. And MacKensie Elizabeth Brown, born December 17, 2003, had been my first and was my only, so what right did I have to correct a mother who had been through far more than I had?

So I merely shuffled my hands in my lap and nodded, then I smiled at her and her husband, then glanced back down into my lap.

Our attorney, or more correctly, the attorney we had hired just to take care of the adoption process, rifled through the stack of papers in front of him and cleared his throat. “If you are ready, we can sign the papers now,” he said, reaching into his pocket for a pen. He pulled out four and handed one to me, one to Chris, and one each to Nancy and her husband. “I’ve gone through the trouble of highlighting the areas to sign in yellow and marking them with an ‘X’ as well. A little overkill in preparation never hurts, I always say.”

I took a pen and looked at Chris. He forced a smile and looked back at me, then looked away toward the corner of the ceiling. I dropped the pen onto table.

“Mrs. Elliot,” I asked, trying to sound sincere.

“Yes?” she answered.

I wished then and there that some—What do they call them? Supervillains?—that some supervillain would begin a rampage downtown and Starlight would get a beep on her pager or special phone, or whatever people in authority used to contact super types, and she’d have to leave and allow me a few more moments of motherhood, a few more minutes of being a parent of a child I didn’t need and couldn’t raise.

Just a few seconds more of living without the guilt of giving up on a child I didn’t want to accept the responsibility of raising.

But there was no beep, no call, no interruption. Only her calm, understanding smile that she drew in the air with light in an attempt to make us all feel at ease around her. 

“Nothing,” I said. “I thought there was something I wanted to tell you, but I guess there really wasn’t.”

She reached across the table for my hand, and I let her take it, if just to know what her artificial touch felt like. “It’s okay,” she said. “I know this has to be difficult for you.”

Her hand felt somehow cool and warm at the same time, like a weird combination of thin metal and a light bulb. I said, “Thank you,” and let go, then settled back into my chair.

Our attorney distributed sets of documents to each of us, indicating where to sign and what parts of the page we might most like to read over before agreeing to, and I signed as I was instructed, barely listening and centering my gaze on the highlighted ‘X’s on the back page of each form.

After a few minutes, he stopped passing around papers and instead gathered them all in front of him and began to sort them into three stacks. The center stack, the largest of them, for him to file with various agencies and in his off-site storage should Mackenzie ever decide to look us up once she grew up. The two smaller stacks were for us and the Elliots to keep or burn or lose or file away.

There was a lot more talk, all friendly and agreeable and tending to go along the lines of how this decision was really best for all of us, and how Chris couldn’t think of a better couple to raise our daughter, and how much Nancy and her husband had been looking forward to having another child after their youngest boy had died of luekemia. We stood up and hugged each other and cried, and the attorneys shook hands and exchanged a second set of business cards.

And it was over.

On the way outside, I followed a few yards behind the Elliots, watching as they walked to their SUV, like a normal couple. Nancy’s husband opened her door, then closed it after she stepped inside, then made his way around to the driver’s side and got in. I wondered why she didn’t just fly to pick up Mackenzie. After all, that was how they got around, right?

Chris came up behind me and put his arm around my shoulders. I pulled in close to him.

“She’ll be better off. You’ll see,” he said.

“Her hand,” I said.

“What?”

“Her hand. It was like nothing I’ve ever felt before.”

“Really.”

“Yeah, really.”

And the world seemed suddenly normal again.

(C) Sean Taylor

Thursday, November 1, 2012

Get a taste of SHOW ME A HERO!


Just as he’d requested in the Mid Town Reporter, the flowers were all made of papier-mâché. They were orange. And green. No other colors. The pall bearers wore suits of black, against which the brightly colored paper looked like a gift from a well-meaning, but naïve child, the kind of gift that a parent couldn’t dream of turning down, but clenched still at the thought of accepting.
   And in a way, they were. Just as surely as Graham Dixon lay in that shiny orange casket, these people, these mourners, they had fathered him and birthed him and given him life. Then they killed him.
   They deserved to wear the stupid fake flowers.
-- From "Foolish Notions"
 

The Senator’s death was a textbook shooting. Muldaine had taken one slug in the temple and died instantly. His body slumped in the leather desk chair, and his head lay back, eyes still open, staring in vain at the office’s high ceiling.
   The intern wasn’t so lucky. His body lay in the doorway, arms and legs spread out like a stomped spider. He had taken eight rounds, three in his chest, one in his right kneecap, two in his face, and the remaining two in his right arm. The bullets that had disfigured his face had done most of the damage. One had taken his left eye and left a bleeding, empty socket in its place. The other had shattered his jaw, exposing the muscle and bone of his cheek. The three chest shots were clean—though none of them had pierced his heart. The shot to the knee had made walking away impossible. With any luck, he had passed out before he died. But judging by the pained grimace on his face, that hadn’t been the case.
   And there was the matter of the word “Atlanta” he had scrawled in his own blood on the hardwood floor.
-- From "Lucky Strikes"


In the movies, bars always have cool names and are filled with happy people chatting up supermodels. Sure there is usually one moping character amid the clamor of noise and festiveness. But Palmer’s wasn’t like that at all. The place was quiet as an unwritten symphony and the crowd—though there couldn’t be more than a dozen people inside, none of whom were remotely close to supermodel status—sipped from their glasses in silence, each too burdened with his or her own business to spare a thought for anyone else’s. The place didn’t even smell like smoke.
-- From "Fear and Frenzy"

The man who killed me wore a tattoo of Santa Claus across his chest. The old elf in the red suit sat in his sleigh, moist with the man’s sweat in spite of the night’s chill, and his reindeer jerked with every shudder my murderer made as the icy breeze kissed his bare skin.
-- From "Sin and Error Pining"

She had never been the type of person to see the world in black and white. There had always been just too damn much, well, gray wherever she looked. In spite of all her private Protestant schoolteachers had done to instill Southern fundamentalist categories of good and evil in her, she just didn’t buy it. It was a load of crap, as far as she was concerned.
   Still, even with all that, even when her mind told her it was just a compartment people had invented for storing ideals they disagreed with, she somehow knew that the man standing over her was plain, through and through evil.
-- From "Farewell" 


Larry Moore stood mixed in the crowd, the wet shoulders of his raincoat bumping against those of the other onlookers as they pushed toward the front of the police line. He smelled the gladiatorial bloodlust as the curious smashed together to witness the city’s demolition crew reduce 2341 Old Smith Street to a few hundred square feet of rubble. Even through the hazy drizzle he could smell it. Like a mixture of soured upholstery and human sweat.
   People always turn out for destruction, he thought with a smirk.
-- From "The Framework Soul"
 

Tony Tanaka fancied himself a gangster in the Hollywood tradition. Born Tanaka Yasuo and so named by his parents, he had long since dropped the Japanese custom of using his family name first and his given name at all in favor of the nickname “Anthony” or usually just “Tony” in order to appear less like just another member of the Yakuza. More prone to grandiose gestures than real bouts of forethought and planning, and more apt to make stupid mistakes that tended to get his movie mentors caught or killed than to keep a low profile and work behind the scenes, he should have been a pushover. An easy kill.
   The only thing was, well, he had played us all for fools. Just like the cliché.
-- From "The Subtraction Agenda"

Something heavy and hard slammed into my back. I tried to twist and roll with the impact but its force kept me careening forward, falling out of the sky, until the cement walkway of Bishop Port Park stopped us both a few feet in front of the statue of Alexander D. Bishop.
   I pushed myself up from the hole I had made and pushed the hair out of my face. I gazed up at the monument of Alex Bishop, I guess to apologize for wrecking his park, and I smiled faintly and shook my head. I stood up and turned around, finally able to see what had taken me out so easily. 
   The top two floors of the Simmons building.
-- From "A Gathering of Angels"

The woman across the table from me wasn’t really a woman at all. She had no real skin to speak of or any kind of humanity other than the feminine shape she had forced her new body of light and energy to look like. Her arms and legs may have been covered up with regular clothes like the rest of us wore, but the way I could see through the parts of her shiny, twinkling form that weren’t covered by clothing reminded me all over again how she was no longer human.
-- From "It's Christmas, Baby, Please Come Home"

I blame it all on Franz Suppé.
   Without his genius, Joanna and I could have lived a world of bickering happiness, filled with soccer games and dance recitals, a life of too many family events and not enough hours to accomplish them. Without his damn overture, we might never have discovered that we were more than normal, less than free.
-- From "Elements and Angels"

Mom,” he said, pointing up at the top of St. Anne’s Cathedral. “It moved.”
   “What moved, honey?”
   He hated it when she called him sweet names like “honey” or “baby.” She never seemed to call him just son or John anymore, not since the accident. And his baby brother, Edward, never got baby names. “The angel moved,” he said, his voice cracking as he fought the spots the sun was putting in his eyes. “The angel on the church.”
-- From "Angels of Our Better Nature"


To order SHOW ME A HERO, click here.

Friday, August 31, 2012

Hey Kindle and Nook owners!

Click here for Show Me a Hero on Kindle!

Click here for Show Me a Hero on Nook!

"...More fully-rounded, more realistic and, as a direct result, more human than all but the best superhero comic book work."
—From the introducton by Dwayne McDuffie

“Sean Taylor’s stories focus less on the obvious trappings of the genre, instead homing in on the conflicted, flawed human beings for whom greater-than-mortal powers don’t convey greater-than-mortal morality.”
—Tom Brevoort, Executive Editor, Marvel Comics

“Show Me a Hero delivers a series of stories that are dangerous, intriguing, fun and lathered with that sense of character readers will be sure to love. Once you’re done reading, you’ll know you read a well-crafted, fully rounded piece of work.”
—Dan Jurgens, author of The Death of Superman

“Hitting a heavy beat on the ’human’ in superhuman, Taylor’s stories pulse with a visceral reality. The biggest villains his heroes face might be their own bad habits; their greatest challenges are working through relationships—not surviving the battle. Show Me a Hero lives in the place where modern fiction meets mythology.”
—Barbara Randall Kesel, author of Alien vs. Predator, WildC.A.T.s, Rogue Angel: Teller of Tall Tales

“’Show me a hero and I will write you a tragedy.’ Sean Taylor takes F. Scott Fitzgerald to heart in a selection of stories that reveal the high price even super heroes often pay to do the right thing. If there are any tears in these riveting tales— and, I’m afraid, there are—they do not diminish the courage of Taylor’s champions or the power of his writing. These are the quiet pains that stay with the readers and, hopefully, help them appreciate the heroes in their own lives.”
—Tony Isabella, author of 1000 Comic Books You Must Read, Star Trek: The Case of the Colonist’s Corpse

Saturday, June 23, 2012

Top 10 Things You Must Know to Write Full Time

Last week, on the verge of his big launch, and with the press begging him for interviews from every corner, I called Shane Moore and I asked him to bang out something that would help the average hobbyist break out and start to make their living from their writing. With more on his plate than I have space to tell you, Moore delivered in his own inimitable style.

There’s some profanity below (also part of Moore’s style), but no one can deny the man know what he’s talking about. We here at NBB hope you find this insightful post as entertaining as it is useful.

Frank Fradella // publisher

The Top 10 Things You Must Know to Write Full Time

By Shane Moore

10.) THIS IS A BUSINESS
Yes, that’s right. You thought this was “art.” The shit your kid brings home from school and you tack on your fridge with a magnet is art. Writing full time is about producing a product—not art. If you want to produce something perfect, spend thirty years writing it and then put it in a drawer. The moment you seek publishing, you are entering a professional arena driven by dollars and cents. As soon as you get that truth through your head the sooner you will be able to divorce yourself from your work and create a sellable product for other people.

Continue reading: http://newbabelbooks.com/2012/06/the-top-10-things-you-must-know-to-write-full-time/

Monday, February 20, 2012

So Human, So Flawed, So Fragile, So Authentic -- A review of Show Me A Hero

Got an awesome review from author Michael Vance for my Show Me A Hero collection from New Babel Books!

=========================================================

I diligently tried to find any contact information on any of them – for example, The Fool, Glitter, Double Shot, Tobit’s Angel, or Fishnet Angel – and found nothing.

I would have loved to talk to some of them, face to face, but it was almost as if they didn’t live in this world, my world, the real world. But the world they live in is so authentic that it can’t be an alternate universe or a dream.

I wanted to find them.  They were each so compelling.

I just read about them and others in a real page-turning collection of short stories, news releases, and essays published by New Babel that was written by Sean Taylor. Show Me A Hero was the title of what has to be 514 pages of non-fiction. Yes, each had an exaggerated gift – one was little more than a collection of light ‘bubbles’—but they were so human, so flawed, so fragile in many ways despite their enhanced powers. They suffered heartbreak and celebrated joy. They gained lovers and lost to death. They cried. Laughed. All of that human stuff.

And they fought like heroes. Superheroes.

So, I’m left with only two conclusions. They live somewhere, on some level. And, if the principal purposes of any book are entertainment, enlightenment, or education, then Show Me A Hero is entertainment at its best.

It’s the real deal. 

Show Me A Hero by Sean Taylor/514 pages from New Babel Books.

Review by Michael Vance, author of Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light's End, now available at http://www.gopulp.info/. For electronic version, go to: http://homepage.mac.com/robmdavis/Airship27Hangar/index.htm

Wednesday, February 15, 2012

[Link] New Pulp Interviews Frank Fradella of New Babel Books


According to its website, “New Babel Books exists because there are authors out there who have extraordinary projects that don’t fit easily into the pigeonholes of today’s industry.” Elsewhere, it describes itself as “the champion of the hard-to-classify book.” As tough as that makes it to…well, classify and pigeonhole, I appreciate publishers that are brave enough to take chances on creators with very clear, uncompromised visions. Comics publisher Archaia is like that and it’s made for an excellent line of high quality, artistic books. So, right away New Babel has my attention. The trick is to learn if any of the visions they provide a home for are something I’m interested in reading. Spoiler: they are.

Continue reading: http://www.newpulpfiction.com/2012/02/pulptacular-new-babel-books.html

Sunday, January 29, 2012

500+ pages of stories for only $.99

500+ pages of stories for only $.99

Show Me a Hero e-book, by me, from New Babel Books
https://www.smashwords.com/books/view/64391

But don't take my recommendation. Take it from this wonderful people!

"...More fully-rounded, more realistic and, as a direct result, more human than all but the best superhero comic book work."
—From the introducton by Dwayne McDuffie

“Sean Taylor’s stories focus less on the obvious trappings of the genre, instead homing in on the conflicted, flawed human beings for whom greater-than-mortal powers don’t convey greater-than-mortal morality.”
—Tom Brevoort, Executive Editor, Marvel Comics

“Show Me a Hero delivers a series of stories that are dangerous, intriguing, fun and lathered with that sense of character readers will be sure to love. Once you’re done reading, you’ll know you read a well-crafted, fully rounded piece of work.”
—Dan Jurgens, author of The Death of Superman

“Hitting a heavy beat on the ’human’ in superhuman, Taylor’s stories pulse with a visceral reality. The biggest villains his heroes face might be their own bad habits; their greatest challenges are working through relationships—not surviving the battle. Show Me a Hero lives in the place where modern fiction meets mythology.”
—Barbara Randall Kesel, author of Alien vs. Predator, WildC.A.T.s, Rogue Angel: Teller of Tall Tales

“’Show me a hero and I will write you a tragedy.’ Sean Taylor takes F. Scott Fitzgerald to heart in a selection of stories that reveal the high price even super heroes often pay to do the right thing. If there are any tears in these riveting tales— and, I’m afraid, there are—they do not diminish the courage of Taylor’s champions or the power of his writing. These are the quiet pains that stay with the readers and, hopefully, help them appreciate the heroes in their own lives.”
—Tony Isabella, author of 1000 Comic Books You Must Read, Star Trek: The Case of the Colonist’s Corpse

“I’ll sum it up as simply as I can: you’re going to care. That’s what Sean does with his characters and the stories they inhabit. He makes you care.”
—Erik Burnham, author of A-Team: War Stories, Ghostbusters Infestation, Nanover, Civil War Adventures

“Show Me a Hero is not about powers, costumes or catchy code names. It’s about heart and soul, and the choices that make heroes out of ordinary lives.”
—Bryan J.L. Glass, author of Mice Templar, Thor: First Thunder

“A lot of writers talk about trying to introduce superheroes into the real world, but Sean Taylor does it better than most. Perhaps because his stories don't just have plot, they have a point. They're not about a series of circumstances and events, but about how those circumstances and events make the people living through them feel. You may not like every story in Show Me A Hero, but I defy you to finish one and be indifferent. You may love them or hate them, be inspired or unsettled, but they're going to get inside your head and gut and make you think and feel.”
—Paul Storrie, author of Gotham Girls, Justice League Unlimited, Captain America: Red, White & Blue

“Sean Taylor’s work is gripping, sincere and relevant.”
—Dwight MacPherson, author of The Surreal Adventures of Edgar Allan Poo, American McGee’s Grim

“Full of dynamic action and a range of intriguing characters, Sean Taylor gracefully delivers moments of dimension and depth in his stories that explore what being heroic is truly about.”
—Stephen Zimmer, author of the Rising Dawn Saga and Fires in Eden Series

“What will certainly surprise new readers of Sean Taylor’s work is how mature and entertaining the story lines are, not to mention the amount of realism he injects into each and every one of his characters. If you’re on the fence about super hero fiction—if you think it’s just kid stuff—then pick up Show Me A Hero and find out how glad you’ll be to learn you were wrong.”
—Tom Waltz, Editor, IDW Publishing; author of Silent Hill: Sinners Reward, Gene Simmons Zipper, TMNT

“Instead of the all-powerful visitor from another planet or the millionaire with crimefighting devices that cost more than my house, Taylor shows us a more human hero—and more often than not, a less than perfect one. Show Me A Hero reminds us that heroes come in all shapes and sizes as it takes us down the less traveled path to see just what defines a hero.
—Bobby Nash, author of Evil Ways, Lance Star: Sky Ranger, Fuzzy Bunnies From Hell

“Guaranteed to pull at your emotions—a must read!”
—Shane Moore, author of the Abyss Walker series

“Show Me a Hero is a great mix of super hero stories that appeal to every reader—dark, sweet, strong and funny, each story has a unique take on the super hero setting. Taylor has done a fantastic job, enticing me every step along the way to draw me into the worlds and become passionate about the characters.”
—Christina Barber, author of Seely’s Pond and Spirits of Georgia’s Southern Crescent

"Sean Taylor’s stories are in-your-face, emotional, and immediate. In this collection, he examines from all angles the odd yet undeniable impulse that drives some people to put on a costume and fight crime in the streets. No kid stuff here—this is serious, intelligent drama and deep, human introspection spiced with plenty of action and intensity (and often a nice twist along the way). Well worth your time."
—Van Allen Plexico, author of Assembled! and the Sentinels series

Also available in trade paperback: http://www.amazon.com/Show-Me-Hero-iHero-Omnibus/dp/0972019715/ref=ntt_at_ep_dpi_8

Wednesday, January 11, 2012

SHOW ME A HERO is still only $.99! Get the ebook today!

The ebook of SHOW ME A HERO is still only $.99. Get your copy now before the price goes up. Seriously. One lousy buck for 400+ pages of stories.

https://www.smashwords.com/books/view/64391

Ebook Description:
Sean Taylor understands better than most what it takes to tell stories about people with powers more than the cliche many expect. In this giant tome, Taylor delves deep into the humanity of his creations, from the gender-bending Fishnet Angel to the tragic Starlight, but never forgets to add the right amount of danger and action to accent the tale.

https://www.smashwords.com/books/view/64391

Wednesday, December 14, 2011

A free holiday story from SHOW ME A HERO -- Sin and Error Pining

Taken from my collection, Show Me a Hero, published by New Babel Books. For more information about the book, visit www.NewBabelBooks.com or www.taylorverse.com/showmeahero.html. To purchase the book, click here. (Trade paperback for $17.99 and ebook for only $.99.)
Sin and Error Pining
At Christmas I no more desire a rose
Than wish a snow in May’s new fangled mirth;
But like of each thing that in season grows.
—William Shakespeare, Love’s Labour Lost, Act I, Scene 1


The man who killed me wore a tattoo of Santa Claus across his chest. The old elf in the red suit sat in his sleigh, moist with the man’s sweat in spite of the night’s chill, and his reindeer jerked with every shudder my murderer made as the icy breeze kissed his bare skin.

I lay puffing for breath, wanting to cry out for help, even though I knew it would come too late. He held the knife above me, christened with my own blood, so thick that it dripped in a steady stream of crimson onto me, staining my new cashmere sweater.

“My name is Katrina Warner,” I said, taking my time to speak without sputtering, even through the pain. “I live on 216 South Rotunda Drive. I won the 1988 trophy for jazz dance in the eleventh grade. My favorite color is blue. I like my eggs scrambled with catsup. I can’t stand coffee without cream and sugar.”

“Shut up,” he spat, his eyes glaring at me through the holes of his purple masquerade-style mask. He sat straddling my hips, one hand pushing down on my stomach, forcing more blood from the gash where he’d stabbed me.

“I went to the park today with my father. He didn’t remember my name, but he knew the park.  He got Alzheimer’s ten years ago. I celebrated my twenty-fourth birthday on a cruise ship on the way to Greece.”

“I said shut up!”

“My favorite Christmas song is the one about the chestnuts, the one Nat King Cole does. I never liked eggnog. I got a portable DVD player from my boyfriend last Christmas, but he wanted it back when we broke up.”

He shoved one hand over my mouth and jammed the knife deep inside my gut again, in the same place as before it seemed. I could feel the pull as the knife worked up toward my ribs and deeper toward my spine, widening the gap.

I winced but didn’t scream. I couldn’t let myself. What use would it be anyway? The weapon had done its work, and I knew I had only three minutes and thirteen seconds to live.

The packages I’d been carrying lay where they had fallen, strewn about the alley as if I’d thrown them to the four winds on purpose. The large, red box, taped shut on all four sides and wrapped with a matching bow, contained a set of the Harry Potter hardcovers for my niece. Close to it and upside down was the plastic Macy’s bag with dad’s socks and a new robe to replace the one he had worn out at the home. Near my feet, just past the cuff of my killer’s jeans, was the bag of Bath and Body Works cleansers and body sprays for the other girls at the office.

The alley darkened as a winged man flew above us and blocked out the sun for a moment. My guess was Tobit’s Angel. According to the papers, he was back in New York for some Peacekeepers meeting. Behind him flew a woman in long robes that dangled from her like sashes. I’d never seen her before. Must have been somebody new. As they passed by, I thought of calling out, yelling that I was down here and that I was dying, or maybe just to say hello to one of them before I died and look into the gaze of our mortal gods and goddesses and see my own face reflected in their eyes.

But I didn’t. Here on the ground, in an alley, a dying copyeditor for an obscure underground music magazine with fewer subscribers than the populations of most small Southern towns, I knew I was beneath their notice. The man on me had merely killed a nobody woman trying to finish up her Christmas shopping—not tried to overthrow a local government or hijacked an ambassador or threatened to explode like a nuke in a major international hotbed.

I looked up at him, trying to appear sympathetic. He took his hand away from my mouth. “I wouldn’t look good in tights. I still have that annoying baby fat on the insides of my thighs that won’t go away no matter how much weight I lose.”

“What are you babbling about, lady? Just shut up and die already.”

As he spoke, he continued sawing toward my ribs. The pain had become mere force, and most of the acuteness had faded from either calm or adrenaline. And though I knew my body was growing weaker, I somehow felt stronger, more focused... alive.

“I have fifty dollars in my purse that’s not in my wallet. You have to unzip the section in the middle. It’s in the pouch there. There’s a coupon for a free cheesecake at Myrtle’s there, too. You should try their cheesecake. I wish I had.”

“Lady...”

“I’m sorry, but the credit cards are pretty much maxed out because of Christmas, but with the two hundred in the wallet and the extra fifty in the middle pouch, you ought to have a little something for your efforts.”

He stopped cutting me and shifted his weight, moving up from my hips to straddle my waist. “Lady, you’re crazy.” He pulled the knife out and stared at it, then at me. “Why ain’t you dead yet?”

“You really should try to escape. The cops will be here in two minutes and forty-two seconds. A lady walking her poodle will walk by the mouth of the alley and scream, and then they’ll come running here for you.”

“Shut up, I said!”

“Just trying to be helpful.”

He pushed the flat of the blade against my nose. The point stuck up phallic-like between my eyes. “Maybe I shoulda done your throat instead, lady. At least that way, you wouldn’t be carrying on like some kinda crazy.”

The pain returned, thanks to his new position and my weakened stomach muscles, and I coughed up blood and nearly gagged on it.

“Good,” he said, “‘Bout time.” He lifted his arm and looked at his watch. “Damn, you sure taking a long time to go. You ain’t some kind of superhero, are you?”

I listened to his accent as he spoke. A put-on Southern accent that could have fooled most people who didn’t grow up there. But he had the long  ‘a’ sound all wrong. Probably an acting student. He lifted the knife, set it down by his knee, and wiped his long, black bangs out of his face and grimaced before grabbing the knife again. His shirt lay open, unbuttoned nearly to his waist, its ends tucked into his tight, black jeans, and his chest looked to be freshly shaven. Santa Claus jumped slightly as another breeze shot its frozen breath into the alley.

He’d be dead in two minutes and twenty-six seconds. I’d seen it the second he brushed past me on the sidewalk, triggering the limited precognition that I fondly called my five-minute warning. One shot. Clean. In the chest. Falling limp beside my own body.

I tried to shake my head, but found that the act of moving even that little brought more sting to go with the pain. So instead, I simply said, “No.”

I took a deep breath and almost moaned as the force of breathing tore open the wound a little more. I was sure the lower part of my sweater had been soaked through now and would be sticky against my gutted corpse when the cops would finally be able to check on me.

“Yeah,” he said, “You gonna help me make a name for myself, lady. They’re already calling me the T-Bone Killer in the paper. On more cut across the top, so they’ll know it was me, and then I’ll take that money you offered and be on my way.”

“Wha—what’s your name?” I whispered, my words as full and labored and intentional as each struggling breath. The strength from moments before had waned, and my vision was darkening to a blur. “I’m Katrina.”

“You said that already.” Sweat beaded on his forehead and ran along the edges of his mask.

“Oh.” No feeling in my hands or legs. Except for a twitching muscle in my upper arm, I couldn’t move at all. “You didn’t—”

“I ain’t telling you who I am.” He pulled at the edges of the hole in my stomach, but I could barely feel anything other than the dull pressure of his hand keeping the tension steady. “You think I’m stupid or something?”

“Why Santa Claus?”

“What?”

“Tat—”

“Oh.” He glanced at the tattoo, then at me, then off into the mouth of the alley. “Why not? It was while I was in the army. I was lousy at cards. Winners picked the loser’s tattoo.”

“Ah.” I could pick out the colors but not the shapes of Santa and his reindeer. “Nice. Different.”

“Thanks.” He pulled his shirt tight and buttoned it again, covering the Christmas scene inked into his skin. “I was a different person then. Weak. Stupid. That was a different season in my life.”

“To everything...” I started, but choked on a sharp stab of pain, and let the rest remain unspoken.

He glanced down at my sweater. “I ain’t gonna rape you or nothing like that, but I gotta make sure they know it’s me, okay.”

I didn’t answer, and he didn’t really leave me time to, but instead ripped open my sweater and peeled it off my skin and bunched it up at my sides. Then he scooted back down to my hips and wiped as much of the blood off the upper part of my stomach as he could with his free hand.

I closed my eyes and waited quietly as he cut the top of the ‘T’ into my skin, just above the base of my ribs. He cut deep enough to scrape against my ribs, but not enough to puncture my lungs. Not one for overkill, I supposed. He took his time, meticulous to the point of insanity. Probably not far from the truth, I guessed. As he cut, he trailed behind the knife with his finger, moving it away every few seconds, then returning to continue its path.

I forced my eyes open, wanting to see him again before I lost my sight for good. I almost closed them again when I saw him pull his finger from his mouth.

“You got anything good in these packages, lady?” he asked as he finished cutting. The absence of the knife seemed more alarming than its presence had been while he was marking me with his calling card.

A robe, socks, books, women’s body washes, I wanted to say, but the strength to speak above a whisper was gone. And I had to save what was left for my last words.

In my mind, I inventoried the remaining packages. The one that had fallen closest to the wall contained a one-piece workout suit, with the biker shorts, not the thong thing that seemed popular on fitness commercials. The little bag that I had flung the farthest had a leather belt with three clips for pouches, and the Dillard’s bag contained a pair of lace-up boots. Together with the mask I’d picked up at the Army Surplus last week, they had been intended for my debut next Saturday night.

“Thirty-two seconds,” I whispered.

“What?”

“I warned ... you...” The words trailed off.

“What are you talking about?”

“The cops.” I shuddered.

“What cops?”

“Tell them you killed Katrina Warner.”

“Crazy...”

“Tell them...” I closed my eyes, not that it mattered. But it didn’t seem right to leave my corpse staring up, waiting like a drooling fan for more heroes to fly by. And I couldn’t count on the man sitting on top of me to close my eyelids for me.

Not when he would need someone to close his.

I pushed everything I had left into my last words. “Tell them the T-Bone Killer killed Ms. Futura.”

I regretted the name the moment I said it. I had planned on coming up with something better over the next few days while I worked on the final adjustments to the costume. It sounded so stupid. So amateur. So... non-Peacekeeper.

“Crazy...” he mumbled, then stood up.

I counted the seconds in my head. Twenty-one. Twenty. Nineteen. Eighteen.

A dog barked. A woman screamed.

Fourteen. Thirteen. Twelve.

Screaming.

Nine. Eight. Seven. Six.

Men shouting. One last spasm. My lungs and heart stopped.

Three. Two.

A gunshot.

One.

And nothing more.

 

Saturday, December 3, 2011

The Writer Will Take Your Questions Now (#7) -- Danger People

What was your inspiration for the setting for your (and Bobby Nash's)
new book The Danger People? -- New Babel Books


 
The name came from Bobby and me talking on the phone and playing with everything from Danger Corp. to Danger Inc. to Danger (your name here), but then a stray comment from Bobby brought up “The Danger People,” and I knew we had our winner.

For me the idea really stemmed from seeing the opening scene of the old show The Time Tunnel over and over again in my head. That set the whole tone for me, and from that point, the best way of describing the book came out to be a weird fusion of old sci-fi movies, Quatermass, Challengers of the Unknown, and even a little classic Fantastic Four without all the superheroics and aliens from other worlds. The book is about adventure from the first page all the way to the last and will be very much an old pulp-style book.

Sunday, November 27, 2011

Sean Taylor's Show Me A Hero only $.99 for Nook Until the End of November

Reposted from: http://allpulp.blogspot.com/2011/11/sean-taylors-show-me-hero-only-99-for.html

Sean Taylor's Cyber Age Adventures opus, Show Me A Hero is now available for the Nook at the low price of $.99. You can learn more at http://www.barnesandnoble.com/w/show-me-a-hero-sean-taylor/1103852669?ean=2940011330957&itm=8&usri=sean%2Btaylor

"That's 500+ pages of my short stories from Cyber Age Adventures and iHero Entertainment for less than a measly buck," said Taylor in his press release.

Here's what some of the critics said about Sean Taylor's Show Me A Hero:

"...More fully-rounded, more realistic and, as a direct result, more human than all but the best superhero comic book work."
—From the introducton by Dwayne McDuffie

“Sean Taylor’s stories focus less on the obvious trappings of the genre, instead homing in on the conflicted, flawed human beings for whom greater-than-mortal powers don’t convey greater-than-mortal morality.”
—Tom Brevoort, Executive Editor, Marvel Comics

“Show Me a Hero delivers a series of stories that are dangerous, intriguing, fun and lathered with that sense of character readers will be sure to love. Once you’re done reading, you’ll know you read a well-crafted, fully rounded piece of work.”
—Dan Jurgens, author of The Death of Superman

“Hitting a heavy beat on the ’human’ in superhuman, Taylor’s stories pulse with a visceral reality. The biggest villains his heroes face might be their own bad habits; their greatest challenges are working through relationships—not surviving the battle. Show Me a Hero lives in the place where modern fiction meets mythology.”
—Barbara Randall Kesel, author of Alien vs. Predator, WildC.A.T.s, Rogue Angel: Teller of Tall Tales

“’Show me a hero and I will write you a tragedy.’ Sean Taylor takes F. Scott Fitzgerald to heart in a selection of stories that reveal the high price even super heroes often pay to do the right thing. If there are any tears in these riveting tales— and, I’m afraid, there are—they do not diminish the courage of Taylor’s champions or the power of his writing. These are the quiet pains that stay with the readers and, hopefully, help them appreciate the heroes in their own lives.”
—Tony Isabella, author of 1000 Comic Books You Must Read, Star Trek: The Case of the Colonist’s Corpse

“I’ll sum it up as simply as I can: you’re going to care. That’s what Sean does with his characters and the stories they inhabit. He makes you care.”
—Erik Burnham, author of A-Team: War Stories, Ghostbusters Infestation, Nanover, Civil War Adventures

“Show Me a Hero is not about powers, costumes or catchy code names. It’s about heart and soul, and the choices that make heroes out of ordinary lives.”
—Bryan J.L. Glass, author of Mice Templar, Thor: First Thunder

“A lot of writers talk about trying to introduce superheroes into the real world, but Sean Taylor does it better than most. Perhaps because his stories don't just have plot, they have a point. They're not about a series of circumstances and events, but about how those circumstances and events make the people living through them feel. You may not like every story in Show Me A Hero, but I defy you to finish one and be indifferent. You may love them or hate them, be inspired or unsettled, but they're going to get inside your head and gut and make you think and feel.”
—Paul Storrie, author of Gotham Girls, Justice League Unlimited, Captain America: Red, White & Blue

“Sean Taylor’s work is gripping, sincere and relevant.”
—Dwight MacPherson, author of The Surreal Adventures of Edgar Allan Poo, American McGee’s Grim

“Full of dynamic action and a range of intriguing characters, Sean Taylor gracefully delivers moments of dimension and depth in his stories that explore what being heroic is truly about.”
—Stephen Zimmer, author of the Rising Dawn Saga and Fires in Eden Series

“What will certainly surprise new readers of Sean Taylor’s work is how mature and entertaining the story lines are, not to mention the amount of realism he injects into each and every one of his characters. If you’re on the fence about super hero fiction—if you think it’s just kid stuff—then pick up Show Me A Hero and find out how glad you’ll be to learn you were wrong.”
—Tom Waltz, Editor, IDW Publishing; author of Silent Hill: Sinners Reward, Gene Simmons Zipper

“Instead of the all-powerful visitor from another planet or the millionaire with crimefighting devices that cost more than my house, Taylor shows us a more human hero—and more often than not, a less than perfect one. Show Me A Hero reminds us that heroes come in all shapes and sizes as it takes us down the less traveled path to see just what defines a hero.
—Bobby Nash, author of Evil Ways, Lance Star: Sky Ranger, Deadly Games!

“Guaranteed to pull at your emotions—a must read!”
—Shane Moore, author of the Abyss Walker series

“Show Me a Hero is a great mix of super hero stories that appeal to every reader—dark, sweet, strong and funny, each story has a unique take on the super hero setting. Taylor has done a fantastic job, enticing me every step along the way to draw me into the worlds and become passionate about the characters.”
—Christina Barber, author of Seely’s Pond and Spirits of Georgia’s Southern Crescent

"Sean Taylor’s stories are in-your-face, emotional, and immediate. In this collection, he examines from all angles the odd yet undeniable impulse that drives some people to put on a costume and fight crime in the streets. No kid stuff here—this is serious, intelligent drama and deep, human introspection spiced with plenty of action and intensity (and often a nice twist along the way). Well worth your time."
—Van Allen Plexico, author of Assembled! and the Sentinals series

Sean Taylor's Show Me A Hero is published by New Babel Books and is available for the Nook at the low price of $.99. You can learn more at http://www.barnesandnoble.com/w/show-me-a-hero-sean-taylor/1103852669?ean=2940011330957&itm=8&usri=sean%2Btaylor

To learn more about Sean Taylor, visit his website at http://www.taylorverse.com/.

Check out the New Babel books online shopping experience!

New Babel Books Opens New eStore

Press Release:

New Babel opens their eStore at http://www.newbabelbooks.com/estore.

Awesome books at awesome prices!
All without battling the mall mobs!

New Babel welcomes Black Friday with an eStore! Debuting on the virtual shelves are Sara M. Harvey’s romantic tale, Seven Times a Woman, in the new release line-up alongside Ian T. Healy’s superhero novel, Just Cause. For more superhero pathos, check out Frank Fradella’s new release of Swan Song, the first full-length novel in the award-winning iHero Universe.

The highly-anticipated zombie book, The Apocalypse of Enoch by Shane Moore will also be available for pre-order at a price so low you’ll think the zombies ate our brains.

We’ll also have Frank Fradella’s The Power Within and Sean Taylor’s Show Me a Hero, two iHero omnibuses, and Elizabeth Donald’s short story collection, Setting Suns.

And here's the best part — from now through Monday, November 28, 2011 plug in the code "NBB-Black" at checkout and they'll get 25% off everything in the store (except shipping). This sale also includes the already low-priced ebooks.

The coupon expires on Monday, so poke your audience with something hot and sharp and get them moving!

Visit the New Babel eStore at http://www.newbabelbooks.com/estore.